The panhandle plains were Texas's last frontier, barren lands populated by hostile Comanche and outlaws attempting to outrun civilization. It was Texas Ranger and frontier scout Jim Jackson who first saw potential in the region. Jackson accompanied Col. Ranald Mackenzie into unsettled Kent County in 1875. He climbed a mountain at Polar to witness a sea of tall grass and a good stream of water. This was good news for Jackson's friends and relatives in Coleman County. Many chose to leave the crowded range and move their cattle herds west. Those who answered the call of the wild were Elkins, Mann, Brown, Overall, Sharp, Wallace, and a host of others. They were the point riders who took the challenge of opening Kent, Garza, Crosby, Lynn, Borden, Dawson, Mitchell, Fisher, Scurry, Stonewall, and Nolan Counties to permanent settlement.

A study of the changes initiated into the systems and culture of the plain dwellers

Land of Bright Promise is a fascinating exploration of the multitude of land promotions and types of advertising that attracted more than 175,000 settlers to the Panhandle-South Plains area of Texas from the late years of the nineteenth century to the early years of the twentieth. Shunned by settlers for decades because of its popular but forbidding image as a desert filled with desperados, savage Indians, and solitary ranchers, the region was seen as an agricultural and cultural wasteland. The territory, consequently, was among the last to be settled in the United States. But from 1890 to 1917, land companies and agents competed to attract new settlers to the plains. To this end, the combined efforts of local residents, ranchers and landowners, railroads, and professional real estate agents were utilized. Through brochures, lectures, articles, letters, fairs, and excursion trips, midwestern farmers were encouraged to find new homes on what was once feared as the "Great American Desert." And successful indeed were these efforts: from 13,787 in 1890, the population grew to 193,371 in 1920 with a corresponding increase in the amount of farms and farm acreage. The book looks at the imagination, enthusiasm, and determination of land promoters as they approached their task, including their special advertisements and displays to show the potential of the area. Treating the important roles of the cattlemen, the railroads, the professional land companies, and local boosters, Land of Bright Promise also focuses on the intentions and expectations of the settlers themselves. Of special interest are the 15 historical photographs and reproductions of promotional pieces from the era used to spur theland boom. What emerges is an engaging look at a critical period in the development of the Texas Panhandle and an overview of the shift from cattle to agriculture as primary industry in the area.

This is the fifth volume of the Spirits of the Border Series covering all hauntings and unsolved mysteries in the State of Texas.

This landmark collection, brimming with his signature wit and incomparable sensibility, is Larry McMurtry’s classic tribute to his home and his people. Before embarking on what would become one of the most prominent writing careers in American literature, spanning decades and indelibly shaping the nation’s perception of the West, Larry McMurtry knew what it meant to come from Texas. Originally published in 1968, In a Narrow Grave is the Pulitzer Prize–winning author’s homage to the past and present of the Lone Star State, where he grew up a precociously observant hand on his father’s ranch. From literature to rodeos, small-town folk to big city intellectuals, McMurtry explores all the singular elements that define his land and community, revealing the surprising and particular challenges in the “dying . . . rural, pastoral way of life.” “The gold standard for understanding Houston’s brash rootlessness and civic insecurities” (Douglas Brinkley, New York Times Book Review), In a Narrow Grave offers a timeless portrait of the vividly human, complex, full-blooded Texan.

In a collection of essays about Texas gathered from his West Texas newspaper column, Lonn Taylor traverses the very best of Texas geography, Texas history, and Texas personalities. In a state so famous for its pride, Taylor manages to write a very honest, witty, and wise book about Texas past and Texas present. Texas, My Texas: Musings of the Rambling Boy is a story of legacies, of men and women, times, and places that have made this state what it is today. From a history of Taylor’s hometown, Fort Davis, to stories about the first man wounded in the Texas Revolution, (who was an African American), to accounts of outlaw Sam Bass and an explanation of Hill Country Christmases, Taylor has searched every corner of the state for untold histories.Taylor’s background as a former curator at the Smithsonian National Museum becomes apparent in his attention to detail: Roosevelt’s Rough Riders, artists, architects, criminals, the founder of Neiman Marcus, and the famous horned frog “Old Rip” all make appearances as quintessential Texans. Lonn Taylor’s unique narrative voice is personal. As he points out in the foreword, it is the stories of Texans themselves, of their grit and eccentricities, that have “brought the past into the present . . . the two seem to me to be bound together by stories.” People—real Texans—are the focus of the essays, making Texas, My Texas a rite of passage for anyone who claims Texan heritage. There are just a few things every good Texan “knows,” like the fact that it is illegal to pick bluebonnets along the highway, or that the Menger Hotel bar is modeled after the one in the House of Lords in London. Taylor points out with his usual wit that it is not, in fact, illegal to pick any of the six varieties of bluebonnets that grow throughout our state, and that few Texans would know that the bar is modeled after the one in the House of Lords, as few Texans are Lords. These are just a few examples of Taylor’s knowledge of Texas and his passion for its citizens.