An icon of Southern California and one of America's most imaginative and vibrant cities--the fitting destination at the end of Route 66--Santa Monica lies on the brink of the West and is known throughout the nation for its beaches and its Hollywood A-list locals With a foundation built by the Gabrielino Indians and molded by Spanish and Mexican land grants, railroad battles, and a constant influx of settlers, Santa Monica became an oceanside haven for actors and airplane companies, road races and ranchers.

The collection is thematically linked by both the characters-who are struggling to realize their Hollywood dreams and the setting-Santa Monica, California. A seemingly peaceful seaside city, Santa Monica is also a purgatory where the characters must face failure and loss-as well as their demons and ghosts. Family and ritual are consistent motifs throughout the collection, as are the themes of escape, addiction, redemption, reparation, religion, and death. Whether it is a young couple looking to buy their first home or a man returning to his hometown for a funeral or a baptism, readers will find the everyday rituals in these stories identifiable in many ways.

Santa Monica Pier now stands as the last remnant of the bay's once many pleasure piers. For over 100 years it has captured the imagination of its many visitors. This collection of vintage images, artwork, history and treasured lore offers readers the opportunity to travel through time.

As west as metropolitan Los Angeles's trendy Westside gets, Santa Monica has enjoyed a colorful history as both a resort community and a bedrock hometown on the Southern California coast. As a playground and ready-made set for Hollywood, traditional hotbed of progressive politics, and amorphous fun zone for a greater century of visitors, the city of Santa Monica has remained at the forefront of the evolution of California culture. Prior to World War II, Santa Monica was a collection of distinct neighborhoods--Santa Monica Canyon and Ocean Park among them--and its pier, built in 1909 beneath the bluffs of Palisades Park, became a regional draw, especially after the nation's largest dance emporium, La Monica Ballroom, was built on it. The vintage photographs in this tour through Santa Monica's beginnings and its growth through the early 20th century were selected from the archives of the Santa Monica Historical Society Museum.

2020 Miriam Matthews Ethnic History Award from the Los Angeles City Historical Society Alison Rose Jefferson examines how African Americans pioneered America’s “frontier of leisure” by creating communities and business projects in conjunction with their growing population in Southern California during the nation’s Jim Crow era.

'Portrait of Santa Monica, 1902,' written by Sara Crown of the Santa Monica History Museum

Pacific Ocean Park - or P.O.P. - was extraordinary in both its glamorous rise and spectacular fall. Located between Santa Monica and Venice, it was a family-oriented attraction in the '50s with modernist-style rides. P.O.P.'s attendance surpassed that of Disneyland and was often widely seen in movies and television shows throughout the '60s. Its Cheetah auditorium hosted important early rock shows, including those by The Doors and Pink Floyd. Merritt and Priore's spectacular history features hundreds of images, most of them unseen, including original ride designs.

Way before Rodeo Drive and the "pink palace" of the Beverly Hills Hotel were built, way before the namesake hillbillies, its zip code, and Eddie Murphy's detective techniques reaffirmed its place in popular culture, and way before its 1,001 mansions, Beverly Hills was comprised of wild canyons and ranchlands. Burton Green, one of the three original land developers of the Rancho Rodeo de las Aguas, named this place of severe terrain after Beverly Farms, Massachusetts, a 19th-century spa. Since its establishment in 1907, Beverly Hills, California, has been a crossroads for the great movers and shakers of the entertainment industry as well as the tycoons, world leaders, and flotsam and jetsam magnetized by the limelight. The vintage photographs in this provocative volume illustrate Beverly Hills's early transition from cow pastures to Hollywood's extremely illustrious bedroom community.

Swim out into the Pacific and look back to the shore. To the couple kissing in the hot afternoon, and the young girl rollerskating along the front, and the family setting up camp on the soft, warm sand. To the blues and yellows and pinks of fierce, determined revelry. Santa Monica, where the wooden pier juts out into the Pacific Ocean, marks the end of Route 66. The great American journey west culminates here, and it is on this short stretch of coast that Sarah Lee began shooting her photographic series in 2015. In West of West Sarah Lee and Laura Barton explore the idea of the West in shaping American identity, with its idealism and notions of the frontier, and what the American West means in an age of political turbulence, when the East is the rising global force and the frontier is shifting once more.