"Early Memories" by using John Butler Yeats is a poignant and reflective series of autobiographical sketches that provide readers with a glimpse into the life and stories of the writer. John Butler Yeats, famend as the father of the well-known poet W.B. Yeats, shares his recollections, observations, and reflections on an expansion of subjects on this literary work. The narrative delves into Yeats's childhood, capturing the essence of his childhood, own family lifestyles, and the societal milieu wherein he lived. Yeats, acknowledged for his eager insight and inventive sensibility, offers readers a nuanced portrayal of his non-public journey and the historic context that fashioned his perspectives. Through brilliant storytelling, "Early Memories" navigates the landscapes of Yeats's past, portray a bright photo of the humans, locations, and occasions that left an indelible mark on him. The memoir unfolds like a tapestry, weaving together anecdotes, musings, and reminiscences that offer a textured and intimate portrayal of the author's life. Readers are treated to Yeats's encounters with exceptional figures of his time, his creative hobbies, and his reflections at the broader cultural and political panorama.

Combining fiction and autobiography in a quite unprecedented way, Georges Perec leads the reader inexorably towards the horror that lies at the origin of the post-World War Two world and at the crux of his own identity.

Autobiographical writings have been a major cultural genre from antiquity to the present time. General questions of the literary as, e.g., the relation between literature and reality, truth and fiction, the dependency of author, narrator, and figure, or issues of individual and cultural styles etc., can be studied preeminently in the autobiographical genre. Yet, the tradition of life-writing has, in the course of literary history, developed manifold types and forms. Especially in the globalized age, where the media and other technological / cultural factors contribute to a rapid transformation of lifestyles, autobiographical writing has maintained, even enhanced, its popularity and importance. By conceiving autobiography in a wide sense that includes memoirs, diaries, self-portraits and autofiction as well as media transformations of the genre, this three-volume handbook offers a comprehensive survey of theoretical approaches, systematic aspects, and historical developments in an international and interdisciplinary perspective. While autobiography is usually considered to be a European tradition, special emphasis is placed on the modes of self-representation in non-Western cultures and on inter- and transcultural perspectives of the genre. The individual contributions are closely interconnected by a system of cross-references. The handbook addresses scholars of cultural and literary studies, students as well as non-academic readers.

"I've struck it!" Mark Twain wrote in a 1904 letter to a friend. "And I will give it away—to you. You will never know how much enjoyment you have lost until you get to dictating your autobiography." Thus, after dozens of false starts and hundreds of pages, Twain embarked on his "Final (and Right) Plan" for telling the story of his life. His innovative notion—to "talk only about the thing which interests you for the moment"—meant that his thoughts could range freely. The strict instruction that many of these texts remain unpublished for 100 years meant that when they came out, he would be "dead, and unaware, and indifferent," and that he was therefore free to speak his "whole frank mind." The year 2010 marks the 100th anniversary of Twain's death. In celebration of this important milestone and in honor of the cherished tradition of publishing Mark Twain's works, UC Press is proud to offer for the first time Mark Twain's uncensored autobiography in its entirety and exactly as he left it. This major literary event brings to readers, admirers, and scholars the first of three volumes and presents Mark Twain's authentic and unsuppressed voice, brimming with humor, ideas, and opinions, and speaking clearly from the grave as he intended. Editors: Harriet E. Smith, Benjamin Griffin, Victor Fischer, Michael B. Frank, Sharon K. Goetz, Leslie Myrick

The Pulitzer Prize–winning memoir about coming of age in America between the world wars: “So warm, so likable and so disarmingly funny” (The New York Times). One of the New York Times’ “50 Best Memoirs of the Past 50 Years” Ranging from the backwoods of Virginia to a New Jersey commuter town to the city of Baltimore, this remarkable memoir recounts Russell Baker’s experience of growing up in pre–World War II America, before he went on to a celebrated career in journalism. With poignant, humorous tales of powerful love, awkward sex, and courage in the face of adversity, Baker reveals how he helped his mother and family through the Great Depression by delivering papers and hustling subscriptions to the Saturday Evening Post—a job which introduced him to bullies, mentors, and heroes who endured this national disaster with hard work and good cheer. Called “a treasure” by Anne Tyler and “a blessing” by Time magazine, this autobiography is a modern-day classic—“a wondrous book [with scenes] as funny and touching as Mark Twain’s” (Los Angeles Times Book Review). “In lovely, haunting prose, he has told a story that is deeply in the American grain.” —The Washington Post Book World “A terrific book.” —St. Louis Post-Dispatch

A journal of Irish studies.

Autobiography of Mark Twain Volume 1 by Harriet Elinor pdf free download. Between 1870 and 1905 Mark Twain (Samuel L. Clemens) tried repeatedly, and at long intervals, to write (or dictate) his autobiography, always shelving the manuscript before he had made much progress. By 1905 he had accumulated some thirty or forty of these false starts—manuscripts that were essentially experiments, drafts of episodes and chapters; many of these have survived in the Mark Twain Papers and two other libraries. To some of these manuscripts he went so far as to assign chapter numbers that placed them early or late in a narrative which he never filled in, let alone completed.