Excerpt from Early English Furniture and Woodwork, Vol. 1 Modern furniture, even when made from that most durable material, English oak, and when constructed in the logical and stable manner which is so characteristic of the Tudor and Stuart periods, is, nevertheless, perishable, even with judicious wear and usage. When neglect and ill-treatment are added, it is not remarkable that so little, comparatively, of the Tudor and Jacobean furniture has survived to our day; the wonder is that any has persisted, even in the great treasure houses of England. With fashion always as capricious as it is at the present day, out-oi-date furniture, in any form, must have been frequently in jeopardy during the chequered career through which so much of it has passed. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from Early English Furniture and Woodwork, Vol. 2 The next type, Fig. 2, which also belongs to the thirteenth century, is where the front is formed with very wide upright styles fixed flush to the centre and acting as huge clamps. The tenons of the central panel are secured in the mortises of these vertical clamps by large wooden pegs, which are here allowed to project, and are finished Off as ornamental features. The entire front is fixed to the Sides with heavy wrought-iron nails. This chest is rare, for its date, in being ornamented with roundels and geometrical devices in chip-carving. As a rule, thirteenth-century chests are plain, and tracery was never applied. This Earl Stonham chest is supported on large runners, kept well away from the ends to minimise any tendency to sagging of the bottom. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Measured drawings (scaled in feet and inches) of the best 17th- and 18th-century English oak furniture, including interior woodworking and constructive detail. 110 b/w plates. viii+110pp.

Bowett charts the species, sources, and history of the woods used in British furniture making from medieval times to the twentieth century. The main dictionary section of the book has 460 entries that cover 477 species of hardwoods and softwoods and detail the history of each wood, describe its uses, and provide cross references to other woods. Extensively illustrated with examples of historic furniture, this book also includes an introductory survey of the historic timber trade and several appendices, including over 160 illustrated wood samples from the Economic Botany collection at Kew Gardens. The layout and accompanying photographs make this a valuable and accessible read that will interest furniture and antique enthusiasts, collectors, restorers, curators, and botanists, among others.

"Arts & Crafts" has come to be a name for a style of decorative arts, but just try to pin it down. It's a huge challenge, because it encompasses such a broad variety of work. Early pieces, such as some of those by William Morris, draw from more ornate Victorian artifacts. Contrast these with the simpler, medieval-inspired work of Morris, the austere elegance of chairs and built-in cabinetry by Voysey, or furniture produced by the Barnsleys--never mind the clear Art Nouveau influences in much of Mackintosh's work. It quickly becomes clear just how broad this period in design history really is. English Arts & Crafts Furniture explores the Arts & Crafts movement with a unique perspective on furniture designs inspired by English Arts & Crafts designers. Through examination of details and techniques as well as projects, you'll learn what sets English Arts & Crafts apart and gain a deeper understanding of the overall Arts & Crafts movement and its influences. In this book you'll find: • Insight into the history and culture surrounding the Arts & Crafts movement • An examination of influences that set English Arts & Crafts designers including William Morris, Charles Francis Annesley Voysey, Ernest Gimson, Ernest and Sidney Barnsley, and Charles Robert Ashbee apart from their American counterparts • 3 complete furniture projects that illustrate traits representative of English Arts & Crafts: a Voysey chair, a hayrake table designed by Ernest Gimson and a sideboard design from the Harris Lebus company, England’s largest furniture maker at the time Equal parts design survey and project book, English Arts & Crafts Furniture is a must-read for any serious fan of Arts & Crafts furniture.

Provides instruction on building fine American furniture, including Windsor chairs, a Queen Anne secretary, a Pembroke table, and a four-poster bed.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.