Coins are among the most important sources of information for the Anglo-Saxon period. In addition to what they tell us about the Anglo-Saxon economy, the combination of inscriptions and images provide evidence about kingship, religion and cultural identity. Written by one of the foremost experts on Anglo-Saxon coins, this book provides an overview of Anglo-Saxon coins in their historical context, drawing on recent finds as well as famous treasures to provide an authoritative account of current interpretations. Covering the period from the Anglo-Saxon settlements of the fifth century, through the emergence of the great kingdoms of Kent, East Anglia, Mercia, Northumbria and Wessex, to the Viking invasions of the mid-ninth century and the conquest of all the Anglo-Saxon kingdoms apart from the Wessex of Alfred the Great, this is an essential volume for any aspiring amateur archeologist, coin collector or student interested in this historical period.

The third revised editions of Jeffrey North’s two volume classic are newly reissued for 2018 to make them available to Spink customers for the first time in over ten years. Volume I includes hammered coins of the early Anglo Saxon, Viking, Regional Kings, Norman and Plantagenet periods up to the reign of Henry III, including 20 plates with hundreds of coin images, covering the dates c600 to 1272. Volume II covers the coinages of Edward I to Charles II from 1272-1662, the principal amendments to the third edition being in the coinages of 1279-1351 and the provincial issues of Charles 1; much new information was incorporated into the relevant sections in 2000 on the strength of important studies including the base shillings of Edward VI, the milled coinage of Elizabeth 1, the Tower shillings of Charles 1 and the mint of York of Charles 1.

This is the first scholarly art-historical appraisal of Anglo-Saxon coinage, from its inception in the late sixth century to Offa's second reform of the penny c.792. Outside numismatic circles, this material has largely been ignored because of its complexity, yet artistically this is the most vibrant period of English coinage, with die-cutters showing flair and innovation and employing hundreds of different designs in their work. By analysing the iconography of the early coinage, this book intends to introduce its rich legacy to a wide audience. Anna Gannon divides the designs of the coins into four main categories: busts (including attributes and drapery), human figures, animals and geometrical patterns, presenting prototypes, sources of the repertoire and parallels with contemporary visual arts for each motif. The comparisons demonstrate the central role of coins in the eclectic visual culture of the time, with the advantages of official sanctioning and wide circulation to support and diffuse new ideas and images. The sources of the motifs clarify the relationship between the many designs of the complex Secondary phase (c.710-50). Contemporary literature and theological writings often offer the key to the interpretation of motifs, hinting at a universal preoccupation with religious themes. The richness of designs and display of learning point to a sophisticated patronage with access to exotic prototypes, excellent craftsmanship and wealth; it is likely that minsters, as rich, learned, and well-organized institutions, were behind some of the coinage. After the economic crises of the mid-eighth century this flamboyant iconography was swept away: with the notable exeption of the coins of Offa, still displaying exciting designs of high quality and inventiveness, reformed issues bore royal names and titles, and strove towards uniformity.

This groundbreaking study of coinage in early medieval England is the first to take account of the very significant additions to the corpus of southern English coins discovered in recent years and to situate this evidence within the wider historical context of Anglo-Saxon England and its continental neighbours. Its nine chapters integrate historical and numismatic research to explore who made early medieval coinage, who used it and why. The currency emerges as a significant resource accessible across society and, through analysis of its production, circulation and use, the author shows that control over coinage could be a major asset. This control was guided as much by ideology as by economics and embraced several levels of power, from kings down to individual craftsmen. Thematic in approach, this innovative book offers an engaging, wide-ranging account of Anglo-Saxon coinage as a unique and revealing gauge for the interaction of society, economy and government.

Reading Medieval Sources is an exciting new series which leads scholars and students into some of the most challenging and rewarding sources from the European Middle Ages, and introduces the most important approaches to understanding them. Written by an international team of twelve leading scholars, this volume Money and Coinage in the Middle Ages presents a set of fresh and insightful perspectives that demonstrate the rich potential of this source material to all scholars of medieval history and culture. It includes coverage of major developments in monetary history, set into their economic and political context, as well as innovative and interdisciplinary perspectives that address money and coinage in relation to archaeology, anthropology and medieval literature. Contributors are Nanouschka Myrberg Burström, Elizabeth Edwards, Gaspar Feliu, Anna Gannon, Richard Kelleher, Bill Maurer, Nick Mayhew, Rory Naismith, Philipp Robinson Rössner, Alessia Rovelli, Lucia Travaini, and Andrew Woods.

Traces the development of towns in Britain from late Roman times to the end of the Anglo-Saxon period using archaeological data.

This themed volume contains 28 papers by leading authorities on numismatics and monetary history. It covers a variety of topics concerning the design, use and circulation of coinage in northern Europe in the late fifth to early thirteenth centuries.

How did the Anglo-Saxons obtain the treasure that tempted Vikings to raid England frequently in the ninth century and again between 980 and 1018? As Britain then had no gold mine and its lead mines yielded very little silver, this treasure must have been imported. Some may have been given, but most was obtained by trade. Until the ninth century the main source was Francia where there was a lively demand for English produce. Cross Channel trade flourished, much of it passing through the major ports, or wics, that developed in the seventh century. The rapid decline of this trade in the ninth century was caused, not by the Vikings, but by a general shortage of new silver in western Europe after c. 850, reflected in the debasement of the Frankish and Anglo-Saxon coinages. Silver was, however, imported to England by the Danes who settled there in the late ninth century. A very important source of new silver was discovered in the 960s in Germany. This led to a rapid expansion of the German economy that created a demand for raw materials and food from England. Very soon England's towns expanded and its trade, internal and external, grew. Its new wealth attracted Vikings, but trade continued and, although they extracted a great deal of silver, new supplies from Germany enabled the English to maintain their currency. Recent studies have shown that it grew to a peak under Edward the Confessor. This confirms the evidence of Domesday Book that on the eve of the Norman Conquest England was a very rich, highly urbanized, kingdom with a large, well-controlled coinage of high quality. This coinage, and Domesday Book itself, are indeed good evidence that English government was then remarkably effective. Peter Sawyer offers an account of the ways wealth was accumulated and the forms it took in Anglo-Saxon England, with emphasis on recent developments in the study of Anglo-Saxon coins and Domesday Book, and some of their surprising results.

This is the first scholarly art-historical appraisal of Anglo-Saxon coinage, from its inception in the late sixth century to Offa's second reform of the penny c.792. Outside numismatic circles, this material has largely been ignored because of its complexity, yet artistically this is the most vibrant period of English coinage, with die-cutters showing flair and innovation and employing hundreds of different designs in their work. By analysing the iconography of the early coinage, this book intends to introduce its rich legacy to a wide audience. Anna Gannon divides the designs of the coins into four main categories: busts (including attributes and drapery), human figures, animals and geometrical patterns, presenting prototypes, sources of the repertoire and parallels with contemporary visual arts for each motif. The comparisons demonstrate the central role of coins in the eclectic visual culture of the time, with the advantages of official sanctioning and wide circulation to support and diffuse new ideas and images. The sources of the motifs clarify the relationship between the many designs of the complex Secondary phase (c.710-50). Contemporary literature and theological writings often offer the key to the interpretation of motifs, hinting at a universal preoccupation with religious themes. The richness of designs and display of learning point to a sophisticated patronage with access to exotic prototypes, excellent craftsmanship and wealth; it is likely that minsters, as rich, learned, and well-organized institutions, were behind some of the coinage. After the economic crises of the mid-eighth century this flamboyant iconography was swept away: with the notable exeption of the coins of Offa, still displaying exciting designs of high quality and inventiveness, reformed issues bore royal names and titles, and strove towards uniformity.