Borders Cuts Images. History and Theory. Editorial, edited by Linda Bertelli and Maria Luisa Catoni Maria Luisa Catoni, Cut as a device. An example from Classical Antiquity. Camilla Pietrabissa, Cutting down the interpretation of drawings. The case of Watteau. Maja-Lisa Müller, Framing representation. The hybrid zones of intarsia. Costanza Caraffa, The photographic cut and cutting practices in photographic archives. Sara Romani, From cuts to clues, hidden narratives within the details of Carl Durheim’s photographic portraits (1840-1860). Laura Di Fede, A look from outside. Foreign photographers in Palermo between the 19th and 20th centuries. Agnese Ghezzi, Framing the ‘delegated gaze’. Handbooks for travelers and the making of anthropological photography in Italy at the end of the 19th century. Linda Bertelli, Chronophotography as an archive. The dialogue between the physiologist and the artist in Le Mouvement by Étienne-Jules Marey (1894). Sonia Colavita, The aesthetics of cut in found footage film. The case of Decasia by Bill Morrison. Maria Giusti, Rediscovering censorship to understand the struggle for the contemporaneous age-oriented movie rating systems. Laura Forti, Francesca Leonardi, At the border of artistic legitimation. Geography, practices and models of project spaces in Milan.

The photographic portrait is discussed in a wide context, from general subjects such as the family photograph album and American portrait photography to the work of individual artists like Sander and Stieglitz.

Jacques Lacan's thinking revolutionised the theory and practice of psychoanalysis and had a major impact in fields as diverse as film studies, literary criticism, feminist theory and philosophy. Yet his writings are notorious for their complexity and idiosyncratic style. Emphasising the clinical basis of Lacan's work, An Introductory Dictionary of Lacanian Psychoanalysis is an ideal companion to his ideas for readers in every discipline where his influence is felt. The Dictionary features: * over 200 entries, explaining Lacan's own terminology and his use of common psychoanalytic expressions * details of the historical and institutional context of Lacan's work * reference to the origins of major concepts in the work of Freud, Saussure, Hegel and other key thinkers * a chronology of Lacan's life and works.

This book provides a state-of-the-art overview of the combined use of imaging modalities to obtain important functional and morphological information on intravascular disease and enhance disease detection. It discusses the integration of intravascular ultrasound (IVUS, intravascular optical coherence tomography (OCT), intravascular photoacoustic imaging (IVPA) and acoustic radiation force optical coherence elastography (ARF-OCE), and introduces the integration of multimodality imaging systems, such as IR and florescence. It includes the latest research advances and numerous imaging photos to offer readers insights into current intravascular applications. It is a valuable resource for students, scientists and physicians wanting to gain a deeper understanding of multimodality imaging tools.

For over 15 years, the Stable series has introduced Microsoft® Office applications to over 100,000 Australians. The 2010 Stable provides an easy-to-use Australian introduction to the basics of: Microsoft® Word 2010 Microsoft® Excel 2010 Microsoft® Access 2010 icrosoft® PowerPoint 2010 Covering the four applications with explanations on how they are integrated, this manual helps the new user to learn and master the fundamentals of these industry-standard applications through concise step-by-step instructions.

The aim of this book is to assemble a series of chapters, written by experts in their fields, covering the basics of color - and then some more. In this way, readers are supplied with almost anything they want to know about color outside their own area of expertise. Thus, the color measurement expert, as well as the general reader, can find here information on the perception, causes, and uses of color. For the artist there are details on the causes, measurement, perception, and reproduction of color. Within each chapter, authors were requested to indicate directions of future efforts, where applicable. One might reasonably expect that all would have been learned about color in the more than three hundred years since Newton established the fundamentals of color science. This is not true because:• the measurement of color still has unresolved complexities (Chapter 2)• many of the fine details of color vision remain unknown (Chapter 3)• every few decades a new movement in art discovers original ways to use new pigments, and dyes continue to be discovered (Chapter 5)• the philosophical approach to color has not yet crystallized (Chapter 7)• new pigments and dyes continue to be discovered (Chapters 10 and 11)• the study of the biological and therapeutic effects of color is still in its infancy (Chapter 2).Color continues to develop towards maturity and the editor believes that there is much common ground between the sciences and the arts and that color is a major connecting bridge.

A sampling of glass work by 196 artists from 28 countries.

This is a highly illustrated guide to the diagnosis and management of nail conditions in children. With new material on genetics and on developments such as dermoscopy, it will be invaluable as a reliable clinical reference for both dermatologists and pediatricians, as well as those in family practice.