A Lambda Literary Awards Finalist Named one of the best books of 2017 by NPR's Book Concierge A revelatory narrative of the intersecting lives and works of revered authors Virginia Woolf, T. S. Eliot, E. M. Forster and D. H. Lawrence during 1922, the birth year of modernism The World Broke in Two tells the fascinating story of the intellectual and personal journeys four legendary writers, Virginia Woolf, T. S. Eliot, E. M. Forster, and D. H. Lawrence, make over the course of one pivotal year. As 1922 begins, all four are literally at a loss for words, confronting an uncertain creative future despite success in the past. The literary ground is shifting, as Ulysses is published in February and Proust’s In Search of Lost Time begins to be published in England in the autumn. Yet, dismal as their prospects seemed in January, by the end of the year Woolf has started Mrs. Dalloway, Forster has, for the first time in nearly a decade, returned to work on the novel that will become A Passage to India, Lawrence has written Kangaroo, his unjustly neglected and most autobiographical novel, and Eliot has finished—and published to acclaim—“The Waste Land." As Willa Cather put it, “The world broke in two in 1922 or thereabouts,” and what these writers were struggling with that year was in fact the invention of modernism. Based on original research, Bill Goldstein's The World Broke in Two captures both the literary breakthroughs and the intense personal dramas of these beloved writers as they strive for greatness.

Based on exclusive access to E. M. Forster's previously restricted diaries this scrupulously researched and sensitively written biography is the first to put the fact that he was homosexual back at the heart of his story.

From 1924, when E. M. Forster published "A Passage to India", until his death in 1970 at the age of 91, no new novel appeared, and yet by one of the great paradoxes of twentieth-century literature, his reputation and popularity continued to grow. Francis King examines every facet of Forster's intriguing personality, sympathetically probing the conflicts in his heredity between a raffish bohemianism and a staid respectability, and in his life between the demands of his sexual nature and the dominating power of his mother. Forster was a man whose gentle, self-deprecating manner concealed a singular toughness, resilience, and resolution, who was not slow to defend liberal causes wherever they were threatened. A compelling picture of Forster and his work emerges, with fascinating glimpses of the close friends who affected his emotional life and of the many personalities he encountered. -- From publisher's description.

**NOW A MAJOR FILM STARRING HARRY STYLES** This love is all-consuming It is in 1950s' Brighton that Marion first catches sight of the handsome and enigmatic Tom. He teaches her to swim in the shadow of the pier and Marion is smitten - determined her love will be enough for them both. A few years later in Brighton Museum Patrick meets Tom. Patrick is besotted with Tom and opens his eyes to a glamorous, sophisticated new world. Tom is their policeman, and in this age it is safer for him to marry Marion. The two lovers must share him, until one of them breaks and three lives are destroyed. 'A sensitive, sweeping novel' VOGUE 'Tense, romantic, smart...I loved it. Devoured it!' RUSSELL T. DAVIES 'A powerful story of forbidden love, regret, and living as your true self' VANITY FAIR 'A moving story of longing and frustration' OBSERVER

This groundbreaking volume presents a radical revision of gay criticism and focuses on E. M. Forster's place in the emerging field of queer studies. Many previous critics of Forster downplayed his homosexuality or read Forster naively in terms of gay liberation. This collection situates Forster within the Bloomsbury Group and examines his relations to major figures such as Henry James, Edward Carpenter, and Virginia Woolf. Particular attention is paid to Forster's several accounts of India and their troubled relation to the British colonial enterprise. Analyzing a wide range of Forster's work, the authors examine material from Forster's undergraduate writings to stories written more than a half-century later. A landmark book for the study of gender in literature, Queer Forster brings the terms "queer" and "gay" into conversation, opening up a dialogue on wider dimensions of theory and allowing a major revaluation of modernist inventions of sexual identity.

In this entertaining and enlightening collection David Lodge considers the art of fiction under a wide range of headings, drawing on writers as diverse as Henry James, Martin Amis, Jane Austen and James Joyce. Looking at ideas such as the Intrusive Author, Suspense, the Epistolary Novel, Magic Realism and Symbolism, and illustrating each topic with a passage taken from a classic or modern novel, David Lodge makes the richness and variety of British and American fiction accessible to the general reader. He provides essential reading for students, aspiring writers and anyone who wants to understand how fiction works.

William di Canzio’s Alec, inspired by Maurice, E. M. Forster’s secret novel of a happy same-sex love affair, tells the story of Alec Scudder, the gamekeeper Maurice Hall falls in love with in Forster’s classic, published only after the author's death. Di Canzio follows their story past the end of Maurice to the front lines of battle in World War I and beyond. Forster, who tried to write an epilogue about the future of his characters, was stymied by the radical change that the Great War brought to their world. With the hindsight of a century, di Canzio imagines a future for them and a past for Alec—a young villager possessed of remarkable passion and self-knowledge. Alec continues Forster’s project of telling stories that are part of “a great unrecorded history.” Di Canzio’s debut novel is a love story of epic proportions, at once classic and boldly new.

A REVELATORY LOOK AT THE INTIMATE LIFE OF THE GREAT AUTHOR—AND HOW IT SHAPED HIS MOST BE LOVED WORKS With the posthumous publication of his long-suppressed novel Maurice in 1970, E. M. Forster came out as a homosexual— though that revelation made barely a ripple in his literary reputation. As Wendy Moffat persuasively argues in A Great Unrecorded History, Forster's homosexuality was the central fact of his life. Between Wilde's imprisonment and the Stonewall riots, Forster led a long, strange, and imaginative life as a gay man. He preserved a vast archive of his private life—a history of gay experience he believed would find its audience in a happier time. A Great Unrecorded History is a biography of the heart. Moffat's decade of detective work—including first-time interviews with Forster's friends—has resulted in the first book to integrate Forster's public and private lives. Seeing his life through the lens of his sexuality offers us a radically new view—revealing his astuteness as a social critic, his political bravery, and his prophetic vision of gay intimacy. A Great Unrecorded History invites us to see Forster— and modern gay history—from a completely new angle.

From 1924, when E. M. Forster published "A Passage to India", until his death in 1970 at the age of 91, no new novel appeared, and yet by one of the great paradoxes of twentieth-century literature, his reputation and popularity continued to grow. Francis King examines every facet of Forster's intriguing personality, sympathetically probing the conflicts in his heredity between a raffish bohemianism and a staid respectability, and in his life between the demands of his sexual nature and the dominating power of his mother. Forster was a man whose gentle, self-deprecating manner concealed a singular toughness, resilience, and resolution, who was not slow to defend liberal causes wherever they were threatened. A compelling picture of Forster and his work emerges, with fascinating glimpses of the close friends who affected his emotional life and of the many personalities he encountered. -- From publisher's description.

Half a century after his demise, and over a century after the publication of his first novel Where Angels Fear to Tread in 1905, E. M. Forster still remains within the scope of interest of readers and critics. His life and his works continue to stir emotions and raise questions concerning humanity, nationality, and world culture(s). However, the opinions vary as to the continuation of the interest in the writer and his works. Some see him and his novels as old-fashioned, while others, like Zadie Smith, find Forster inspiring and the ‘muddled’ protagonists of his books fascinating. Is the interest in this writer to continue, or is it doomed to gradual oblivion? What is there in his life and his stories that can make new generations want to reach out for his works and writings? To understand the place of the writer in the present world, one must look back to the beginnings of Forster’s career, as well as to the times in which he lived, commented on, and created in. This book discusses the presence and legacy of Forster in English literature and social history. Its double title reflects the duality of its content, with the book exploring Forster’s own works as well as the position of Forster and his oeuvre and the values he stood for within British and world culture(s). The book offers, therefore, a variety of new interpretations of a selection of well-known and culturally established works of the writer viewed against the findings of contemporary perspectives. It demonstrates how Forster’s novel, short stories, and non-fictional writings interfuse, affect, and re-shape the literary pieces of other writers.