e-Design: Computer-Aided Engineering Design, Revised First Edition is the first book to integrate a discussion of computer design tools throughout the design process. Through the use of this book, the reader will understand basic design principles and all-digital design paradigms, the CAD/CAE/CAM tools available for various design related tasks, how to put an integrated system together to conduct All-Digital Design (ADD), industrial practices in employing ADD, and tools for product development. - Comprehensive coverage of essential elements for understanding and practicing the e-Design paradigm in support of product design, including design method and process, and computer based tools and technology - Part I: Product Design Modeling discusses virtual mockup of the product created in the CAD environment, including not only solid modeling and assembly theories, but also the critical design parameterization that converts the product solid model into parametric representation, enabling the search for better design alternatives - Part II: Product Performance Evaluation focuses on applying CAE technologies and software tools to support evaluation of product performance, including structural analysis, fatigue and fracture, rigid body kinematics and dynamics, and failure probability prediction and reliability analysis - Part III: Product Manufacturing and Cost Estimating introduces CAM technology to support manufacturing simulations and process planning, sheet forming simulation, RP technology and computer numerical control (CNC) machining for fast product prototyping, as well as manufacturing cost estimate that can be incorporated into product cost calculations - Part IV: Design Theory and Methods discusses modern decision-making theory and the application of the theory to engineering design, introduces the mainstream design optimization methods for both single and multi-objectives problems through both batch and interactive design modes, and provides a brief discussion on sensitivity analysis, which is essential for designs using gradient-based approaches - Tutorial lessons and case studies are offered for readers to gain hands-on experiences in practicing e-Design paradigm using two suites of engineering software: Pro/ENGINEER-based, including Pro/MECHANICA Structure, Pro/ENGINEER Mechanism Design, and Pro/MFG; and SolidWorks-based, including SolidWorks Simulation, SolidWorks Motion, and CAMWorks. Available on the companion website http://booksite.elsevier.com/9780123820389

The Interior Design Styles Lookbook (c) is an awesome tool & reference for interior designers, homeowners, and anyone who is interested in the design field. It contains 24 of the most popular interior design styles. The styles in this book are the following: Arabian, Art Deco, Art Nouveau, Bohemian, Coastal, Contemporary, Eclectic, Farmhouse, Hollywood Regency, Industrial, Japanese, Mediterranean, Mid-Century Modern, Minimal, Modern, Moroccan, Parisian, Rustic, Scandinavian, Shabby Chic, Traditional, Transitional, Tribal, and Tropical. For each style, you will find the definition, bullet points of the characteristics, as well as illustrations to represent the style, with tips to apply it on your projects, and keywords to use with your clients, paired with a tool that helps you mix and match interior design styles!

The role of design, both expert and nonexpert, in the ongoing wave of social innovation toward sustainability. In a changing world everyone designs: each individual person and each collective subject, from enterprises to institutions, from communities to cities and regions, must define and enhance a life project. Sometimes these projects generate unprecedented solutions; sometimes they converge on common goals and realize larger transformations. As Ezio Manzini describes in this book, we are witnessing a wave of social innovations as these changes unfold—an expansive open co-design process in which new solutions are suggested and new meanings are created. Manzini distinguishes between diffuse design (performed by everybody) and expert design (performed by those who have been trained as designers) and describes how they interact. He maps what design experts can do to trigger and support meaningful social changes, focusing on emerging forms of collaboration. These range from community-supported agriculture in China to digital platforms for medical care in Canada; from interactive storytelling in India to collaborative housing in Milan. These cases illustrate how expert designers can support these collaborations—making their existence more probable, their practice easier, their diffusion and their convergence in larger projects more effective. Manzini draws the first comprehensive picture of design for social innovation: the most dynamic field of action for both expert and nonexpert designers in the coming decades.

e-Design is the first book to integrate discussion of computer design tools throughout the design process. Through this book, the reader will understand... Basic design principles and all-digital design paradigms. CAD/CAE/CAM tools available for various design related tasks. How to put an integrated system together to conduct All-Digital Design (ADD). Industrial practices in employing ADD and tools for product development. Provides a comprehensive and thorough coverage on essential elements for practicing all-digital design (ADD) Covers CAD/CAE methods throughout the design process, including solid modelling, performance simulation, reliability, manufacturing, cost estimates and rapid prototyping Discusses CAD/CAE/CAM/RP/CNC tools and data integration for support of the all-digital design process Reviews off-the-shelf tools for support of modelling, simulations, manufacturing, and product data management Provides tutorial type projects using ProENGINEER and SolidWorks for readers to exercise design examples and gain hands-on experience A series of running examples throughout the book illustrate the practical use of the ADD paradigm and tools

An exploration of how design might be led by marginalized communities, dismantle structural inequality, and advance collective liberation and ecological survival. What is the relationship between design, power, and social justice? “Design justice” is an approach to design that is led by marginalized communities and that aims expilcitly to challenge, rather than reproduce, structural inequalities. It has emerged from a growing community of designers in various fields who work closely with social movements and community-based organizations around the world. This book explores the theory and practice of design justice, demonstrates how universalist design principles and practices erase certain groups of people—specifically, those who are intersectionally disadvantaged or multiply burdened under the matrix of domination (white supremacist heteropatriarchy, ableism, capitalism, and settler colonialism)—and invites readers to “build a better world, a world where many worlds fit; linked worlds of collective liberation and ecological sustainability.” Along the way, the book documents a multitude of real-world community-led design practices, each grounded in a particular social movement. Design Justice goes beyond recent calls for design for good, user-centered design, and employment diversity in the technology and design professions; it connects design to larger struggles for collective liberation and ecological survival.

Este livro explora o papel dos materiais e da fabricação no design de produtos, dando ênfase particular ao modo como a materialidade de um objeto (do que ele é feito e como é feito) pode ser manipulada para criar estética e funcionalidade de um produto. Seus autores se preocuparam igualmente com questões relacionadas à viabilidade de produção e à sustentabilidade de um sistema. Os métodos apresentados aqui são apoiados por cerca de 100 perfis de materiais e processos de fabricação que dão ênfase aos atributos mais relevantes para o design de produtos.

This major new reference contains an assemblage of visual concepts from around the world. Categories include designs for annual reports, books, calenders, catalogs, editorial layouts, exhibits, labels and tags, letterheads, menus, outdoor advertising, packaging, posters, promotion materials, shopping bags, T-shirts, and more. 900 color illustrations.

In The Structure of Design, Leslie Earl Robertson recounts a storied career in engineering which has generated among the most innovative and formally daring buildings of the modern era, as well as his extensive collaborations with several titans of the practice: Minoru Yamasaki, Philip Johnson, Max Abramovitz, Romaldo Giurgola, I. M. Pei, Pei Partnership, KPF, Kiyonori Kikutake, and Gunnar Birkerts. Robertson’s large-scale projects with some of the leading sculptors of the day, including Richard Serra and Beverly Pepper, display the range of this engineer’s craft. As a restless student from modest origins, Robertson’s first encounters with engineering were almost accidental, yet he would go on to be lead engineer of the landmark IBM buildings in Pittsburgh and Seattle while still in his early thirties. Immediately thereafter he embarked on what would become his most renowned project, the World Trade Center, to be followed by scores of major buildings around the world. The Structure of Design is a personal and accessible chronicle of the partnerships and problem-solving that have forged classics of modern architecture, and a privileged look at how the key discipline of engineering influences design, as told by a genius and poet of structure.

Taking a multidisciplinary approach, this long-needed, single-source reference, provides a wealth of knowledge, ranging from the basics of building systems to explanations of why systems need to be integrated, and how integration provides a basis for increased reliability and economic growth. The book delves further, exploring environmentally responsible design through the integration of natural site resources with building systems and the impact of modern technology on buildings. Integrated M/E Design examines a wide range of issues at the core of the electronically operated, economically constrained, politically controlled, and environmentally responsible, contemporary business environment.

We live in an era defined by a wealth of open and readily available information, and the accelerated evolution of social, mobile and creative technologies. The provision of knowledge, once a primary role of educators, is now devolved to an immense web of free and readily accessible sources. Consequently, educators need to redefine their role not just “from sage on the stage to guide on the side” but, as more and more voices insist, as “designers for learning”. The call for such a repositioning of educators is heard from leaders in the field of technology-enhanced learning (TEL) and resonates well with the growing culture of design-based research in Education. However, it is still struggling to find a foothold in educational practice. We contend that the root causes of this discrepancy are the lack of articulation of design practices and methods, along with a shortage of tools and representations to support such practices, a lack of a culture of teacher-as-designer among practitioners, and insufficient theoretical development. The Art and Science of Learning Design (ASLD) explores the frameworks, methods, and tools available for teachers, technologists and researchers interested in designing for learning Learning Design theories arising from findings of research are explored, drawing upon research and practitioner experiences. It then surveys current trends in the practices, methods, and methodologies of Learning Design. Highlighting the translation of theory into practice, this book showcases some of the latest tools that support the learning design process itself.