Can an overscheduled kid find time to play with his dragon friend? Dylan loves playing, drawing, dreaming, and, best of all, dragons! But his days and weeks are so full—with piano lessons, science club, baseball practice, karate class, and more—that when the dragon of his daydreams shows up, there's never any time to play. How can Dylan let his family know that his busy schedule needs room for dragon time?

In this classic tale, Dylan learns to make friends despite obstacles. And when the happily ever after arrives, both the dragon and the reader have learnt a thing or two about relationships.

DYLAN is the 4th book in USA Today Bestselling and Amazon #1 Bestselling Indie Author, Carole Mortimer’s, paranormal series, DRAGON HEARTS. Author’s Note: Beware of very sexy alpha dragon shifters on the hunt for their fates mates! Waking up in a curtained cubicle in a human hospital wasn’t the worst experience Dylan had ever had in his centuries-long existence, but it was certainly not something he would ever have expected to happen. As a dragon shifter, human ailments didn’t bother him, and if he was ever injured then transforming into his dragon would heal him. Besides, he and his brothers had always avoided human hospitals because the doctors there had a habit of carrying out tests and asking for X-rays that would clearly tell them the Pendragon brothers weren’t human. Opening his eyes to find his fated mate bending over him, his human fated mate, was even more of a shock. Yes, three of his brothers had found their fated mates in the past year, and they had all been human, but Dylan had never thought it would happen to him too. Holly Barnes wasn’t only human, the name tag attached to her white coat said she was also a doctor. And the singular most beautiful woman Dylan had ever seen, with her glossy auburn hair, dark green eyes, and voluptuous body. A & E doctor, Holly Wilson, didn’t know what to make of her newest patient. Apart from the fact he was the most gorgeous and sexy man she had ever set eyes on. He was also extremely tall, over six and a half feet of dark and dangerous bad boy, if her assessment was correct. But she hadn’t been able to find any visible injuries on him when she examined that ripped and toned body, no head injury or anything else to explain why he had been unconscious when he was brought in to A&E. He looked perfectly normal to her, almost as if he was sleeping, rather than injured. Having him suddenly raise his eyelids and look at her with glittering blue eyes, that didn’t appear fevered or pained, but gazed up at her as if she was Christmas, birthdays, and every other holiday celebration combined, was more than a little unnerving. Even more so was having his fingers curl like steel bands about her wrist and have him call her his fated mate. Holly had enough problems in her life right now without some crazy man telling her she now belonged to him. Even if he did look like a Greek or Roman god and made her knees go weak. Until Dylan knew what had happened to put him in the human hospital in the first place, he knows he shouldn’t even think about claiming Holly as his mate. Staying away from his fated mate altogether proves impossible, but is Dylan putting Holly’s life in danger by continuing to seek her out at every opportunity?

If there's one good way to a dragon's heart, it is to let loose one ginormous, fiery fart. It needs to have a scent that smells a bit like smelly feet. With a little bit of mean in it, causing some heat. Join Dylan on his journey of life. A rhyming social story about being different & friendship for ages 3 to 8. Move over Dr. Seuss, Mary Lee Kendal is in town. During Mary's years as a teacher, she found the best way to teach was to be "entertaining without being entertainment." She saw how children and teens are extremely creative if you just give them a chance. Kids learn in many different ways. Some learn through reading, playing, singing, dancing, rhyming, or even drawing. They learn visually, and by writing poetry. They love to creatively express themselves and her classroom was one place they could do that. So how did she come up with fun Dr. Seuss type rhyming books? As a kid, she loved to rhyme. She was always encouraged to write, read, rhyme, play, act, sing, dance, and be as creative as possible by her parents. She feels her books bring in many of her favorite ways to learn. Her social stories are meant to be read aloud between adults and child bringing the bond between each other even closer. All of Mary's social stories are meant to educate in an entertaining way. "If I can help one child feel a little bit better about who they are; build self-confidence, increase self-esteem, help them understand that differences are a good thing, overcome shyness, anxiety, and help them realize they are not alone, then I have done what I have set out to do." Embrace Your Differences! MaryLeeKendal.com

An illustrated version of the Bob Dylan song that asks the question "If dogs run free, why not we?"

When destiny calls, heroes take flight! Billy Chan was having the summer most 12-year-olds dream about—bonding with his very own dragon. But Billy’s friend Dylan has been kidnapped by the Dragon of Death, and the only way to save him is to travel through time with his friends and their dragons. Will Billy, Charlotte, Ling-Fei, and the dragons get to Dylan in time? And can they work together to stop the Dragon of Death from destroying the past?

Ben Gamer and Cobra Master trapped in Fear Live. Leaving the world vulnerable. Detecive Clue, Tony, Dr.Monster and Peter getting their revange. Dylan fighting for a way to get them out. Dylan time travels to study his father's work. Before his death. Learning the true purpose for Nightmare Gamers creation. Dr.Monster acquires the Horrskull the true weapon for Nightmare Gamers. That draws on fear throughout time and realty. Becoming the most powerful Nightmare Gamer to live. Waging World War Nightmare. Dylan forming an allanice to destroy the Nightmare Gamer empire for once and for all. Leaving Dylan, Captian Miles and Rass to work with former Nightmare Gamer leader Conner.

Over the course of his 50-year career, musician Bob Dylan has won a Nobel Prize, has had an audience with the Pope, and has earned a multitude of accolades, from a Grammy Lifetime Achievement Award to a coveted Kennedy Center honor. Not bad for a kid from a small city in northern Minnesota who just wanted to play rock and roll. His songs are legendary and his spiritual journeys have taken him all over the world. This biography explores the man, his music, and his distinctive life.

Invisible Now describes Bob Dylan's transformative inspiration as artist and cultural figure in the 1960s. Hughes identifies Dylan's creativity with an essential imaginative dynamic, as the singer perpetually departs from a former state of inexpression in pursuit of new, as yet unknown, powers of self-renewal. This motif of temporal self-division is taken as corresponding to what Dylan later referred to as an artistic project of 'continual becoming', and is explored in the book as a creative and ethical principle that underlies many facets of Dylan's appeal. Accordingly, the book combines close discussions of Dylan's mercurial art with related discussions of his humour, voice, photographs, and self-presentation, as well as with the singularities of particular performances. The result is a nuanced account of Dylan's creativity that allows us to understand more closely the nature of Dylan's art, and its links with American culture.

Ephemeral by nature, the concert setlist is a rich, if underexplored, text for scholarly research. How an artist curates a show is a significant aspect of any concert’s appeal. Through the placement of songs, variations in order, or the omission of material, Bob Dylan’s setlists form a meta-narrative speaking to the power and significance of his music. These essays use the setlists from concerts throughout Dylan’s career to study his approach to his material from the 1960s to the 2020s. These chapters, from various disciplinary perspectives, illustrate how the concert setlist can be used as a source to explore many aspects of Dylan’s public life. Finally, this collection provides a new method to examine other musicians across genres with an interdisciplinary approach to setlists and the selectivity of performance. Unique in its approach and wide-ranging scholarly methodology, this book deepens our understanding of Bob Dylan, the performer.