Study on the life and works of Devanahalli Venkataramaniah Gundappa, 1884-1975, Kannada author and journalist.

A Major Activity Of The Sahitya Akademi Is The Preparation Of An Encyclopaedia Of Indian Literature. The Venture, Covering Twenty-Two Languages Of India, Is The First Of Its Kind. Written In English, The Encyclopaedia Gives A Comprehensive Idea Of The Growth And Development Of Indian Literature. The Entries On Authors, Books And General Topics Have Been Tabulated By The Concerned Advisory Boards And Finalised By A Steering Committee. Hundreds Of Writers All Over The Country Contributed Articles On Various Topics. The Encyclopaedia, Planned As A Six-Volume Project, Has Been Brought Out. The Sahitya Akademi Embarked Upon This Project In Right Earnest In 1984. The Efforts Of The Highly Skilled And Professional Editorial Staff Started Showing Results And The First Volume Was Brought Out In 1987. The Second Volume Was Brought Out In 1988, The Third In 1989, The Fourth In 1991, The Fifth In 1992, And The Sixth Volume In 1994. All The Six Volumes Together Include Approximately 7500 Entries On Various Topics, Literary Trends And Movements, Eminent Authors And Significant Works. The First Three Volume Were Edited By Prof. Amaresh Datta, Fourth And Fifth Volume By Mohan Lal And Sixth Volume By Shri K.C.Dutt.

Arguably the finest work of 20th century Kannada literature, D V Gundappa's Mankutimmana Kagga is a bouquet of remarkable verses that are meditations on life, creation, destiny, art, culture, history, human nature, and the universe. Insightful, humorous, charming, hard-hitting, and inspiring by turns, the Kagga is a song of life that has something for everyone. Foggy Fool's Farrago is a modern translation in simple English with a detailed introduction and copious additional notes that will build the bridge between this masterpiece and readers across the globe. Devanahalli Venkataramanayya Gundappa (1887-1975) was a great visionary and polymath. He was a journalist, poet, art connoisseur, philosopher, political analyst, institution builder, social commentator, social worker, and activist. He founded/edited many newspapers, wrote extensively in Kannada and English, established social organizations and guilds, and worked tirelessly for people's welfare. He lived like a sage till the last, moving easily with rich and poor, bureaucrat and laborer, scholar and unschooled. He received the Kendra Sahitya Akademi Award in 1967 and the Padma Bhushan in 1974.

Presents the Indian literatures, not in isolation in one another, but as related components in a larger complex, conspicuous by the existence of age-old multilingualism and a variety of literary traditions. --

In the earlier part of the last century, the princely state of Mysore and the University of Mysore bore witness to some truly remarkable personalities. These stalwarts and their lasting contributions left behind a lasting legacy on the intellectual landscape of Mysore and India on the whole. While there were many in their ilk, the author of this work began focusing on those who were primarily associated with the University, to begin with. These biographical pieces were written as feature articles in the ‘Star of Mysore’ newspaper. V. Seetharamaiah, T. V. Venkatachala Sastry, M. Hiriyanna, M. H. Krishna, S. Srikanta Sastri and Brijendranath Seal are among those featured here. These articles were well received by the reading public in Mysore. Incidentally, it was the centenarian lexicographer and litterateur G. Venkatasubbiah who suggested that these sketches be collected in one place as a book. This book is the realisation of such a dream. More than just a chronicle of academicians and writers, this book serves to encapsulate a glorious era in Mysore’s history, where genuine merit, scholarship and integrity meant more than base notions of caste, corruption and nepotism. A glimpse into those times only serves to highlight, rather disappointingly, the slow but inevitable demise of meritocracy in our social polity today

Travel has been a mode of assessment of territory, of knowledge gathering, and of putting a discursive system into place. This volume, edited and introduced by Sachidananda Mohanty, brings to you the range of hidden discourses that constituted and explored the issues central to the political and literary representation of Indian reality, and the politics behind it.

This book is envisaged as an intervention in the ongoing explorations in social and cultural history, into questions of what constitutes Indianness for the colonial and the postcolonial subject and the role that Shakespeare plays in this identity formation. Performing Shakespeare in India presents studies of Indian Shakespeare adaptations on stage, on screen, on OTT platforms, in translation, in visual culture and in digital humanities and examines the ways in which these construct Indianness. Shakespeare in India has had multiple local interpretations in different media and equally wide-ranging responses, be it the celebration of Shakespeare as a bishwokobi (world poet) in 19th-century Bengal, be it in the elusive adaptation of Shakespeare in Meitei and Tangkhul tribal art forms in Manipur, or be it in the clamour of a boisterous Bollywood musical. In the response of diasporic theatre professionals, or in Telugu and Kannada translations, whether resisted or accepted with open arms, Shakespeare in India has had multiple local interpretations in different media. All the essays are connected by the common thread of extraordinary negotiations of postcolonial identity formation in language, in politics, in social and cultural practices, or in art forms.