It's one month before Dutch's trial for what the media has deemed "the Month of Murder," Roc and Angel are locked up, and Craze is now the commander in charge. After coming into contact with Joseph Odouwo, Kazami's very rich and powerful relative, Craze is immediately on alert. However, Odouwo has other plans that may put all of their lives at risk. Craze can't resist a stake in Odouwo's very successful billion-dollar diamond trade, and reluctantly takes Odouwo up on his offer, hoping that he didn't make a decision he will soon regret.

HE IS THE MASTER OF THE GAME. HE'S BUILT THE ULTIMATE EMPIRE. BUT HIS STORY IS ONLY BEGINNING. NOW NEW YORK TIMES BESTSELLING AUTHOR TERI WOODS BRINGS YOU THE SECOND IN THE SENSATIONAL DUTCH TRILOGY, WHERE ONE WOMAN WILL RULE DUTCH'S STREETS . . . OR DESTROY THEM. DUTCH II: ANGEL'S REVENGE She is the most merciless of his lieutenants, with style and skills that even the hardest hustlers fear . . . and none survive. And with Dutch gone, Angel is fueled by a shattering vendetta and methodically eliminating every successor, wannabe, and mobster trying to lead Dutch's madly profitable organization. The only person between her and ultimate control: One-eyed Roc-aka Rahman-Dutch's other trusted lieutenant and a man with his own zealous master plan. He and his crew are cleaning up the streets and righting his wrongs by any means necessary. And he's checkmating Angel's strengths and playing her every weakness. Neither can stop. Neither will give in. And they will never surrender Dutch's lethal legacy, even though their last devastating power play could destroy it all . . .

James Bernard Jr., also known as "Dutch," makes his rise in New Jersey's world of organized crime from a car thief to successful heroin trafficker.

In War, Capital, and the Dutch State (1588-1795), Pepijn Brandon traces the interaction between state and capital in the organisation of warfare in the Dutch Republic from the Dutch Revolt of the sixteenth century to the Batavian Revolution of 1795. Combining deep theoretical insight with a thorough examination of original source material, ranging from the role of the Dutch East- and West-India Companies to the inner workings of the Amsterdam naval shipyard, and from state policy to the role of private intermediaries in military finance, Brandon provides a sweeping new interpretation of the rise and fall of the Dutch Republic as a hegemonic power within the early modern capitalist world-system. Winner of the 2014 D.J. Veegens prize, awarded by the Royal Holland Society of Sciences and Humanities. Shortlisted for the 2015 World Economic History Congress dissertation prize (early modern period).

Crime boss Guy Simmons continues his recovery from a gunshot wound and tries to maintain control over the family drug empire while his two sons and their mothers battle each other for dominance.

Twenty-five years after her passing, Audrey Hepburn remains the most beloved of all Hollywood stars, known as much for her role as UNICEF ambassador as for films like Roman Holiday and Breakfast at Tiffany's. Several biographies have chronicled her stardom, but none has covered her intense experiences through five years of Nazi occupation in the Netherlands. According to her son, Luca Dotti, "The war made my mother who she was." Audrey Hepburn's war included participation in the Dutch Resistance, working as a doctor's assistant during the "Bridge Too Far" battle of Arnhem, the brutal execution of her uncle, and the ordeal of the Hunger Winter of 1944. She also had to contend with the fact that her father was a Nazi agent and her mother was pro-Nazi for the first two years of the occupation. But the war years also brought triumphs as Audrey became Arnhem's most famous young ballerina. Audrey's own reminiscences, new interviews with people who knew her in the war, wartime diaries, and research in classified Dutch archives shed light on the riveting, untold story of Audrey Hepburn under fire in World War II. Also included is a section of color and black-and-white photos. Many of these images are from Audrey's personal collection and are published here for the first time.

“A thoroughly researched and provocative revisionist study.” — Wall Street Journal “Going Dutch is elegant and thought-provoking. . . . Jardine evokes a dialogue of civilizations.” — Lisa Ko, author of The Leavers “She explores the fascinating Anglo-Dutch relationship to answer how and why two sworn foes became friends so seamlessly. . . . A highly original work that will appeal to fans of Simon Schama’s The Embarrassment of Riches.” — Publishers Weekly “Jardine meticulously studies the exchange of ideas between England and Holland...she leaves no stone unturned...Absorbing, enjoyable reading.” — Kirkus Reviews “Jardine understands and appreciates her sources, and she writes exceptionally lively history. A pleasure to read, this book is enthusiastically recommended...” — Library Journal

This pioneering history of the Dutch Empire provides a new comprehensive overview of Dutch colonial expansion from a comparative and global perspective. It also offers a fascinating window into the early modern societies of Asia, Africa and the Americas through their interactions.

The Low Countries are famous for their radically changing landscape over the last 1,000 years. Like the landscape, the linguistic situation has also undergone major changes. In Holland, an early form of Frisian was spoken until, very roughly, 1100, and in parts of North Holland it disappeared even later. The hunt for traces of Frisian or Ingvaeonic in the dialects of the western Low Countries has been going on for around 150 years, but a synthesis of the available evidence has never appeared. The main aim of this book is to fill that gap. It follows the lead of many recent studies on the nature and effects of language contact situations in the past. The topic is approached from two different angles: Dutch dialectology, in all its geographic and diachronic variation, and comparative Germanic linguistics. In the end, the minute details and the bigger picture merge into one possible account of the early and high medieval processes that determined the make-up of western Dutch.

The provocative, audacious, brilliant six-volume autobiographical novel that has unquestionably been the main event of contemporary European literature. It has earned favorable comparisons to its obvious literary forebears "A la recherche du temps perdu" and "Mein Kampf" but has been celebrated as the rare magnum opus that is intensely, addictively readable.