Very few men have a more exciting and dramatic story of their wartime activities to tell than Patrick Dalzel-Job. In 1940 using his special knowledge of North Norway's coast line he landed and moved over 10,000 Allied soldiers in local boats without the loss of a single life. Acting against specific orders he evacuated civilians from Narvik just before it was bombed - only the King of Norway's intervention halted his court martial. Thereafter his many adventures included spying on enemy shipping and operating behind the lines in France and Germany with Ian Fleming's special force unit '30AU'.

Two early volumes of poetry (1913–1914) contain many of the poet's finest, best-known works: "Mending Wall," "After Apple-Picking," "The Death of the Hired Man," many more.

A South African novel about three main characters - Meheret, an Ethiopian journalist, Mano, an actor of mixed blood, and Barnum, an exiled writer. Part one describes their interacting lives; part two is set in a near future and tells the story of Mano, now in prison facing the death sentence.

'Tis the season. Greg's nights are silent and his bells don't jingle. This time last year his boyfriend broke up with him, and he's determined to get through these holidays with only minor bruising. So what if he lives with a cat and his best friend is his mother? Peace and quiet: that's life how he likes it. Nothing is going to blindside him this year, no sir. Especially not a rogue secret Santa.

A classic poem with a timeless message, presented in a small and beautiful gift book. Rose Milligan never intended to publicly share her poem 'Dust If You Must', but a series of events led her to publish it in The Lady magazine in 1998. Her charming message about what we value in life resonated with audiences, and it has since been read on BBC radio, posted on Instagram, printed on tea towels, read at funerals and put to music. Now appearing as a book for the first time, beautifully illustrated throughout by illustrator Hayley Wells, Dust If You Must is a timeless reminder to focus on the things we can enjoy in the world, rather than the things we think we need to do.

Acclaimed author Karen Hesse's Newbery Medal-winning novel-in-verse explores the life of fourteen-year-old Billie Jo growing up in the dust bowls of Oklahoma. Out of the Dust joins the Scholastic Gold line, which features award-winning and beloved novels. Includes exclusive bonus content!"Dust piles up like snow across the prairie. . . ."A terrible accident has transformed Billie Jo's life, scarring her inside and out. Her mother is gone. Her father can't talk about it. And the one thing that might make her feel better -- playing the piano -- is impossible with her wounded hands.To make matters worse, dust storms are devastating the family farm and all the farms nearby. While others flee from the dust bowl, Billie Jo is left to find peace in the bleak landscape of Oklahoma -- and in the surprising landscape of her own heart.

Gerda has heard her grandmother's stories of magic and adventure all her life. But neither she nor her best friend Kay believe in them . . . until Kay is infected with slivers of snow dust and the Snow Queen arrives to claim them. When Kay disappears, everyone believes he is dead. Except Gerda.When an accident lands her on the road to the fabled Ice Palace, Gerda's choice is simple: run back to the comfort of her home, or venture into the unknown to find Kay. And with the ice burrowing deeper into Kay's heart, Gerda is running out of time.New friends, new enemies, and constant danger await Gerda on the road north, and she will have plenty of chances to turn back. When all seems lost, will she persevere? Or will the Snow Queen win Kay's loyalty-and his life?(A middle grade retelling of Hans Christian Anderson's classic fairy tale, The Snow Queen.)

"A poem is best read in the light of all the other poems ever written." So said Robert Frost in instructing readers on how to achieve poetic literacy. George Monteiro's newest book follows that dictum to enhance our understanding of Frost's most valuable poems by demonstrating the ways in which they circulate among the constellations of great poems and essays of the New England Renaissance. Monteiro reads Frost's own poetry not against "all the other poems ever written" but in the light of poems and essays by his precursors, particularly Emerson, Thoreau, and Dickinson. Familiar poems such as "Mending Wall," "After Apple-Picking," "Birches," "Stopping by Woods on a Snowy Evening," "The Road Not Taken," and "Mowing," as well as lesser known poems such as "The Draft Horse," "The Ax-Helve," "The Bonfire," "Dust of Snow," "A Cabin in the Clearing," "The Cocoon," and "Pod of the Milkweed," are renewed by fresh and original readings that show why and how these poems pay tribute to their distinguished sources. Frost's insistence that Emerson and Thoreau were the giants of nineteenth-century American letters is confirmed by the many poems, variously influenced, that derive from them. His attitude toward Emily Dickinson, however, was more complex and sometimes less generous. In his twenties he molded his poetry after hers. But later, after he joined the faculty of Amherst College, he found her to be less a benefactor than a competitor. Monteiro tells a two-stranded tale of attraction, imitation, and homage countered by competition, denigration, and grudging acceptance of Dickinson's greatness as a woman poet. In a daring move, he composes—out of Frost's own words and phrases—the talk on Emily Dickinson that Frost was never invited to give. In showing how Frost's work converses with that of his predecessors, Monteiro gives us a new Frost whose poetry is seen as the culmination of an intensely felt New England literary experience.

Robert Frost is one of the foremost writers of American poetry. This is a thorough compilation of his seminal works.