Using a broad definition of the Durkheimian tradition, this book offers the first systematic attempt to explore the Durkheimians’ engagement with art. It focuses on both Durkheim and his contemporaries as well as later thinkers influenced by his work. The first five chapters consider Durkheim’s own exploration of art; the remaining six look at other Durkheimian thinkers, including Marcel Mauss, Henri Hubert, Maurice Halbwachs, Claude Lévi-Strauss, Michel Leiris, and Georges Bataille. The contributors—scholars from a range of theoretical orientations and disciplinary perspectives—are known for having already produced significant contributions to the study of Durkheim. This book will interest not only scholars of Durkheim and his tradition but also those concerned with aesthetic theory and the sociology and history of art.

An illuminating account of the development of Durkheim's economic sociology Émile Durkheim's work has traditionally been viewed as a part of sociology removed from economics. Rectifying this perception, Durkheim and the Birth of Economic Sociology is the first book to provide an in-depth look at the contributions made to economic sociology by Durkheim and his followers. Philippe Steiner demonstrates the relevance of economic factors to sociology and shows how the Durkheimians inform today's economic systems. Steiner argues that there are two stages in Durkheim's approach to the economy—a sociological critique of political economy and a sociology of economic knowledge. In his early works, Durkheim critiques economists and their categories, and tries to analyze the division of labor from a social rather than economic perspective. From the mid-1890s onward, Durkheim's preoccupations shifted to questions of religion and the sociology of knowledge. Durkheim's disciples, such as Maurice Halbwachs and François Simiand, synthesized and elaborated on Durkheim's first-stage arguments, while his ideas on religion and the economy were taken up by Marcel Mauss. Steiner indicates that the ways in which the Durkheimians rooted the sociology of economic knowledge in the educational system allows for an invaluable perspective on the role of economics in modern society, similar to the perspective offered by Max Weber's work. Recognizing the power of the Durkheimian approach, Durkheim and the Birth of Economic Sociology assesses the effect of this important thinker and his successors on one of the most active fields in contemporary sociology.

This book looks at this classical sociologist's work on the family. Durkheim's writings in this area are little known, but the family was nevertheless one of his primary interests. It brings together Durkheim's ideas on the family from diverse sources and presents his family and sociology systematically and comprehensively. Chapter topics include: * Durkheim's life and times * his evolutionary theory of the family * methodologies for studying the family * the changing relationship of kin * conjugal family and the state * the interior of the family * family policy * gender * sexuality His work is situated in it's historical context and comparisons are drawn to present-day sociology of the family and family issues.

""One of our most original social thinkers,"" according to the New York Times, Robert Nisbet offers a new approach to sociology. He shows that sociology is indeed an art form, one that has a strong kinship with literature, painting, Romantic history, and philosophy in the nineteenth century, the age in which sociology came into full stature. Sociology as an Art Form is an introduction for the initiated and the uninitiated in so-ciology.Nisbet explains the degree to which sociology draws from the same creative impulses, themes and styles (rooted in history), and actual modes of representa-tion found in the arts. He shows how the founding sociologists such as Marx, Weber, Durkheim, and Simmel constructed portraits (of the bourgeois, the worker, and the intellectual) and landscapes (of the masses, the poor, the factory system), all reflecting and contribut-ing to identical portraits and landscapes found in the literature and art of the period. In addition to marking the similarities between sociologists' and artists' efforts to depict motion or movement, Nisbet emphasizes the relation of sociology to the fin de siecle in art and literature, with examples such as alienation, anomie, and degeneration. He creates an elegant, brilliantly reasoned appraisal of sociology's contribution to modern culture.This book will be of interest to sociologists, artists, and anyone interested in how the fields relate to one another.

From reflections on such works in translation as the 1938 essay, The Person, by seminal French sociocultural anthropologist Marcel Mauss (1872-1950), and Primitive Classification (1903), which Mauss coauthored with his uncle-mentor sociologist Emile Durkheim, Allen offers his Maussian-influenced ideas on the origins of human society, magic, religion, and Indo- European ideology. Only the last chapter is original to this text. The titles and dates of Mauss' lectures are appended. The author acknowledges the Institute of Social and Cultural Anthropology at Oxford. c. Book News Inc.

This book is available as open access through the Bloomsbury Open programme and is available on www.bloomsburycollections.com. Sociolinguistic evidence is an undervalued resource for social theory. In this book, Jan Blommaert uses contemporary sociolinguistic insights to develop a new sociological imagination, exploring how we construct and operate in online spaces, and what the implications of this are for offline social practice. Taking Émile Durkheim's concept of the 'social fact' (social behaviours that we all undertake under the influence of the society we live in) as the point of departure, he first demonstrates how the facts of language and social interaction can be used as conclusive refutations of individualistic theories of society such as 'Rational Choice'. Next, he engages with theorizing the post-Durkheimian social world in which we currently live. This new social world operates 'offline' as well as 'online' and is characterized by 'vernacular globalization', Arjun Appadurai's term to summarise the ways that larger processes of modernity are locally performed through new electronic media. Blommaert extrapolates from this rich concept to consider how our communication practices might offer a template for thinking about how we operate socially. Above all, he explores the relationship between sociolinguistics and social practice In Durkheim and the Internet, Blommaert proposes new theories of social norms, social action, identity, social groups, integration, social structure and power, all of them animated by a deep understanding of language and social interaction. In drawing on Durkheim and other classical sociologists including Simmel and Goffman, this book is relevant to students and researchers working in sociolinguistics as well as offering a wealth of new insights to scholars in the fields of digital and online communications, social media, sociology, and digital anthropology.

Gathering scholars from five continents, this edited book displaces the elitist image of cosmopolitan as well as the blame addressed to aesthetic cosmopolitanism often considered as merely cosmetic. By considering aesthetic cosmopolitanism as a tool to understand how individuals and social groups appropriate the sphere of culture in a global world, the authors are concerned with its operationalization on two strongly interwoven levels, macro and micro, structural and individual. Based on the discussion of theoretical perspectives and empirically grounded research (qualitative and quantitative, conducted in many countries), this volume unveils new insights, on tourism and food, architecture and museums, TV series and movies, rock, K-pop and samba, by providing resources for making sense of aesthetic preferences in a global perspective. Contributors are: Felicia Chan, Vincenzo Cicchelli, Talitha Alessandra Ferreira, Paula Iadevito, Sukhmani Khorana, Anne Krebs, Antoinette Kujilaars, Franck Mermier, Sylvie Octobre, Joana Pellerano, Rosario Radakovich, Motti Regev, Viviane Riegel, Clara Rodriguez, Leslie Sklair, Yi-Ping Eva Shi, Claire Thoumelin and Dario Verderame.

The classic works of Emile Durkheim are characterized by a structural approach to the understanding of collective behaviour, and it is this element of his writings that has been most taken up by modern social science. This volume, however, rejects the dominant structural approach, and draws instead on Durkheim's later work, in which he shifted to a symbolic theory of modern industrial societies that emphasized the importance of ritual and placed the tension between the sacred and the profane at the center of society. In so doing, the contributors offer both a radically different approach to Durkheimian sociology and a new way of linking the interpretation of culture and the interpretation of society. In his introduction to the volume, Jeffrey Alexander elaborates the new interpretation of Durkheim that informs the contributions. His arguments form a background for the lively and provacative chapters that follow, which provide broadly cultural interpretations of such topics as popular upheavals and social movements, ranging from the French Revolution to the massive rebellions in Poland and Nicaragua in the 1980s; political crisis, from Watergate to the crisis of legitimation in contemporary capitalism; and the creative and contingent element in symbolic behaviour, including the symbolics of intimate friendship, and the ritual and rhetoric of media events. In addition to re-examining Durkheimian sociology, the essays also demolish the myth that attention to cultural values implies conservatism or the inability to analyze social change, and challenge the common antithesis between normative theory and microsociology. Its exploration of the links between Durkheimian sociology and the most important developments in contemporary sociology, history, anthropology and semiotics will ensure it a broad appeal across the social sciences.

This book, by a leading sociologist, examines the sociology of Durkheim, Marx, and some of their more distinguished followers. Lockwood shows that, underlying obvious and well-known differences, there are remarkably similar sets of assumptions about the structure of social action and specifically about how social order is created, maintained, and, under certain conditions, disrupted. These assumptions raise problems that have never been adequately addressed by either Durkheimians or Marxists. Lockwood's important study is a contribution toward identifying where and why new conceptual thinking is required.