"The first comprehensive study of Duerer's treatment of Islamic themes in his prints"--

Two brothers touring Europe in the nineteenth century become embroiled in a mystery involving Albrecht Durer's knot woodcuts and a secret German society when they go in search of their uncle's enigmatic missing valet.

This Bulletin discusses the Met's extensive collection of Renaissance textile pattern books, used primarily by women to embroider clothes and accessories. The practice of embroidery was seen as a virtuous endeavor, and textile pattern books, published with great frequency from the 1520s onward, were designed to inspire, instruct, and encourage "beautiful and virtuous women" in this esteemed practice. Straddling the disciplines of early printmaking, ornament design, and textile decoration, these works help shed light on the crucial period when the concept of fashion as a means of distinguishing individual identity became fixed in Western society.

Originally published in 1966 and now recognized as a classic, Norman O. Brown's meditation on the condition of humanity and its long fall from the grace of a natural, instinctual innocence is available once more for a new generation of readers. Love's Body is a continuation of the explorations begun in Brown's famous Life Against Death. Rounding out the trilogy is Brown's brilliant Apocalypse and/or Metamorphosis.

"The authors look closely at a variety of types of painting - including large altarpieces, small domestic, devotional images, diplomatic gifts, furniture, decorations and both intimate and full-length portraits - as well as frescoes, drawings and prints. They provide insights into the meanings of individual pictures and into the purposes they were originally intended to serve, and they explore the social position of the artist in the 1500s.

In his preface to The Symbolism of the Stupa Prof. Craig Reynolds writes "The stupa is a symbolic form that pullulates throghout south southeast and East Asia. In its Indian manifestations it is an extreme case in terms of architectural function: it has no usable has a basic simplicity. In this state of the art studt Adrian Snodrass reads the stupa as a cultural artifact. The mounment concretizes metaphysical principles and generates multivalent meanings in ways that can be articulated with lite

This is the first book to treat the impact of religious, philosophical and psychological traditions of the East on Western intellectuals, artists, travellers and spiritual seekers in the twentieth century. Addressed to both general readers and scholars of religion, it is especially valuable for its penetrating and inter-religious analysis of two of the most compelling themes now facing the world: the emergence of cross-cultural religious understanding of the natural order and ecological crisis and the metaphysical basis for both the formal diversity and essential unity of religious traditions of both East and West. The West has long romanticized the "mysterious" East, but it has, also, judged its traditions as "uncivilized." Our notions about Eastern spirituality have been formed by a succession of travellers, scientists, artists, intellectuals, poets, philosophers and missionaries, as well as by Eastern travellers who have spent time in the West. This book helps us to recognize the influence of Eastern ideas upon modern Western thought by tracing the history of engagements between East and West up until the present day. It concludes with a section that helps us to perceive the timeless value of the many Eastern contributions to the West's current intellectual and spiritual state.

A close analysis of the architecture of the stupa—a Buddhist symbolic form that is found throughout South, Southeast, and East Asia. The author, who trained as an architect, examines both the physical and metaphysical levels of these buildings, which derive their meaning and significance from Buddhist and Brahmanist influences.

These essays were originally intended for presentation to Professor Erwin Ramsdell Goodenough on the occasion of his seventy-fifth birthday. Before his death, in March, 1965, he knew of our plans for this volume and was gladdened by them.... The editor hopes that these papers, many of which fruitfully utilize Goodenough's scholarship, may contribute to the critical discussion of some problems of concern to him during his lifetime. He can conceive no higher, nor more appropriate, act of reverence for the memory of a beloved teacher and friend. From the Foreword by Jacob Neusner