Dura-Europos is one of Syria's most important archaeological sites. Situated on the edge of the Euphrates river, it was the subject of extensive excavations in the 1920s and 30s by teams from Yale University and the Académie des Inscriptions et Belles-Lettres. Controlled variously by Seleucid, Parthian, and Roman powers, the site was one of impressive religious and linguistic diversity: it was home to at least nineteen sanctuaries, amongst them a Synagogue and a Christian building, and many languages, including Greek, Latin, Persian, Palmyrene, and Hebrew which were excavated on inscriptions, parchments, and graffiti. Based on the author's work excavating at the site with the Mission Franco-Syrienne d'Europos-Doura and extensive archival research, this book provides an overview of the site and its history, and traces the story of its investigation from archaeological discovery to contemporary destruction.

Michael Peppard provides a historical and theological reassessment of the oldest Christian building ever discovered, the third-century house-church at Dura-Europos. Contrary to commonly held assumptions about Christian initiation, Peppard contends that rituals here did not primarily embody notions of death and resurrection. Rather, he portrays the motifs of the church’s wall paintings as those of empowerment, healing, marriage, and incarnation, while boldly reidentifying the figure of a woman formerly believed to be a repentant sinner as the Virgin Mary. This richly illustrated volume is a breakthrough work that enhances our understanding of early Christianity at the nexus of Bible, art, and ritual.

Describes life from a woman's perspective at the excavation of Dura-Europos, an ancient site that contained many remarkable archaeological finds.

This volume deals with the religion of Palmyrenes in Dura-Europos during the first three centuries of the Common Era, and focuses upon the religious interaction between this migrant community and their new residence. By studying the religious interaction of distinct groups on a local level, this study aims to contribute to a better understanding of the process of religious development and change in Syria during the Roman period. Information on the Palmyrenes of Dura-Europos consists primarily of archaeological remains that have been found there. The Palmyrene materials from Dura-Europos have never been published collectively, and for this reason they are enumerated and re-evaluated in the appendix. The book is richly illustrated with 20 figures and 22 plates.

"This publication is published in conjunction with the exhibition Dura-Europos: crossroads of antiquity organized by the Yale University Art Gallery and the McMullen Museum of Art, Boston College."--Tp. verso.

This book advances our understanding of the religion, society and culture of Dura-Europos, known as the 'Pompeii of the Syrian desert'.

Dura-Europos, a Parthian-ruled Greco-Syrian city, was captured by Rome c.AD165. It then accommodated a Roman garrison until its destruction by Sasanian siege c.AD256. Excavations of the site between the World Wars made sensational discoveries, and with renewed exploration from 1986 to 2011, Dura remains the best-explored city of the Roman East. A critical revelation was a sprawling Roman military base occupying a quarter of the city's interior. This included swathes of civilian housing converted to soldiers' accommodation and several existing sanctuaries, as well as baths, an amphitheatre, headquarters, and more temples added by the garrison. Base and garrison were clearly fundamental factors in the history of Roman Dura, but what impact did they have on the civil population? Original excavators gloomily portrayed Durenes evicted from their homes and holy places, and subjected to extortion and impoverishment by brutal soldiers, while recent commentators have envisaged military-civilian concordia, with shared prosperity and integration. Detailed examination of the evidence presents a new picture. Through the use of GPS, satellite, geophysical and archival evidence, this volume shows that the Roman military base and resident community were even bigger than previously understood, with both military and civil communities appearing much more internally complex than has been allowed until now. The result is a fascinating social dynamic which we can partly reconstruct, giving us a nuanced picture of life in a city near the eastern frontier of the Roman world.

Dura-Europos, A mesopotamian city of the Hellenistic-Roman period, ia a site remarkably rich in works of art. Although the quality is not of the first rank, the monuments are extremely interesting for their eclectic nature. Dura's location on the euphrates River and the varying fortunes of its history exposed it to a number of different cultural traditions, and the influence of these on the formation of the Durene style of art is considered in this book. ..... [from front flap]

An exhaustive study of the terracotta figurines unearthed at the site of Dura-Europos

Published by the Institute for the Study of the Ancient World at New York University on the occasion of the exhibition Edge of Empires, Sept. 23, 2011-Jan. 8, 2012.