Science Communication Through Poetry aims to explore how we might communicate science effectively both to and with non-scientific audiences across the spectrum of science communication, from dissemination to dialogue, via the medium of poetry. It has been written for scientists, science communicators, public engagement practitioners, and poets, so that they can learn how to use poetry as an effective tool through which to diversify science. As well as containing specific advice and guidance for how to use poetry to communicate science with different audiences, this book contains a number of exercises for the reader to reflect on what has been learnt and to put into practice what is discussed. Further study and additional readings are also provided to help improve knowledge, understanding, and familiarity with both poetry and science communication.

Winner of a Society of Authors' Eric Gregory Award 2021 J. H. Prynne: "These sonnets are strenuously ordered by traditional lineation and near-rhyme; but the cadastral envelopes compose an exotic material world-order and the lexicon is extensively far-fetched. The line-turnings are scarce mollified by expectation, insistently granular and undisturbed by punctuation or (except in captions) by upper-case usage. A dense jungle of hyper-variegated vocabulary, syntax exempt from phrasal interference, at minimum holds these poems into their sequence and outreach; they are a clear benefit to read and ponder, persistently revisited by unexpected discoveries." Peter Larkin: "Breaking out of the burdens of contemporary pastoral, these sonnets reprocess scientific and technological jargon with the force of poetic neologism across networks of association. Apparent prose sound-offs are held in suspension by strongly resurfacing metrics, half-buried iambics and defiant couplet-echoes. Ultimately, Symbiont intensifies its anger on behalf of a new lyrical counter-expansion of ecological resources, while finding space for deep and wishful interludes amid terrestrial trauma."

The sweeping scientific and social history of the humble dung beetle The humble and industrious dung beetle is a marvelous beast: the 6,000 species identified so far are intricately entwined with human history and scientific endeavor. These night-soil collectors of the planet have been worshipped as gods, worn as jewelry, and painted by artists. More practically, they saved Hawaii from ecological blight, and rescued Australia from plagues of flies. They fertilize soil, cleanse pastures, steer by the stars, and have a unique relationship with the African elephant (along with many other ungulates). Above all, they are the ideal subject for biological study in an evolving world. In this sweeping history of more than 3,000 years, beginning with Ancient Egypt, scientist Marcus Byrne and writer Helen Lunn capture the diversity of dung beetles and their unique behavior patterns. Dung beetles’ fortunes have followed the shifts from a world dominated by a religion that symbolically incorporated them into some of its key concepts of rebirth, to a world in which science has largely separated itself from religion and alchemy. With over 6,000 species found throughout the world, these unassuming but remarkable creatures are fundamental to some of humanity’s most cherished beliefs and have been ever present in religion, art, literature, science and the environment. They are at the center of current gene research, play an important role in keeping our planet healthy, and some nocturnal dung beetles have been found to navigate by the starry skies. Outlining the development of science from the point of view of the humble dung beetle is what makes this charming story of immense interest to general readers and entomologists alike.

A comprehensive treatment of visual ecology Visual ecology is the study of how animals use visual systems to meet their ecological needs, how these systems have evolved, and how they are specialized for particular visual tasks. Visual Ecology provides the first up-to-date synthesis of the field to appear in more than three decades. Featuring some 225 illustrations, including more than 140 in color, spread throughout the text, this comprehensive and accessible book begins by discussing the basic properties of light and the optical environment. It then looks at how photoreceptors intercept light and convert it to usable biological signals, how the pigments and cells of vision vary among animals, and how the properties of these components affect a given receptor's sensitivity to light. The book goes on to examine how eyes and photoreceptors become specialized for an array of visual tasks, such as navigation, evading prey, mate choice, and communication. A timely and much-needed resource for students and researchers alike, Visual Ecology also includes a glossary and a wealth of examples drawn from the full diversity of visual systems. The most up-to-date overview of visual ecology available Features some 225 illustrations, including more than 140 in color, spread throughout the text Guides readers from the basic physics of light to the role of visual systems in animal behavior Includes a glossary and a wealth of real-world examples

These poems explore the boundary between science and poetry, and juxtapose the lexicon of organic chemistry, in particular, with a botanical discourse which is more conventional in poetry, but which the scientific treatment defamiliarises. Far from being abstruse and heavy, the treatment here lightens the subject with an imaginative playfulness.

Emlen takes us outside the lab and deep into the forests and jungles where he's been studying animal weapons in nature for years, to explain the processes behind the most intriguing and curious examples of extreme animal weapons. As singular and strange as some of the weapons we encounter on these pages are, we learn that similar factors set their evolution in motion. Emlen uses these patterns to draw parallels to the way we humans develop and employ our own weapons, and have since battle began.

Discover why animals do what they do, based on their genes, physiologies, cultures, traditions, survival and mating advantages, and evolutionary histories—and find out how studying behavior in the animal world helps us understand human behavior. The three volumes of Animal Behavior: How and Why Animals Do the Things They Do cover the breadth of the field, addressing causation, development, function, and evolution in a wide range of animals, from invertebrates to humans. Inspired by Nobel laureate Nikolaas Tinbergen's work, the first two volumes follow Tinbergen's four classic questions of animal behavior, while the third volume supplies integrated examples of Tinbergen's investigative process applied in specific cases. Written in an engaging, accessible manner ideal for college students as well as general audiences, this evidence-based collection provides a fascinating tour of animal behaviorists' findings, such as how animal communication can be truthful or deceitful, the deadly serious business behind clashes in the "battle of the sexes," and how documentation of animal behavior can lead to a deeper understanding of human behavior. Each chapter provides both historical background and information about current developments in animal behavior knowledge.

A fresh look at the natural world, as seen through the eyes of a poet-scientist. Longlisted for the Laurel Prize 2022. "In this vivid, wide-ranging and reflexively-aware collection, Sarah Watkinson is a poet who is also a scientist, rather than a scientist writing poetry. She brings knowledge and experience, professional and personal, to her poetry and demonstrates mastery of her medium. She addresses important and profound themes but always with a light touch - and humour is never far away. This is an impressive first collection - and a model of informed nature writing." Steve Ely, Senior Lecturer in Creative Writing, University of Huddersfield "In this collection, Sarah Watkinson provides a unique glimpse of the natural world, seen through the eyes of a poet-scientist. Most of us are simply incapable of putting into words how we really feel about the animals and plants we study. Thank goodness we have Sarah to do it for us." Lindsay Turnbull, Director of Undergraduate Biology Teaching, University of Oxford

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