The notorious Parr family manipulated local politics in South Texas for decades. Archie Parr, his son George, and his grandson Archer relied on violence and corruption to deliver the votes that propelled their chosen candidates to office. The influence of the Parr political machine peaked during the 1948 senatorial primary, when election officials found the infamous Ballot Box 13 six days after the polls closed. That box provided a slim eighty-seven-vote lead to Lyndon B. Johnson, initiating the national political career of the future U.S. president. Dukes of Duval County begins with Archie Parr’s organization of the Mexican American electorate into a potent voting bloc, which marked the beginning of his three-decade campaign for control of every political office in Duval County and the surrounding area. Archie’s son George, who expanded the Parrs’ dominion to include jobs, welfare payments, and public works, became a county judge thanks to his father’s influence—but when George was arrested and imprisoned for accepting payoffs, only a presidential pardon advocated by then-congressman Lyndon Johnson allowed George to take office once more. Further legal misadventures haunted George and his successor, Archer, but in the end it took the combined force of local, state, and federal governments and the courageous efforts of private citizens to overthrow the Parr family. In this first comprehensive study of the Parr family’s political activities, Anthony R. Carrozza reveals the innermost workings of the Parr dynasty, a political machine that drove South Texas politics for more than seventy years and critically influenced the course of the nation.

Documents the end of the corrupt political empire of George Parr in Duval County, South Texas.

The notorious Parr family manipulated local politics in South Texas for decades. Archie Parr, his son George, and his grandson Archer relied on violence and corruption to deliver the votes that propelled their chosen candidates to office. The influence of the Parr political machine peaked during the 1948 senatorial primary, when election officials found the infamous Ballot Box 13 six days after the polls closed. That box provided a slim eighty-seven-vote lead to Lyndon B. Johnson, initiating the national political career of the future U.S. president. Dukes of Duval County begins with Archie Parr’s organization of the Mexican American electorate into a potent voting bloc, which marked the beginning of his three-decade campaign for control of every political office in Duval County and the surrounding area. Archie’s son George, who expanded the Parrs’ dominion to include jobs, welfare payments, and public works, became a county judge thanks to his father’s influence—but when George was arrested and imprisoned for accepting payoffs, only a presidential pardon advocated by then-congressman Lyndon Johnson allowed George to take office once more. Further legal misadventures haunted George and his successor, Archer, but in the end it took the combined force of local, state, and federal governments and the courageous efforts of private citizens to overthrow the Parr family. In this first comprehensive study of the Parr family’s political activities, Anthony R. Carrozza reveals the innermost workings of the Parr dynasty, a political machine that drove South Texas politics for more than seventy years and critically influenced the course of the nation.

Four men played leading roles in the political drama that unfolded in South Texas during the first decades of this century: James B. Wells, who ruled as boss of Cameron County and served as leading conservative spokesman of the Democratic Party in Texas; Archer (Archie) Parr, whose ruthless tactics and misuse of public funds in Duval County established him as one of the most notoriously corrupt politicians in Texas history; Manuel Guerra, Mexican American rancher and merchant whose domination of Starr County mirrored the rule of his Anglo counterparts in the border region; John Nance Garner, who served the interests of these bosses of South Texas as he set forth on the road that would lead him to the United States vice-presidency. Evan Anders's Boss Rule in South Texas tells the story of these men and the county rings they shaped in South Texas during the Progressive Era. Power was the byword of the bosses of the Lower Rio Grande Valley, and Anders explores the sources of that power. These politicos did not shirk from using corrupt and even violent means to attain their goals, but Anders demonstrates that their keen sensitivity to the needs of their diverse constituency was key to their long-term success. Patronage and other political services were their lifeblood, and the allies gained by these ranged from developers and businessmen to ranchers and Mexican Americans, wealthy and poor. Besides examining the workings of the Democratic machines of four South Texas counties, Anders explores the role of the Hispanic populace in shaping the politics of the border region, the economic development of the Lower Rio Grande Valley and its political repercussions, the emergence and nature of progressive movements at both local and state levels, and the part played by the Texas Rangers in supporting bossism in South Texas.

In his first book, Mr. Clark relates some of the untold stories of people and events in the infamous Texas county during the early part of this century. Through the lives of his family and friends, the reader will learn more about Pancho Villa, the Parr regime, and many lesser known heroes who tried to live and raise families in the rugged south Texas brush country. In this second edition, the authors son and daughter, Forrest Clark, III and Constance Clark have included more stores, some family information gained from genealogy research as well as Texas history relative to the family living during this time.

Winner of the 2018 Eudora Welty Prize When the United States entered World War I, parts of the country had developed industries, urban cultures, and democratic political systems, but the South lagged behind, remaining an impoverished, agriculture region. Despite New South boosterism, the culture of the early twentieth-century South was comparatively artistically arid. Yet, southern writers dominated the literary marketplace by the 1920s and 1930s. World War I brought southerners into contact with modernity before the South fully modernized. This shortfall created an inherent tension between the region's existing agricultural social structure and the processes of modernization, leading to distal modernism, a form of writing that combines elements of modernism to depict non-modern social structures. Critics have struggled to formulate explanations for the eruption of modern southern literature, sometimes called the Southern Renaissance. Pinpointing World War I as the catalyst, David A. Davis argues southern modernism was not a self-generating outburst of writing, but a response to the disruptions modernity generated in the region. In World War I and Southern Modernism, Davis examines dozens of works of literature by writers, including William Faulkner, Ellen Glasgow, and Claude McKay, that depict the South during the war. Topics explored in the book include contact between the North and the South, southerners who served in combat, and the developing southern economy. Davis also provides a new lens for this argument, taking a closer look at African Americans in the military and changing gender roles.

From their founding in the 1820s up to the modern age, the Texas Rangers have shown the ability to adapt and survive. Part of that survival depended on their use of firearms. The evolving technology of these weapons often determined the effectiveness of these early day Rangers. John Coffee “Jack” Hays and Samuel Walker would leave their mark on the Rangers by incorporating new technology which allowed them to alter tactics when confronting their adversaries. The Frontier Battalion was created at about the same time as the Colt Peacemaker and the Winchester 73—these were the guns that “won the West.” Firearms of the Texas Rangers, with more than 180 photographs, tells the history of the Texas Rangers primarily through the use of their firearms. Author Doug Dukes narrates famous episodes in Ranger history, including Jack Hays and the Paterson, the Walker Colt, the McCulloch Colt Revolver (smuggled through the Union blockade during the Civil War), and the Frontier Battalion and their use of the Colt Peacemaker and Winchester and Sharps carbines. Readers will delight in learning of Frank Hamer’s marksmanship with his Colt Single Action Army and his Remington, along with Captain J.W. McCormick and his two .45 Colt pistols, complete with photos. Whether it was a Ranger in 1844 with his Paterson on patrol for Indians north of San Antonio, or a Ranger in 2016 with his LaRue 7.62 rifle working the Rio Grande looking for smugglers and terrorists, the technology may have changed, but the gritty job of the Rangers has not.

"A bizarre story—full of intrigue and machinations over a half-billion dollar fortune with a cast of characters that might have been invented by Balzac." —Richard Lindsey, author of The Falcon and the Snowman This is a story of a vast cattle and oil fortune left hanging by the thread of a widow's dying wish; a story of prodigious egos and ambitions competing for the fortune before the widow was even buried; a story about a legal battle that has lasted a quarter-century and has swept like a range fire from dusty cow-town courtrooms to the marble halls of the Vatican, pitting captains of industry against princes of the Church. And if it had happened anywhere other than Texas, you probably wouldn't believe a word of it. Sarita Kenedy East was the aging, melancholy mistress of a cattle kingdom as big as Rhode Island: La Parra, 400,000 acres of South Texas rangeland next door to the fabled King Ranch. She was the last Kenedy. And although she cherished the huge ranch founded by her grandfather, her life there oppressed her. Mrs. East's only solace was in her memories, her abiding Catholic faith, and her nightly tumblers of scotch. In 1948 Sarita received a surprise caller, a young and charismatic Trappist monk, Brother Leo—the alleged Svengali of this saga—who had been sent out from his monastery in New England to scout potential sites for new Trappist monasteries…and to find rich Catholic donors to pay for them. In time he discovered what Sarita herself did not know, that under her lands lay an ocean of oil worth hundreds of millions of dollars. Brother Leo had a gift for persuasion. He became the lonely widow's spiritual counselor, and before she died she made him trustee of a charitable foundation that he says was meant to help the poor of Latin America. But Brother Leo ran into some formidable opposition: Sarita's vengeful relatives in Texas, Fortune 500 industrialist J. Peter Grace, and the Catholic Church itself all had other plans for the giant estate. "If You Love Me You Will Do My Will," based upon two decades of investigative reporting and interviews with almost every major character, details this extravagant drama, an epic even by Texas standards. Some images in this ebook are not displayed owing to permissions issues.

A haunting tribute to the heroic pioneers who shaped the American Midwest This powerful novel by Willa Cather is considered to be one of her finest works and placed Cather in the forefront of women novelists. It tells the stories of several immigrant families who start new lives in America in rural Nebraska. This powerful tribute to the quiet heroism of those whose struggles and triumphs shaped the American Midwest highlights the role of women pioneers, in particular. Written in the style of a memoir penned by Antonia’s tutor and friend, the book depicts one of the most memorable heroines in American literature, the spirited eldest daughter of a Czech immigrant family, whose calm, quite strength and robust spirit helped her survive the hardships and loneliness of life on the Nebraska prairie. The two form an enduring bond and through his chronicle, we watch Antonia shape the land while dealing with poverty, treachery, and tragedy. “No romantic novel ever written in America...is one half so beautiful as My Ántonia.” -H. L. Mencken Willa Cather (1873–1947) was an American writer best known for her novels of the Plains and for One of Ours, a novel set in World War I, for which she was awarded the Pulitzer Prize in 1923. She was elected a fellow of the American Academy of Arts and Sciences in 1943 and received the gold medal for fiction from the National Institute of Arts and Letters in 1944, an award given once a decade for an author's total accomplishments. By the time of her death she had written twelve novels, five books of short stories, and a collection of poetry.