This book demonstrates how Dryden made Virgil's Aeneid available in an English idiom that would reflect and appeal to English tastes and values over a long period of time.

This study referred to as a "preface" is given this designation because its basic aim is not to offer an up-to-date overall assessment of Dryden's translation of Virgil's Æneid but, rather, to provide a relevant basis for such an assessment ?thus allowing for a wide range of readership. The relevance of this approach rests on two basic premises: that of R. A. Brower, who maintains "that no translation can be understood or properly evaluated apart from the conditions of expression under which it was made," supported by Dryden's expressed intention "to make Virgil speak such English, as he wou'd himself have spoken, if he had been born in England, and in this present age," together providing a genuinely relevant basis for an understanding of Dryden's translation, "the conditions of expression" here allowing the inclusion of all the possible implications this phrase includes.

This book presents a history of the epic from the classical age to the present day. It deals not just with the well-know epics of antiquity and the Renaissance, but also pursues developments in more recent literature and film. It offers an exploration of the changes that have taken place in the genre from Homer to Hollywood.

"Time to Begin Anew significantly extends our understanding of Dryden's Virgil, while at the same time providing a sophisticated account of the cultural and political currents of the 1690s."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Recognition is often considered a means to de-escalate conflicts and promote peaceful social interactions. This volume explores the forms that social recognition and its withholding may take in asymmetric armed conflicts, examining the risks and opportunities that arise when local, state, and transnational actors recognise, misrecognise, or deny recognition of armed non-state actors.By studying key asymmetric conflicts through the prism of recognition, it offers an innovative perspective on the interactions between armed non-state actors and state actors. In what contexts does granting recognition to armed non-state actors foster conflict transformation? What happens when governments withhold recognition or label armed non-state actors in ways they perceive as misrecognition? The authors examine the ambivalence of recognition processes in violent conflicts and their sometimes-unintended consequences. The volume shows that, while non-recognition prevents conflict transformation, the recognition of armed non-state actors may produce counterproductive precedents and new modes of exclusion in intra-state and transnational politics.

Volumes V and VI concern Dryden's most involved labor: the complete translation of Virgil into English. Volume VI contains books 7-12 of The Aeneid, as well as commentary and textual notes to the full works of Virgil translated in these two volumes.