Melvin Burkhart the Anatomical Wonder; Zip the Pinhead; Chang and Eng, the original Siamese twins; Johnny Eck, the King of the Freaks; Koo Koo the Birdgirl; and 45 more fascinating sideshow freaks both famous and obscure are immortalized in Drew Friedman's delightful portraits. Before the politically correct impulses of the 1970s squelched the grand American tradition of the sideshow -- people born with abnormalities and others, like Jolly Jere the Fat Man, who created their oddity -- exhibited themselves to the shock and thrill of millions in sideshows nationwide. As a youth in the late 60s and early 70s, Drew Friedman often visited Coney Island with his family, and he and his brothers always insisted on seeing the Freak Show. Drew Friedman's Sideshow Freaks presents 50 of his favorite historic human oddities -- famous and obscure -- in mesmerizing full-color portraits. As in Warts and All, Old Jewish Comedians, and More Old Jewish Comedians, Drew Friedman once again meticulously, brilliantly, and affectionately brings to life people in the show business, this time focusing on America's oddest performers.

Artists, cartoonists, comedians, musicians, actors, politicians, the famous and the infamous, these chosen people are just that: People chosen to be rendered by the man BoingBoing calls “The greatest living portrait artist.”

Featuring over 80 full-color portraits of the pioneering legends of American comic books, including publishers, editors and artists from the industry’s birth in the ’30s, through the brilliant artists and writers of behind EC Comics in the ’50s. All lovingly rendered and chosen by Drew Friedman, a cartooning legend in his own right. Featuring subjects popular and obscure, men and women, as well as several pioneering African-American artists. Each subject features a short essay by Friedman, who grew up knowing many of the subjects included (as the son of writer Bruce Jay Friedman), including Stan Lee, Harvey Kurtzman, Will Eisner, Mort Drucker, Al Jaffee, Jack Davis, Will Elder, and Bill Gaines. More names you might recognize: Barks, Crumb, Wood, Wolverton, Frazetta, Siegel & Shuster, Kirby, Cole, Ditko, Werthem… it’s a Hall of Fame of comic book history from the man BoingBoing.com call “America’s greatest living portrait artist!”

The Fun Never Stops is a comprehensive collection of premier caricaturist Drew Friedman's best comic strips, illustrations, and mug shots dealing with all the familiar Friedman themes the world has come to love: showbiz has-beens, ugly old white men, nefarious politicians, debauched celebrities, the ubiquitous Lord of Eltingville, etc. Most of the work is from the 1990s, and show Friedman's gradual phasing out of his famous (and amazing) black-and-white stipple look to his current (and equally amazing) lush watercolor style. In addition to the works written by Friedman, Fun includes many collaborations with his longtime partner K. Bidus, as well as Harvey Pekar (American Splendor), Mark Newgarden (We All Die Alone), and Bruce Handy, among others. Also included is artwork from the notorious Topps Bubble Gum Card series Toxic High, as well as art from the card sets Beauties and Cuties and Ed Wood Players. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.9px Arial; color: #424242}

This comical collection of of Jewish comedian portraiture is a sequel to 2006's wildly successful Old Jewish Comedians, which earned Friedman raves from Jerry Lewis, Howard Stern, The Believer,Entertainment Weekly and many more, and earned Friedman his own roast at New York's legendary Friar's Club. This all-new collection includes the famous (Woody Allen, Carl Reiner, Joan Rivers, Mel Brooks, Soupy Sales, etc.), the not-so-famous (Jerry Stiller, Zeppo & Gummo Marx, Larry Storch, Zero Mostel, etc.) and the largely unknown (Molly Picon, Herbie Faye, Jan Milton, etc.). The Reuben Award-winning Friedman, one of the great caricaturists of his age, presents a thorough visual history of the 20th Century's greatest Borscht-Belt comedians.

This comprehensive collection of portraiture of comedians born before 1930 includes the famous (Milton Berle, Groucho Marx, Jerry Lewis, Mel Brooks, Jack Benny), the not-so-famous (Benny Rubin, Shelly Berman) and the largely unknown (Al Kelly, Menasha Skulnik). The Reuben Award-winning Friedman presents a thorough visual history of these greatest Borscht-Belt comedians.

The big stories -- The skills of the new machines : technology races ahead -- Moore's law and the second half of the chessboard -- The digitization of just about everything -- Innovation : declining or recombining? -- Artificial and human intelligence in the second machine age -- Computing bounty -- Beyond GDP -- The spread -- The biggest winners : stars and superstars -- Implications of the bounty and the spread -- Learning to race with machines : recommendations for individuals -- Policy recommendations -- Long-term recommendations -- Technology and the future (which is very different from "technology is the future").

All the Presidents is the latest book of portraits by the artist BoingBoing hails as “the greatest portrait artist of our time.” All the Presidents is indeed what the title indicates, portraits of all 44 United States Presidents, from George Washington to Donald Trump and everyone in between, all rendered in Friedman’s celebrated in-your-face style of portraiture. The portraits will be accompanied by vital statistics on each subject (political affiliation as well as height and weight, etc.), as well as fascinating presidential factoids. Friedman’s two page comic strip introduction “Drawn to Presidents” opens the book, specifically detailing his fasciation with drawing many US presidents throughout his life, from childhood scrawlings of Richard Nixon to illustrations of Ronald Reagan, George H.W. Bush and Bill Clinton for Spy and eventually creating the famed Barack Obama/George Washington mashup inauguration cover for The New Yorker in 2009. The book also features a foreword by NPR’s Studio 360 host, Kurt Andersen.

Soon to be a major motion picture from Academy Award–winning director Guillermo del Toro and starring Bradley Cooper, Cate Blanchett, Rooney Mara, and Toni Collette. Nightmare Alley begins with an extraordinary description of a carnival-show geek—alcoholic and abject and the object of the voyeuristic crowd’s gleeful disgust and derision—going about his work at a county fair. Young Stan Carlisle is working as a carny, and he wonders how a man could fall so low. There’s no way in hell, he vows, that anything like that will ever happen to him. And since Stan is clever and ambitious and not without a useful streak of ruthlessness, soon enough he’s going places. Onstage he plays the mentalist with a cute assistant (before long his harried wife), then he graduates to full-blown spiritualist, catering to the needs of the rich and gullible in their well-upholstered homes. It looks like the world is Stan’s for the taking. At least for now.

An overview of the art of Stanislav Szukalski. Szukalski (1893-1987) was one of the great sculptors of the 20th Century. Due to geopolitical upheavals in his native land, Poland, a large proportion of his work was destroyed. Yet thanks to the efforts of a group of dedicated art patrons, art critics, and personal acquaintances, the work of Szukalski is being rediscovered. This is the first critical view of his work published since 1923, and contains writings, drawings, and photographs of his sculpture.