The kingdom of heaven, global climate meltdown and international networks of terror, the beloved who completes us, and the virtual cybervillage all have something in common. As products of our imagination, symbolic expressions of totality like these orient individual and collective life. Both panacea and poison, our dreams of totality power religious beliefs, sociopolitical programs such as capitalism and globalism, psychology's narratives of wholeness, even our ideas about individual and cultural health. When dreams of totality go bad, and they often do--becoming totalitarian or fundamentalist--they are more destructive than any plague or natural disaster. Dreams of Totality explores images of wholeness in cultures from ancient civilizations through today. It explains why symbols of totality appear without fail in response to chaos and distress, how they subsequently entomb us, and then eventually deconstruct as disenfranchised elements of psyche and society press for inclusion. Today, unmoored dreams of totality like globalization and the virtual Web community are taking over our collective imagination at the same time we are being exploited by a surfeit of image-industry spin. But as this book explains, we can't go backward into malignant nostalgia for a time when the gods spoke as one, take refuge in fractured fundamentalisms, nor should we succumb to a casual relationship to truth. Rather, preserving the creative function of dreaming of totality while at the same time loosening its often-deadening grip--an Rx for taking the medicine of totality when there's nothing at the center--is crucial as we try to cultivate an ethic of responsibility and integrity toward one another on a global scale.

TAR FOR MORTAR offers an in-depth exploration of one of literature's greatest tricksters, Jorge Luis Borges. His short story "The Library of Babel" is a signature examplar of this playfulness, though not merely for the inverted world it imagines, where a library thought to contain all possible permutations of all letters and words and books is plumbed by pious librarians looking for divinely pre-fabricated truths. One must grapple as well with the irony of Borges's narration, which undermines at every turn its narrator's claims of the library's universality, including the very possibility of exhausting meaning through combinatory processing. Borges directed readers to his non-fiction to discover the true author of the idea of the universal library. But his supposedly historical essays are notoriously riddled with false references and self-contradictions. Whether in truth or in fiction, Borges never reaches a stable conclusion about the atomic premises of the universal library - is it possible to find a character set capable of expressing all possible meaning, or do these letters, like his stories and essays, divide from themselves in a restless incompletion? While many readers of Borges see him as presaging our digital technologies, they often give too much credit to our inventions in doing so. Those who elide the necessary incompletion of the Library of Babel compare it to the Internet on the assumption that both are total archives of all possible thought and expression. Though Borges's imaginings lend themselves to digital creativity (libraryofbabel.info is certainly evidence of this), they do so by showing the necessary incompleteness of every totalizing project, no matter how technologically refined. Ultimately, Basile nudges readers toward the idea that a fictional/imaginary exposition can hold a certain power over technology.

Dream analysis is a distinctive and foundational part of analytical psychology, the school of psychology founded by C. G. Jung and his successors. This volume collects Jung's most insightful contributions to the study of dreams and their meaning. The essays in this volume, written by Jung between 1909 and 1945, reveal Jung's most essential views about dreaming--especially regarding the relationship between language and dream. Through these studies, Jung grew to understand that dreams are themselves a language, a language through which the soul communicates with the body. The essays included are "The Analysis of Dreams," "On the Significance of Number Dreams," "General Aspects of Dream Psychology," "On the Nature of Dreams," "The Practical Use of Dream Analysis," and "Individual Dream Symbolism in Relation to Alchemy" (complete with illustrations). New to this edition is a foreword by Sonu Shamdasani, Philemon Professor of Jung History at University College London.

This wide-ranging and topical survey incorporates many canonical artists into a single narrative. Beautifully illustrated, it pays particular attention to the influence of the Total Work of Art on modern theatre and performance.

This book brings architecture and urbanism into dialogue with phenomenology. The contributors are architects and scholars of urbanism with backgrounds in literature, history, religious studies, and art history. Rather than developing a single theoretical statement, the book addresses architecture’s relationship with the city in a wide range of historical and contemporary contexts. The chapters trace hidden genealogies, and explore the ruptures as much as the persistence of recurrent cultural motifs. Together, these interconnected phenomenologies of the city raise simple but fundamental questions: What is the city for, how is it ordered, and how can it be understood?

In recent decades the relationship between psychoanalysis and psychotherapy has been a focal point for debate about the distinctiveness of analysis as a particular kind of therapeutic enterprise. In Interpretation and Interaction, Jerome Oremland invokes the interventions of "interpretation" and "interaction," rooted in the values of understanding and amelioration, respectively, as a conceptual basis for reappraising these important issues. In place of the commonly accepted triadic division among psychoanalysis, exploratory psychotherapy, and supportive psychotherapy, he proposes a new triad: psychoanalysis, psychoanalytically-oriented psychotherapy, and interactive psychotherapy. Anchoring his classification in what he terms the "orientation of the therapy" rather than the "orientation of the therapist," Oremland submits that analysis and psychoanalytically-oriented psychotherapy strive systematically to interpret the therapeutic interaction as expressed in the transference. Interactive psychotherapy, on the other hand, uses the transference selectively to ameliorate psychic stress. Interpretation and Interaction is enriched by a concluding chapter from Merton Gill, a preeminent authority on the therapeutic process. Gill's critical appreciation of Oremland's proposals amounts to an illuminating refinement of his own position on the relationship between psychoanalysis and psychotherapy. Scholarly in conception, thoughtful in tone, and pragmatic in yield, Interpretation and Interaction is a clarifying addition to the psychoanalytic theory of psychotherapy. It will have the practical consequence, in Gill's words, of "aiding clinicians in retaining their analytic identities and their analytic orientation across the spectrum of their therapeutic work."

This book examines the implications of new communication technologies in the light of the most recent work in social and cultural theory and argues that new developments in electronic media, such as the Internet and Virtual Reality, justify the designation of a "second media age".

Narrating from the Archive describes the historical development of the archival novel, a fictional genre in which the narrative stores records, bureaucratic writing informs language, and the archive frames the readers' apprehension of the text. Archival novels have been written in two distinct paradigms--legitimation and challenge. While in the former paradigm the archive guarantees the novel's verisimilitude, in the latter the archive is questioned as a hierarchized and politically biased system for establishing truth. In this book, Alessandro Manzoni's I promessi sposi, Honore de Balzac's Ursule Mirouet and Le Colonel Chabert, are examples of novels written within the paradigm of legitimation; while Gustave Flaubert's Bouvard et Pecuchet permits the transition between the two paradigms, George Perece's La vie mode d'emploi and Don DeLillo's Libra represent cases of archival fiction written within the paradigm of challenge.

A New York Times Notable Book for 2011 One of The Economist's 2011 Books of the Year One of NPR's 10 Best Novels of 2011 From the National Book Award-winning author Denis Johnson (Tree of Smoke) comes Train Dreams, an epic in miniature, and one of Johnson's most evocative works of fiction. Suffused with the history and landscapes of the American West—its otherworldly flora and fauna, its rugged loggers and bridge builders—this extraordinary novella poignantly captures the disappearance of a distinctly American way of life. It tells the story of Robert Grainer, a day laborer in the American West at the start of the twentieth century—an ordinary man in extraordinary times. Buffeted by the loss of his family, Grainer struggles to make sense of this strange new world. As his story unfolds, we witness both his shocking personal defeats and the radical changes that transform America in his lifetime.