Dreams of Camelot is the 2nd book in a series. This book tells of King Arthur building his kingdom after the initial book, "Comes the Dragon," described his grandfather's life and Arthur as a child and young man. Locked in a struggle with the powers of darkness as well as the invaders coming from every corner of his kingdom, Arthur struggles to find his place in the world, establish his kingdom, keep peace within his family and cling desperately to his faith. Guided by his mentor, Merlyn, and a pair of fairies who are able to discern the future, Arthur is driven to affect the coming Nexus. The fairies see the timelines converging later in Arthur's life where his actions can change the future for good, or failing, see it drift off into chaos and disaster for all of mankind. Dreams of Camelot is historical fiction. The imaginary characters are placed in meticulously researched historical settings with actual documented personas such as Emperor Marcian, Aspar the Alan, Pope Leo I, Attila the Hun and many more. Only where the historical record is blank or vague does the author take license to insert his on suppositions on what might have happened.

'So beautiful, so haunting . . . bitingly real . . . Giles has given us a vital, glorious story: rich, rewarding, and utterly revealing of our times' Manda Scott Following his acclaimed Sunday Times bestseller, Lancelot, Giles Kristian's new novel returns us to the realms of Arthurian legend . . . The Saxons have returned and their war bands stalk the land. The lords of Britain look only to their own survival, unable or unwilling to unite as they once did under Arthur. And in a monastery hidden in the marshlands of Avalon, a novice monk prepares to take his vows. However, two strangers - the wild-spirited, Saxon-killing Iselle and the ageing warrior Gawain - will pluck him from his sheltered existence and his world will be turned upside down. Together they will go in search of the last druid, to find the cauldron of a god, and to raise an army to hold the darkness at bay. And as they journey, so the novice will cast aside his training and embrace his legacy. For he is a warrior born. His name is Galahad. And he is the son of Lancelot . . . Acclaim for Lancelot: 'A masterpiece.' Conn Iggulden 'Stands head and shoulders above the rest.' Manda Scott 'Glorious. Tragic. Lyrical. Totally gripping.' Ben Kane 'A gorgeous, rich retelling.' The Times 'An extraordinary writer . . . an exceptional book.' Dr Janina Ramirez

A collection of poetry and short stories focusing on the dark introspective and occasionally manic obsessions and musings of the author.

Alone among the creatures of the world, man suffers a pang both bitter and sweet. It is an ache for the homecoming. The Greeks called it nostalgia. Post-modern man, homeless almost by definition, cannot understand nostalgia. If he is a progressive, dreaming of a utopia to come, he dismisses it contemptuously, eager to bury a past he despises. If he is a reactionary, he sentimentalizes it, dreaming of a lost golden age. In this profound reflection, Anthony Esolen explores the true meaning of nostalgia and its place in the human heart. Drawing on the great works of Western literature from the Odyssey to Flannery O'Connor, he traces the development of this fundamental longing from the pagan's desire for his earthly home, which most famously inspired Odysseys' heroic return to Ithaca, to its transformation under Christianity. The doctrine of the fall of man forestalls sentimental traditionalism by insisting that there has been no Eden since Eden. And the revelation of heaven as our true and final home, directing man's longing to the next world, paradoxically strengthens and ennobles the pilgrim's devotion to his home in this world. In our own day, Christian nostalgia stands in frank opposition to the secular usurpation of this longing. Looking for a city that does not exist, the progressive treats original sin, which afflicts everyone, as mere political error, which afflicts only his opponents. To him, history is a long tale of misery with nothing to teach us. Despising his fathers, he lives in a world without piety. Only the future, which no one can know, is real to him. It is an idol that justifies all manner of evil and folly. Nostalgia rightly understood is not an invitation to repeat the sins of the past or to repudiate what experience and reflection have taught us, but to hear the call of sanity and sweetness again. Perhaps we will shake our heads as if awaking from a bad and feverish dream and, coming to ourselves, resolve, like the Prodigal, to "arise and go to my father's house."

A collection of mythical poems covering everything from Dragons to Unicorns.

Explores the significance of dreams in early Christian Egypt, using sources from Philo and Origen to Athanasius and early monks.

When archaeologists dug up the hill of Cadbury in Somerset, the reputed site of King Arthur's Camelot, thousands of visitors came to watch. They never saw anything resembling the Camelot of romance. Yet they kept coming, year after year.Why does Arthur fascinate? In this book, the secretary of the Cadbury project (himself an authority on the legend) looks for an answer. Drawing on varied researches, and on the insight embodied in William Blake's symbol of the shadowy 'Giant Albion' behind Arthur, he plunges into the psychological depths that underlie the tale of the enchanted King, his city Camelot, his mysterious departure to Avalon, his promised return.The enquiry starts from the solid facts of Cadbury. But it opens vistas on a strange world of gods and mortals and immemorial yearnings. The same universal dream that created the legendary Arthur is shown reappearing through many centuries, inspiring many thinkers: Blake himself; Virgil, Confucius, Rousseau, Gandhi; even such supposed rationalists as Robert Owen and Lenin.All the paths converge on a central problem of the human condition, which, the author suggests, must be solved if mankind is to achieve a workable humanist philosophy. It turns out that Arthur remains startlingly relevant: that the prophecy of his return has a serious meaning.

Three popular romance writers converge to offer stories of "the bad boys of your wildest dreams."

Midwest Book Review says, "Black Camelot's Days of War" is the third volume in author Darius Myers' original and riveting Black Camelot series and continues to showcase Darius Myers impressive and narrative driven storytelling skills. Packed with action, suspense, and one compulsive thriller of a read from first page to last." Black Camelot's Days of War is the third novel in the Black Camelot series. Chief of Detectives Teddy Walker, with the help of the Society of Protectors, has kept Donald Alexander, Kwame Mills and their spectacular crew of friends dubbed the Black Camelots’ safe from racist kill squads. Under Walker's leadership, the attacks were rebuffed and made way for a peaceful summer marked by the Black Camelot Weddings. The highly anticipated weddings captured the attention of the city, country, and the world and further burnished the Black Camelots’ reputation as American royals. Before Emancipation has re-emerged under the direction of a new and dynamic leader. His first order was to resume the deadly hunt for Black Camelot members and kill key Walker lieutenants in a full declaration of war. Acts of vengeance are not limited to Walker's fight with Before Emancipation. Bronson Pagent remains in a bitter feud with Yancey and Dawn Davis Stuart. He makes a move that's true to his psychopathic nature and sets off a chain of reactions with consequences he never imagined. The drama also follows the corrupt, former Senator Digby Yates, who emerges as a new and formidable nemesis. Yates is an overt racist and narcissist who wants to be President and yearns for a Before Emancipation race war, as it will increase his electoral chances. In Black Camelot's Days of War, Gotham is now a war zone. The attacks are no longer a secret, and the good guys have become casualties. It is a period that will leave Walker and the Black Camelots’ in shock and the city in terror. in