Udelson provides a trenchant analysis of Zangwill's works set within a historical context, i.e., Jewish emancipation and the dilemma of how one might remain fully Jewish while becoming fully modern.

Hanif “Neef ” Shabazz and Damion “Dame Raw” Jackson did there 10 year stretch of hard time inside infamous New York Prisons. Now they back on the street, cruising around N.Y in foreign cars: Neef drives a black “drop top” Porsche Carrera and Damion drives a green CL 600 Mercedes Benz. On the wrong side of the law – major players in the drug game – seemingly successful. But everything goes horribly wrong when their partner, Jose “Butter” Sanchez is murdered. A dangerous drug war is just beginning! Meanwhile, Neef is falling for a young, sexy college student, on the hunt for a man with means. Enter Dana, a beautiful young seductress with a sordid past. Does Dana truly love Hanif? If “Neef ” can stay alive long enough to reveal the truth, he will fi nd out. But he’s marked for death by enemy’s who never forgives, never gives up and are motivated by greed. City of Broken Dreams depicts how even in the underworld of New York,loyalty, respect and love have their place. From the first page “Dreams” pull the reader into a world of danger, steamy sex and a touch of romance. A “ghetto love story” that will gladden the heart of all readers.

After winning an international audience with his novel Children of the Ghetto, Israel Zangwill went on to write numerous short stories, four additional novels, and several plays, including The Melting Pot. Author Meri-Jane Rochelson, a noted expert on Zangwill’s work, examines his career from its beginnings in the 1890s to the performance of his last play, We Moderns, in 1924, to trace how Zangwill became the best-known Jewish writer in Britain and America and a leading spokesperson on Jewish affairs throughout the world. In A Jew in the Public Arena, Rochelson examines Zangwill’s published writings alongside a wealth of primary materials, including letters, diaries, manuscripts, press cuttings, and other items in the vast Zangwill files of the Central Zionist Archives, to demonstrate why an understanding of Israel Zangwill’s career is essential to understanding the era that so significantly shaped the modern Jewish experience. Once he achieved fame as an author and playwright, Israel Zangwill became a prominent public activist for the leading social causes of the twentieth century, including women’s suffrage, peace, Zionism, and the Jewish territorialist movement and rescue efforts. Rochelson shows how Zangwill’s activism and much of his literary output were grounded in a universalist vision of Judaism and a commitment to educate the world about Jews as a way of combating antisemitism. Still, Zangwill’s position in favor of creating a homeland for the Jews wherever one could be found (in contrast to mainstream Zionism’s focus on Palestine) and his apparent advocacy of assimilation in his play The Melting Pot made him an increasingly controversial figure. By the middle of the twentieth century his reputation had fallen into decline, and his work is unknown to many modern readers. A Jew in the Public Arena looks at Zangwill’s literary and political activities in the context of their time, to make clear why he held such a place of importance in turn-of-the-century literary and political culture and why his life and work are significant today. Jewish studies scholars as well as students and teachers of late Victorian to Modernist British literature and culture will appreciate this insightful look at Israel Zangwill.

Kelley unearths freedom dreams in this exciting history of renegade intellectuals and artists of the African diaspora in the twentieth century. Focusing on the visions of activists from C. L. R. James to Aime Cesaire and Malcolm X, Kelley writes of the hope that Communism offered, the mindscapes of Surrealism, the transformative potential of radical feminism, and of the four-hundred-year-old dream of reparations for slavery and Jim Crow. From'the preeminent historian of black popular culture' (Cornel West), an inspiring work on the power of imagination to transform society.

This career-spanning anthology from prominent Jewish historian David Biale brings over a dozen of his key essays together for the first time. These pieces, written between 1974 and 2016, are all representative of a method Biale calls "counter-history": "the discovery of vital forces precisely in what others considered marginal, disreputable and irrational." The themes that have preoccupied Biale throughout the course of his distinguished career—in particular power, sexuality, blood, and secular Jewish thought—span the periods of the Bible, late antiquity, and the Middle Ages to the twentieth century. Exemplary essays in this volume argue for the dialectical relationship between modernity and its precursors in the older tradition, working together to "brush history against the grain" in order to provide a sweeping look at the history of the Jewish people. This volume of work by one of the boldest and most intellectually omnivorous Jewish thinkers of our time will be essential reading for scholars and students of Jewish studies.