From an award-winning poet comes a collection on heartbreak and transitions, written with a piercing lyric ferocity. FINALIST FOR THE NEW ENGLAND BOOK AWARD FOR POETRY • “Written with great tenderness and intimacy, Dream of the Divided Field reveals what we do (and do not) owe to others, and what we owe to ourselves.”—Poets & Writers The poems in Yanyi’s latest book suggest that we enter and exit our old selves like homes. We look through the windows and recognize some former aspect of our lives that is both ours and not ours. We long for what we had even as we recognize that we can no longer live there. Yanyi conjures the beloved both within and without us: the beloved we believe we know, the beloved who is never the person we imagine, and the beloved who threatens to erase us even as we stand before them. How can we carry our homes with us? Informed by Yanyi’s experiences of immigration, violent heartbreak, and a bodily transition, Dream of the Divided Field explores the contradictions that accompany shifts from one state of being to another. In tender, serene, and ethereal poems, Dream of the Divided Field examines a body breaking down and a body that rebuilds in limitless and boundary-shifting ways. These are homes in memory—homes of love and isolation, lust and alienation, tenderness and violence, suffering and wonder.

Winner of the 2018 Yale Series of Younger Poets prize How can a search for self‑knowledge reveal art as a site of community? Yanyi’s arresting and straightforward poems weave experiences of immigration as a Chinese American, of racism, of mental wellness, and of gender from a queer and trans perspective. Between the contrast of high lyric and direct prose poems, Yanyi invites the reader to consider how to speak with multiple identities through trauma, transition, and ordinary life. These poems constitute an artifact of a groundbreaking and original author whose work reflects a long journey self‑guided through tarot, therapy, and the arts. Foregrounding the power of friendship, Yanyi’s poems converse with friends as much as with artists both living and dead, from Agnes Martin to Maggie Nelson to Robin Coste Lewis. This instructive collection gives voice to the multifaceted humanity within all of us and inspires attention, clarity, and hope through art-making and community.

An example of Poe’s melancholic and morbid poetic pieces, "A Dream Within a Dream" is a poem that pitifully mourns the passing of time. The poet’s own life, teeming with depression, alcoholism, and misery, cannot but exemplify the subject matter and tone of the poem. The constant dilution of reality and fantasy is detrimental to the poetic speaker’s ability to hold reality in his hands. The quiet contemplation of the speaker is contrasted with thunderous passing of time that waits for no man. Edgar Allan Poe (1809-1849) was an American poet, author, and literary critic. Most famous for his poetry, short stories, and tales of the supernatural, mysterious, and macabre, he is also regarded as the inventor of the detective genre and a contributor to the emergence of science fiction, dark romanticism, and weird fiction. His most famous works include "The Raven" (1945), "The Black Cat" (1943), and "The Gold-Bug" (1843).

"A gifted poet has given us an astute, adroit, vigorous, inviting, eminently readable translation. . . . The challenging gamut of Langland's language . . . has here been rendered with blessed energy and precision. Economou has indeed Done-Best."—Allen Mandelbaum

Rumi the Persian poet is widely acknowledged as being the greatest Sufi mystic of his age. He was the founder of the brotherhood of the Whirling Dervishes. This is a collection of his poetry.

This unique and up-to-date book provides a comprehensive history and critical account of sleep mentation research since the introduction of electrographic techniques. Written by leading experts, it not only examines the activity of the mind during sleep but also scrutinizes methodological issues of key importance to the field. Looks at the relationships between physiological and mental events as brought to light by electrographic and other controlled studies of sleep mentation. Chapters are devoted to critical reviews of REM deprivation studies, the relationships between sustained and short-lived physiological conditions and sleep mentation, clinical phenomena such as sleep-talking, nightmares and night-terrors. Rigorously organized around topics of common interest, it is a penetrating study of current developments in the field.

Your dreams are the doorway to your psychic self. We are all psychic- and dreams are the way most of us first get in touch with our intuition. Dreams bypass blocks and judgment, and put us in contact with our natural inner wisdom. It's easy- and this book will teach you how. You'll learn: The types of dreams, (Which one are you having?) How to remember your dreams, A simple way to interpret your personal dreams, How to dream to access your psychic ability, How to deal with problem dreams, And much, much more. Awaken your own psychic gifts through your dreams. This book will show you how.

The drawing, Christ of the Breadlines, by Fritz Eichenberg (1953) probably says all that this book wants to say about being church. The church is a space in this world where heaven and earth reach out to each other. It is a space in the world, but not of the world, as it is touched by heaven. Christ is in the breadline, yet one can recognise Him as He stands out in the breadline. One can recognise him, because of the hallow that surrounds him. He is the incarnation within reality and through the incarnation the place within reality becomes holy, not sacred as in separated, but sanctified as differentiated offering an alternative within reality. He brings a space that is marked, not by the darkness and the vicious cycles of the world which dominate and enslave creation, such as poverty, but a space that breaks into this darkness with light as it is hallowed in hope. What more can the church hope for than to be allowed to be a space of hallowed hope in the vicious systems of death in a postmodern and post-Christian world? This book would like to propose that it does not really matter if you start with theory (Scripture and tradition) or with context and practice because theology is circular or spiral, and therefore there is no starting point as the two continually influences each other, or one could even say the one interprets the other. So for this book the best place to start is with where we are now ? the now of experience as this now of experience includes both theory and praxis. There is no such thing as experience pure and simple, as experience is always interpreted-experience and the interpretation is done through the theory that has shaped and formed us. Thus, in this book we work with ?theory-laden practice?.