Poetry. "The elegy which weaves the poems in DREAM WITH A GLASS CHAMBER lives in threshold: In the rooms of dream, in the change of season. And what lingers is the conversation between the living and the beloved. A tender, moody and resilient collection."—francine j. harris

Dream of the Red Chamber is one of the four Chinese classics. The novel is semi-autobiographical and it gives an incredibly detailed insight into 18th-century life in China, particularly that of the aristocracy. The plot is grand in scale, peopled with a complex array of characters.

Chinese president Xi Jinping is most famously associated with his “Chinese Dream” campaign, envisioning a great rejuvenation of the nation. Many observers, though, view China’s pursuit of this dream as alarming. They see a global power ready to abandon its low-profile diplomacy and eager to throw its weight around. Red Chamber, World Dream represents an interdisciplinary effort of deciphering the Chinese Dream and its global impact. Jing Sun employs methods from political science and journalism and concepts from literature, sociology, psychology and drama studies, to offer a multilevel analysis of various actors’ roles in Chinese foreign policy making: the leaders, the bureaucrats, and its increasingly diversified public. This book rejects a simple dichotomy of an omnipotent, authoritarian state versus a suppressed society. Instead, it examines how Chinese foreign policy is constantly being forged and contested by interactions among its leaders, bureaucrats, and people. The competition for shaping China’s foreign policy also happens on multiple arenas: intraparty fighting, inter-ministerial feuding, social media, TV dramas and movies, among others. This book presents vast amounts of historical detail, many unearthed the first time in the English language. Meanwhile, it also examines China’s diplomatic responses to ongoing issues like the Covid-19 crisis. The result is a study multidisciplinary in nature, rich in historical nuance, and timely in contemporary significance.

BOOK DESCRIPTION Although dreams have been studied in great depth about this most influential classic Chinese fiction, the study of all the dreams as a sequence and in relation to their structural functions in the allegory is undertaken for the first time in this book. Major topics include: Dream Sequence as the Narrative Framework; The Co-existence of Dream and Reality; Discourse on Love: Daguanyuan and Its Literary Lineage; Medieval Allegory: Its Origin and Its Representation; Dream as Representation of Allegory: The Roman de la Rose and Honglou meng. THE AUTHOR Jeannie Jinsheng Yi earned her Ph.D. degree in Asian Studies from Washington University. Author of several books in both English and Chinese, she has been writing extensively on topics related to China and Asia.

Fictions of Enlightenment is the first book to examine the fascinating and intricate relationship between Buddhism and the development of Chinese vernacular fiction. Qiancheng Li brings Buddhist models to bear on the vision, structure, and narrative form of three classics of late imperial literature—Journey to the West, Tower of Myriad Mirrors, and Dream of the Red Chamber—arguing that by fashioning their plots after the narratives of certain Mahāyāna sutras, the novelists transformed Buddhist concepts into narrative structures. Within the traditional Chinese novel Li even defines a new genre: the fiction of enlightenment.

In eighteenth-century China, the beautiful orphan Daiyu leaves her home in the provinces to seek shelter with her mother's family in Beijing. At Rongguo Mansion, she is drawn into a world of sumptuous feasts, silken robes, and sparkling jewels—as well as a complex web of secret rivalries and intrigues that threatens to trap her at every turn. When she falls in love with Baoyu, the family's brilliant, unpredictable heir, she finds the forces of the family and convention arrayed against her, and must risk everything to follow her heart. Based on the epic Dream of the Red Chamber—one of the most famous love stories in Chinese literature—this novel recasts a timeless tale for Western audiences to discover.

Surprisingly little has been written in Western languages about the eighteenth- century Chinese novel Dream of the Red Chamber, perhaps the supreme masterpiece of its entire tradition. In this study, Andrew H. Plaks has used the conceptual tools of comparative literature to focus on the novel's allegorical elements and narrative structure. He thereby succeeds in accounting for the work's greatness in terms that do justice to its own narrative tradition and as well to recent advances in general literary theory. A close textual reading of the novel leads to discussion of a wide range of topics: ancient Chinese mythology, Chinese garden aesthetics, and the logic of alternation and recurrence. The detailed study of European allegorical texts clarifies the directions taken by comparable works of Chinese literature, and the critical tool of the literary archetype helps to locate the novel within the Chinese narrative tradition from ancient mythology to the more recent "novel" form. Professor Plaks' innovative use of traditional criticism suggests the levels of meaning the eighteenth-century author might have expected to convey to his immediate audience. This book provides not only an illuminating analysis of this important novel, but also a significant demonstration that critical concepts derived primarily from Western literary models may be fruitfully applied to Chinese narrative works. Originally published in 1976. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The Story of the Stone (or Dream of the Red Chamber), a Chinese novel by Cao Xueqin and continued by Gao E, tells of an amazing garden, of a young man's choice between two beautiful women, of his journey toward enlightenment, and of the moral and financial decline of a powerful family. Published in 1792, it depicts virtually every facet of life in eighteenth-century China—and has influenced culture in China ever since.Part 1 of this volume, "Materials," provides information and resources that will help teachers and students begin and pursue their study of Stone. The essays that constitute part 2, "Approaches," introduce major topics to be covered in the classroom: Chinese religion, medicine, history, traditions of poetry, material culture, sexual mores, servants; Stone in film and on television; and the formidable challenges of translation into English that were faced by David Hawkes and then by John Minford.

Young readers find their poetic peers as poets in their 20s and 30s present a poetry anthology dedicated to what it means to be a teenager and young adult in today's world. 240pp.