Throughout history, varying responses to catastrophe have revealed much about a society's cultural and philosophical character. In Dreadful Visitations , leading scholars of different disciplines examine eighteenth-century responses to natural disaster, showing how human agency played an active role in the creation of destructive circumstances, and how these disasters helped to establish national and moral identities in the Age of Reason. Contributors: David Arnold, Daniel Gordon, Carla Hesse, George Starr, Alan Taylor, Steven Tobriner and Charles Walker.

Victorian literature is rife with scenes of madness, with mental disorder functioning as everything from a simple plot device to a commentary on the foundations of Victorian society. But while madness in Victorian fiction has been much studied, most scholarship has focused on the portrayal of madness in women; male mental disorder in the period has suffered comparative neglect. Valerie Pedlar corrects this imbalance in The 'Most Dreadful Visitation.' This extraordinary study explores a wide range of Victorian writings to consider the relationship between the portrayal of mental illness in literary works and the portrayal of similar disorders in the writings of doctors and psychologists. Pedlar presents in-depth studies of Dickens's Barnaby Rudge, Tennyson's Maud, Wilkie Collins's Basil, and Trollope's He Knew He Was Right, considering each work in the context of Victorian understandings--and fears--of mental degeneracy.An Open Access edition of this work is available on the OAPEN Library.

An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library. Victorian literature is rife with scenes of madness, with mental disorder functioning as everything from a simple plot device to a commentary on the foundations of Victorian society. But while madness in Victorian fiction has been much studied, most scholarship has focused on the portrayal of madness in women; male mental disorder in the period has suffered comparative neglect. Valerie Pedlar corrects this imbalance in The ‘Most Dreadful Visitation.’ This extraordinary study explores a wide range of Victorian writings to consider the relationship between the portrayal of mental illness in literary works and the portrayal of similar disorders in the writings of doctors and psychologists. Pedlar presents in-depth studies of Dickens’s Barnaby Rudge, Tennyson’s Maud, Wilkie Collins’s Basil, and Trollope’s He Knew He Was Right, considering each work in the context of Victorian understandings—and fears—of mental degeneracy.

From an electrifying voice in horror comes the haunting tale of a woman whose life begins to unravel after a home invasion. “Marino offers horrors both existential and visceral. From a stunning opening, the sense of dread just builds and builds.” —M. R. Carey, author of The Girl with All the Gifts "Odd and dark and fascinating . . . Not quite like anything I've ever read before. A strange, compelling, late-night page-turner. It kept me reading way past my bedtime." —T. Kingfisher, author of The Hollow Places Possession is an addiction. Sydney's spent years burying her past and building a better life for herself and her young son. A respectable marketing job, a house with reclaimed and sustainable furniture, and a boyfriend who loves her son and accepts her, flaws and all. But when she opens her front door, and a masked intruder knocks her briefly unconscious, everything begins to unravel. She wakes in the hospital and tells a harrowing story of escape. Of dashing out a broken window. Of running into her neighbors' yard and calling the police. The cops tell her a different story. Because the intruder is now lying dead in her guest room—murdered in a way that looks intimately personal. Sydney can't remember killing the man. No one believes her. Back home, as horrific memories surface, an unnatural darkness begins whispering in her ear. Urging her back to old addictions and a past she's buried to build a better life for herself and her son. As Sydney searches for truth among the wreckage of a past that won't stay buried for long, the unquiet darkness begins to grow. To change into something unimaginable. To reveal terrible cravings of its own. “Admirers of the works of Tana French, Megan Abbott, and Zoje Stage will devour this book.” —Booklist

In September 1923, a magnitude 7.9 earthquake devastated eastern Japan, killing more than 120,000 people and leaving two million homeless. Using a rich array of source material, J. Charles Schencking tells for the first time the graphic tale of Tokyo's destruction and rebirth. In emotive prose, he documents how the citizens of Tokyo experienced this unprecedented calamity and explores the ways in which it rattled people's deep-seated anxieties about modernity. While explaining how and why the disaster compelled people to reflect on Japanese society, he also examines how reconstruction encouraged the capital's inhabitants to entertain new types of urbanism as they rebuilt their world. Some residents hoped that a grandiose metropolis, reflecting new values, would rise from the ashes of disaster-ravaged Tokyo. Many, however, desired a quick return of the city they once called home. Opportunistic elites advocated innovative state infrastructure to better manage the daily lives of Tokyo residents. Others focused on rejuvenating society—morally, economically, and spiritually—to combat the perceived degeneration of Japan. Schencking explores the inspiration behind these dreams and the extent to which they were realized. He investigates why Japanese citizens from all walks of life responded to overtures for renewal with varying degrees of acceptance, ambivalence, and resistance. His research not only sheds light on Japan's experience with and interpretation of the earthquake but challenges widespread assumptions that disasters unite stricken societies, creating a "blank slate" for radical transformation. National reconstruction in the wake of the Great Kanto Earthquake, Schencking demonstrates, proved to be illusive.