Drawn from Paradise is David Attenborough’s journey through the cultural history of the birds of paradise, one of the most exquisite and extravagant, colourful and intriguing families of birds.

In this dazzling photo essay, Laman and Scholes present gorgeous full-color photographs of all 39 species of the Birds of Paradise that highlight their unique and extraordinary plumage and mating behavior.

Filmmaker Attenborough provides an introductory survey of the artistic representation of plants and animals through human history, beginning with Leonardo da Vinci's drawings and continuing on through the mid-1700s.

From the moment Europeans were introduced to the birds of paradise in the early sixteenth century, their unique beauty was recognized and commemorated in the first name that they were given - birds so beautiful they must be from paradise. Originally they were thought not to have legs and therefore never to land. Still very rarely encountered, even in their natural habitat of New Guinea, they are still birds that elicit sheer awe in those who are lucky enough to see them. Drawn From Paradise will showcase the magnificence and beauty of the birds of paradise as they have never before been seen, with more than two-hundred hand-painted images and sketches by the men who originally studied them and luminary artists such as Jacques Barraband, William Hart, John Gould, Rubens and Breughel, to name a few. The art comes from the private collections of the two authors and has been rarely if ever published. Not only will the book feature the beautiful Greater Bird of Paradise-a bird that was originally believed to have been sent from Paradise, and was thought to never touch the earth-but it will also present more than forty other distinct species currently recognized-each representing amazing differences in size, shape, and color patterning. The introduction provides a brief history into the discovery of these illustrious birds, from how they were originally perceived and idolized by the natives of New Guinea, to the arrival of Europeans, who were immediately captivated by their bright, vibrant colors. The chapters are ordered according to the sequence in which the birds representing the various genera made their appearance in Europe (thereby highlighting the books educational aspect). Within its pages, readers will catch a glimpse of these birds through vivid, highly-detailed painting, as well as learn more about each individual bird and genus-comparisons and contrasts between the males and females, as well as between the different genus's. A tour through art and history, with a good deal of ornithology thrown in, Drawn From Paradise is not only a must-have for ornithologists and bird-watchers, but also a beautiful collectible for students, artists, and aesthetes. Its central idea is to showcase the breathtaking beauty of these birds and the enormous interest that still surrounds them even today.

Authoritative comprehensive popular work on all birds of paradise. Superb photography complemented by exquisite fine art of the 16th to 21st centuries. Numerous collectable artefacts of the birds are also illustrated. Attractive to natural history, bird, wildlife, fine art/artefacts & history interests. 2010, 282 x 215 mm, 370 pp, 350 colour & 120 monochrome illustrations.

Birds of paradise have long played a central part in human mythologies and captured the imagination of collectors, scientists, and naturalists - and fashion designers. Birds of Paradise provides the first comprehensive, up-to-date, and scientifically accurate overview of the behaviour, biology, ecology, biogeography, and history of the most ornate and dramatic group of birds on earth. The book is illustrated by 12 superb, specially commissioned colour plates including all 42 species of birds of paradise, original line drawings of many behaviours never before recorded, maps, graphs, sonograms, and photographs. This stunning book will delight ornithologists and naturalists the world over.

From the moment Europeans were introduced to the birds of paradise in the early sixteenth century, their unique beauty was recognized and commemorated in the first name that they were given - birds so beautiful they must be from paradise. Originally they were thought not to have legs and therefore never to land. Still very rarely encountered, even in their natural habitat of New Guinea, they are still birds that elicit sheer awe in those who are lucky enough to see them. Drawn From Paradise will showcase the magnificence and beauty of the birds of paradise as they have never before been seen, with more than two-hundred hand-painted images and sketches by the men who originally studied them and luminary artists such as Jacques Barraband, William Hart, John Gould, Rubens and Breughel, to name a few. The art comes from the private collections of the two authors and has been rarely if ever published. Not only will the book feature the beautiful Greater Bird of Paradise-a bird that was originally believed to have been sent from Paradise, and was thought to never touch the earth-but it will also present more than forty other distinct species currently recognized-each representing amazing differences in size, shape, and color patterning. The introduction provides a brief history into the discovery of these illustrious birds, from how they were originally perceived and idolized by the natives of New Guinea, to the arrival of Europeans, who were immediately captivated by their bright, vibrant colors. The chapters are ordered according to the sequence in which the birds representing the various genera made their appearance in Europe (thereby highlighting the books educational aspect). Within its pages, readers will catch a glimpse of these birds through vivid, highly-detailed painting, as well as learn more about each individual bird and genus-comparisons and contrasts between the males and females, as well as between the different genus's. A tour through art and history, with a good deal of ornithology thrown in, Drawn From Paradise is not only a must-have for ornithologists and bird-watchers, but also a beautiful collectible for students, artists, and aesthetes. Its central idea is to showcase the breathtaking beauty of these birds and the enormous interest that still surrounds them even today.

This book is a provocative and invigorating real-time exploration of the future of human evolution by two of the world’s leading interdisciplinary ecologists – Michael Charles Tobias and Jane Gray Morrison. Steeped in a rich multitude of the sciences and humanities, the book enshrines an elegant narrative that is highly empathetic, personal, scientifically wide-ranging and original. It focuses on the geo-positioning of the human Self and its corresponding species. The book's overarching viewpoints and poignant through-story examine and powerfully challenge concepts associated historically with assertions of human superiority over all other life forms. Ultimately, The Hypothetical Species: Variables of Human Evolution is a deeply considered treatise on the ecological and psychological state of humanity and her options – both within, and outside the rubrics of evolutionary research – for survival. This important work is beautifully presented with nearly 200 diverse illustrations, and is introduced with a foreword by famed paleobiologist, Dr. Melanie DeVore.

When and where did the ancestors of modern birds evolve? What enabled them to survive the meteoric impact that wiped out the dinosaurs? How did these early birds spread across the globe and give rise to the 10,600-plus species we recognise today ― from the largest ratites to the smallest hummingbirds? Based on the latest scientific discoveries and enriched by personal observations, The Ascent of Birds sets out to answer these fundamental questions. The Ascent of Birds is divided into self-contained chapters, or stories, that collectively encompass the evolution of modern birds from their origins in Gondwana, over 100 million years ago, to the present day. The stories are arranged in chronological order, from tinamous to tanagers, and describe the many dispersal and speciation events that underpin the world's 10,600-plus species. Although each chapter is spearheaded by a named bird and focuses on a specific evolutionary mechanism, the narrative will often explore the relevance of such events and processes to evolution in general. The book starts with The Tinamou’s Story, which explains the presence of flightless birds in South America, Africa, and Australasia, and dispels the cherished role of continental drift as an explanation for their biogeography. It also introduces the concept of neoteny, an evolutionary trick that enabled dinosaurs to become birds and humans to conquer the planet. The Vegavis's Story explores the evidence for a Cretaceous origin of modern birds and why they were able to survive the asteroid collision that saw the demise not only of dinosaurs but of up to three-quarters of all species. The Duck's Story switches to sex: why have so few species retained the ancestral copulatory organ? Or, put another way, why do most birds exhibit the paradoxical phenomenon of penis loss, despite all species requiring internal fertilisation? The Hoatzin's Story reveals unexpected oceanic rafting from Africa to South America: a stranger-than-fiction means of dispersal that is now thought to account for the presence of other South American vertebrates, including geckos and monkeys. The latest theories underpinning speciation are also explored. The Manakin’s Story, for example, reveals how South America’s extraordinarily rich avifauna has been shaped by past geological, oceanographic and climatic changes, while The Storm-Petrel’s Story examines how species can evolve from an ancestral population despite inhabiting the same geographical area. The thorny issue of what constitutes a species is discussed in The Albatross's Story, while The Penguin’s Story explores the effects of environment on phenotype ― in the case of the Emperor penguin, the harshest on the planet. Recent genomic advances have given scientists novel approaches to explore the distant past and have revealed many unexpected journeys, including the unique overland dispersal of an early suboscine from Asia to South America (The Sapayoa’s Story) and the blackbird's ancestral sweepstake dispersals across the Atlantic (The Thrush’s Story). Additional vignettes update more familiar concepts that encourage speciation: sexual selection (The Bird-of-Paradise's Story); extended phenotypes (The Bowerbird's Story); hybridisation (The Sparrow's Story); and 'great speciators' (The White-eye's Story). Finally, the book explores the raft of recent publications that help explain the evolution of cognitive skills (The Crow's Story); plumage colouration (The Starling's Story); and birdsong (The Finch's Story)

How an iconic bird’s final days exposed the reality of human-caused extinction The great auk is one of the most tragic and documented examples of extinction. A flightless bird that bred primarily on the remote islands of the North Atlantic, the last of its kind were killed in Iceland in 1844. Gísli Pálsson draws on firsthand accounts from the Icelanders who hunted the last great auks to bring to life a bygone age of Victorian scientific exploration while offering vital insights into the extinction of species. Pálsson vividly recounts how British ornithologists John Wolley and Alfred Newton set out for Iceland to collect specimens only to discover that the great auks were already gone. At the time, the Victorian world viewed extinction as an impossibility or trivialized it as a natural phenomenon. Pálsson chronicles how Wolley and Newton documented the fate of the last birds through interviews with the men who killed them, and how the naturalists’ Icelandic journey opened their eyes to the disappearance of species as a subject of scientific concern—and as something that could be caused by humans. Blending a richly evocative narrative with rare, unpublished material as well as insights from ornithology, anthropology, and Pálsson’s own North Atlantic travels, The Last of Its Kind reveals how the saga of the great auk opens a window onto the human causes of mass extinction.