“This basic book is very well illustrated and easy to follow...covers all types of perspective problems...explains and demonstrates a lot, and the illustrations are fascinating.”—American Artist. “Tells beginners how to produce three-dimensional images....This is an excellent introduction which packs many black-and-white and color examples into a fine display of step-by-step images.”—Midwest Book Review.

Computers can calculate perspective angles and create a drawing for us, but the spontaneity of mark making, the tactile quality of a writing surface, the weight of a drawing instrument, and the immediacy of the human touch are sensations that keep traditional drawing skills perpetually relevant. The sensuality and convenience of the hand persists and will survive as a valuable communication tool, as will the need to accurately express your ideas on paper. As a professional, understanding the foundations of drawing, how we process images, and how we interpret what we see are principal skills. Understanding linear perspective enables artists to accurately communicate their ideas on paper. The Complete Guide to Perspective Drawing offers a step-by-step guide for the beginner as well as the advanced student on how to draw in one-point through six-point perspective and how to make scientifically accurate conceptual illustrations from simple to complex situations.

DIVConcisely written text accompanied by more than 150 simply drawn illustrations together demonstrate vanishing points and eye level and explain such concepts as appearance versus reality and perspective distortion. /div

A hands-on guide to perspective provides exercises designed to make drawing perspective effortless and easy.

Perspective is easy; yet, surprisingly few artists know the simple rules that make it so. Remedy that situation with this simple, step-by-step book, the first devoted entirely to the topic. 256 illustrations.

In this thought-provoking practical guide, a noted artist and educator demonstrates that learning to violate the rules of perspective (profitably) is as important for the practicing artist as learning the principles of perspective themselves. Only in this way can students free themselves from the constraints of tradition and find their own imaginative paths. However, it is vital that students first have a solid grasp of classical perspective before they can think about adapting it creatively. In presenting the principles of perspective drawing, Mr. Watson devotes a chapter each to step-by-step discussions of such topics as the picture plane, foreshortening and convergence, the circle, the cone, three-point perspective, universal perspective, figures in perspective, and much more. To illustrate his points he offers expert analysis of the works of such leading illustrators as John Atherton, V. Bobri, R. M. Chapin, Jr., Albert Dorne, Robert Fawcett, Constantin Guys, W. N. Hudson, Carl Roberts, Ben Stahl, and Aldren A. Watson, as well as drawings by Pieter de Hooch and Paul Cézanne. The result is a ground-breaking study that artists, illustrators, and draftsmen will find invaluable in learning to create works with convincing perspective. Ernest W. Watson taught at Pratt Institute for over 20 years, co-founded and served as editor-in-chief of the magazine American Artist, and co-founded the prestigious art publishing house of Watson-Guptill.

"...by far the best primer [on perspective] I’ve ever seen. If you have other books, throw them away and buy this. You won’t regret it." - Artbookreview.net Learn how to master perspective and create convincing drawings of the three-dimensional world with the help of artist and teacher, Tim Fisher. Every aspect of perspective, from zero- to multi-point, is explored and explained in simple terms that everyone can understand. In addition to landscapes and buildings, you will learn how to apply perspective to people, animals, boats, reflections and more. There is also expert advice on drawing curved objects and inclined planes, a run-down of common mistakes, and an inspirational chapter on moving beyond a rigid application of the rules to draw freely and instinctively. Clear diagrams and finished drawings are included throughout, along with numerous exercises so that you can put your new skills into practice. This is a revitalized edition of Drawing Masterclass: Perspective (ISBN: 9781782211112).

Perspective is one of the most important concepts for an artist to understand. In this valuable beginnerÆs guide, acclaimed artist Ernest Norling teaches you how to use perspective to create a sense of depth and realism in your artwork. Perspective covers techniques for drawing in one-, two-, and three-point perspective, as well as information on how to use vanishing points and the horizon line to establish believable depth. Special attention is given to learning to draw circles, cylinders, and people in perspective. Whether you specialize in drawingùeven cartooning or animationùor painting in acrylic, pastel, oil, or watercolor, a good working knowledge of perspective is essential. DonÆt be surprised if you find yourself referring to this essential guide again and again!

Using step-by-step instructions together with line-colored drawings, Perspective Drawing for Interior Space offers procedural instruction that covers freehand and technical one-, two-, and three-point perspectives. This text begins with the basic fundamentals of perspective by utilizing geometric shapes (cubes, cones, pyramids) and then advances beyond the core skills, to creating furniture, and finally, complete interior spaces. Students will learn to use grids to help them draw scale and proportion in perspective. The text also teaches students to use floor plans and elevations to create these drawings.

Drawing and drawings.