Author Ian Cramb was a fifth-generation stonemason who relied on traditional methods to create and restore beautiful stone structures. In this do-it-yourself manual for homeowners, masonry contractors, and restoration specialists, Cramb drew on his fifty years of life experience in the craft to cover restoration techniques for historic structures in the U.S. and Britain. The book covers various types of stone, stone-cutting, and traditional mortar mixes for walls, foundations, and buildings.

A stonemason's story of the building of Britain: part archaeological history, part deeply personal insight into an ancient craft. In his thirty-year career, stonemason Andrew Ziminski has worked on many of our greatest monuments. From Neolithic monoliths to Roman baths and temples, from the tower of Salisbury Cathedral to the engine houses, mills and aqueducts of the Industrial Revolution and beyond, The Stonemason is his very personal history of how Britain was built - from the inside out. Stone by different stone, culture by different culture, Andrew Ziminski (with his faithful whippet in tow) takes us on an unforgettable journey by river, road and sea through our countryside showing how the making of Britain's buildings offers an unexpected and new version of our island story. 'My school history lessons were focused around flat pages of facts, events and royal personalities, but for me it was the material aspects of the past, the tangible remnants left behind that were thrilling, and that it was these buildings and places, and learning how they worked, that really brought the past alive.'

Winner of the 2019 Palestine Book Awards “They demolish our houses while we build theirs.” This is how a Palestinian stonemason, in line at a checkpoint outside a Jerusalem suburb, described his life to Andrew Ross. Palestinian “stone men,” using some of the best-quality limestone deposits in the world and drawing on generations of artisanal knowledge, have built almost every state in the Middle East except one of their own. Today the business of quarrying, cutting, fabricating, and dressing is the Occupied Territories’ largest private employer and generator of revenue, and supplies the construction industry in Israel, along with other countries in the region and overseas. Ross’s engrossing, surprising, and gracefully written story of this fascinating ancient trade shows how the stones of historic Palestine, and Palestinian labor, have been used to build the state of Israel—in the process, constructing “facts on the ground”—even while the industry is central to Palestinians’ own efforts to erect bulwarks against the Occupation. For more than a century, the hands that built Israel’s houses, schools, offices, bridges, and even its separation barriers have been Palestinian. Looking at the Palestinian–Israeli conflict in a new light, this book, largely based on field interviews in the region, asks how this record of labor and achievement can and should be recognized.

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How technical drawings shaped early engineering practice. Technical drawings by the architects and engineers of the Renaissance made use of a range of new methods of graphic representation. These drawings—among them Leonardo da Vinci's famous drawings of mechanical devices—have long been studied for their aesthetic qualities and technological ingenuity, but their significance for the architects and engineers themselves is seldom considered. The essays in Picturing Machines 1400–1700 take this alternate perspective and look at how drawing shaped the practice of early modern engineering. They do so through detailed investigations of specific images, looking at over 100 that range from sketches to perspective views to thoroughly constructed projections. In early modern engineering practice, drawings were not merely visualizations of ideas but acted as models that shaped ideas. Picturing Machines establishes basic categories for the origins, purposes, functions, and contexts of early modern engineering illustrations, then treats a series of topics that not only focus on the way drawings became an indispensable means of engineering but also reflect the main stages in their historical development. The authors examine the social interaction conveyed by early machine images and their function as communication between practitioners; the knowledge either conveyed or presupposed by technical drawings, as seen in those of Giorgio Martini and Leonardo; drawings that required familiarity with geometry or geometric optics, including the development of architectural plans; and technical illustrations that bridged the gap between practical and theoretical mechanics.