As among men Krishna baffles our understanding, so does Draupadi among women. And how the critics look at Draupadi says more about the critics themselves than about Draupadi. What we see in others is only a reflection; others only serve as mirrors to us. We see in others only that which we want to see; in fact, we see what we are. We do nothing but project ourselves on the world. It is difficult to understand Draupadi. But our difficulty does not come from this great woman, it really emanates from us. Our ideas and beliefs, our desires and hopes come in our way of understanding Draupadi.

Krishna is utterly incomparable, he is so unique. Firstly, his uniqueness lies in the fact that although Krishna happened in the ancient past he belongs to the future, is really of the future. Man has yet to grow to that height where he can be a contemporary of Krishna’s. He is still beyond man’s understanding; he continues to puzzle and battle us. Only in some future time will we be able to understand him and appreciate his virtues. And there are good reasons for it.

The life of a princess raised by a loving father and three doting brothers would seem like a bed of roses to any woman. But born out of sacred fire, Draupadi is no ordinary woman, and her destiny cannot be to walk the beaten path. Witnessing estrangement and betrayal within her own family makes her perceptive and intuitive beyond her years. A complicated marital relationship, a meteoric rise and a fateful loss, humiliation unheard of and a pledge of revenge, all culminating in a bloody warher o

An accomplished Kshatriya princess who falls in love with and dares to choose the sutaputra over Arjun, Uruvi must come to terms with the social implications of her marriage and learn to use her love and intelligence to be accepted by Karna and his family. Though she becomes his mainstay, counselling and guiding him, his blind allegiance to Duryodhana is beyond her power to change. The story of Uruvi and Karna unfolds against the backdrop of the struggle between the Pandavas and the Kauravas. As events build up leading to the great war of the Mahabharata, Uruvi is a witness to the twists and turns of Karna's fate; and how it is inextricably linked to divine design.

I knew there was nothing poetic about death. I knew not that the most horrific battles are fought off the battlefield. Arjun: The idealist in a non-ideal world; the warrior whose deadliest opponent was his conscience. History forgot his voice, but misquoted his silence. My self-esteem originates from me and ends in me. Why does your honor depend on me? Find your own. Draupadi: The untamed tigress, the fragrant flame, the unbridled spirit. Power does not justify sin. Power is not virtue. Virtue is that which lasts in spite of power. Krishn: The enigma whose unique ideology churned the battlefield into a quest for Truth. The Missile …The Trajectory … The Vision. The trio that makes for the core of The Mahabharata (Indian Epic). This is their saga. Insightful, visceral and candid. Find ‘other’ famous Arjuns; compare Arjun vis-a-vis Achilles and Alexander; Explore Myths of Mahabharata. All this and much more in ‘Arjun: Without A Doubt’. First published in 2015 by Leadstart Publishing Pvt. Ltd. Genre: Epic/ Indian Mythology/ History/ Fiction Website: http://sweetyshinde.wordpress.com

Avinash Patra, Sr. provide a new idea of immense many-sided many-staged provision for a spiritual self-building and self-finding, it had some right to speak of itself by the only name it knew, the eternal religion, sanâtana dharma. It is only if we have a just and right appreciation of this sense and spirit of Indian religion that we can come to an understanding of the true sense and spirit of Indian culture.

The Mahabharata is one of the greatest stories ever told. Though the basic plot is widely known, there is much more to the epic than the dispute between Kouravas and Pandavas that led to the battle in Kurukshetra. It has innumerable sub-plots that accommodate fascinating meanderings and digressions, and it has rarely been translated in full, given its formidable length of 80,000 shlokas or couplets. This magnificent 10- volume unabridged translation of the epic is based on the Critical Edition compiled at the Bhandarkar Oriental Research Institute. The fourth volume of the Mahabharata includes Virata Parva and almost all of Udyoga Parva. It describes the Pandavas thirteenth year of exile which they spend in disguise in King Virata s court. When, during their stay, the Kouravas and Trigartas invade Matsya to rob Virata of his cattle, the Pandavas defeat them in battle. With the period of banishment over, the Pandavas ask to be returned their share of the kingdom. This is refused and Udyoga Parva recounts the preparations for the inevitable war. Every conceivable human emotion figures in the Mahabharata, the reason why the epic continues to hold sway over our imagination. In this lucid, nuanced and confident translation, Bibek Debroy makes the Mahabharata marvellously accessible to contemporary readers.

Irawati Karve studies the humanity of the Mahabharata`s great figures, with all their virtues and their equally numerous faults. Sought out by an inquirer like her, whose view of life is secular, scientific, anthropological in the widest sense, yet appreciative of literary values, social problems of the past and present alike, and human needs and responses in her own time and in antiquity as she identifies them... Seen through her eyes the Mahabharata is more than a work which Hindus look upon as divinely inspired, and venerate. It becomes a record of complex humanity and a mirror to all the faces which we ourselves wear.

Scholars have studied polyandry in modern India with reference to specific areas; but the investigation of its past history in the Indian context remains a desideratum. The present book therefore fills a gap in historical research relating to an institution as interesting as it is ancient as significant as it is slighted, or sought to be swept under the carpet. Based on original sources it clearly and categorically established the prevalence of polyandry amongst Vedic Aryans as also amongst other peoples of the old Indo-European stock.

Indian mythology is a teeming storehouse of heroes and heroines, who are psychological studies in themselves. Did you know, for instance, how Krishna’s son, who was his father’s alter ego, tackled the curse to be the destroyer of his entire clan? Did you know that sage Gargi was the only lady amongst legendary sages who competed for the prize for the greatest sage in the sub-continent? Did you know that Sahadev, the youngest Pandava, had qualities lacking in any of his other, better-known brothers? Did you know that Shakuni is actually a tragic hero? Myth and the Mind is a collection of six short stories about very interesting personalities in Indian mythology. These men and women are all great, and they are all human beings in whom we will all discover a small part of ourselves.