"The real fault line in American politics is not between liberals and conservatives.... It is, rather, in how we orient ourselves to the generations to come who will bear the consequences, for better and for worse, of our actions." So writes David Orr in Down to the Wire, a sober and eloquent assessment of climate destabilization and an urgent call to action. Orr describes how political negligence, an economy based on the insatiable consumption of trivial goods, and a disdain for the well-being of future generations have brought us to the tipping point that biologist Edward O. Wilson calls "the bottleneck." Due to our refusal to live within natural limits, we now face a long emergency of rising temperatures, rising sea-levels, and a host of other related problems that will increasingly undermine human civilization. Climate destabilization to which we are already committed will change everything, and to those betting on quick technological fixes or minor adjustments to the way we live now, Down to the Wire is a major wake-up call. But this is not a doomsday book. Orr offers a wide range of pragmatic, far-reaching proposals--some of which have already been adopted by the Obama administration--for how we might reconnect public policy with rigorous science, bring our economy into alignment with ecological realities, and begin to regard ourselves as planetary trustees for future generations. He offers inspiring real-life examples of people already responding to the major threat to our future. An exacting analysis of where we are in terms of climate change, how we got here, and what we must now do, Down to the Wire is essential reading for those wanting to join in the Great Work of our generation.

Wonder's Star has returned to Whitebrook Farm, and Christina Reese is thrilled to have him home. Star won't run well for anyone but Christina. Christina is terrified of racing.

"An oral history of HBO"s The Wire"--

This book examines The Wire’s authenticity and its establishment of the series realism. Along with tracing creator David Simon’s onscreen critique of numerous failed American institutions, the book focuses on the connection between authenticity and realism in three distinct areas: language, character, and location. While it is shown that The Wire is indeed authentic, the study examines occasions where the language, characters, and even the location are ‘curated’. Yet, while we can witness these moments of curation, it is The Wire’s unflinching focus on authentic dialogue, authentic characterisation, and an authentic location that makes the series the most realistic, and arguably the best, television show of all time.

Epic, multi-layered, morally challenging and action-packed - The Wire is everything a TV programme should be and more. A cult hit in the US and Britain, it has thousands of committed fans willing to engage in endless debates. Once you've watched it, you'll be drawn in, too: Is Omar Little the coolest criminal since Robin Hood? Which series has the best theme tune? Will Bubbles survive Baltimore? Avon or Stringer? This book collects the thoughts of Guardian journalists and the readers of the Guardian's Wire Re-up blog and combines them with interviews with the show's creators and stars and the all important xxx ratings, to bring you a more than fitting eulogy that will follow the airing of the show's final season.

This vol. is primarily concerned with southwest Missouri counties; especially Stone County.

Covering over 10,000 idioms and collocations characterized by similarity in their wording or metaphorical idea which do not show corresponding similarity in their meanings, this dictionary presents a unique cross-section of the English language. Though it is designed specifically to assist readers in avoiding the use of inappropriate or erroneous phrases, the book can also be used as a regular phraseological dictionary providing definitions to individual idioms, cliches, and set expressions. Most phrases included in the dictionary are in active current use, making information about their meanings and usage essential to language learners at all levels of proficiency.

Highly anticipated since its initial online appearance and immediate viral proliferation, first-time authors and ersatz Victorian scholars Joy DeLyria and Sean Michael Robinson have painstakingly created a satirical and fictional world based on the characters and narrative of television's most loved drama, The Wire. To be published in time to celebrate The Wire's tenth anniversary, Down in the Hole: the unWired World of H.B. Ogden is a collection of excerpts and illustrations from The Wire, a Victorian serial novel of DeLyria and Robinson's invention, credited to fictional author H.B. Ogden. Excerpts from Ogden's work are knit together by the history of the novel, its author and illustrator, and the adventures of the passionate archivists who uncovered this forgotten text. The Baltimore Sun writes: "...[This] quintessentially Victorian vision of Ogden's The Wire...is a scintillating piece of faux-scholarship. It's set in an alternate universe where the HBO series doesn't exist-and where The Wire in any form, including Horatio Bucklesby Ogden's, has yet to be discovered." Gawker asks: "So, how long before we can actually buy this illustrated version of The Wire? I'd put it on my Amazon wish list now if I could."

Tommy Byrne, recently returned injured from Afghanistan, is helping police to uncover a supply route that is sending electronic switches to be used in bombs overseas. What follows will lead Tommy and his fellow bomb disposal operators in Afghanistan into a world where the terrorists seem to know just what he and friends will be doing, and when. From a dusty compound in Southern Afghanistan to a graveyard in the northeast of England, the terrorists assisted by an insider and the shadowy figure of the Father are intent on targeting the very people who defuse the bombs they build. Racing against time, Tommy, along with police surveillance operators supported by Special Forces soldiers, slowly uncover a terrorist plan that will send shock waves around the land and will show the world that even in death there is a time to die.

Critically acclaimed as one of the best television shows ever produced, the HBO series The Wire (2002–2008) is a landmark event in television history, offering a raw and dramatically compelling vision of the teeming drug trade and the vitality of life in the abandoned spaces of the postindustrial United States. With a sprawling narrative that dramatizes the intersections of race, urban history, and the neoliberal moment, The Wire offers an intricate critique of a society riven by racism and inequality. In Connecting The Wire, Stanley Corkin presents the first comprehensive, season-by-season analysis of the entire series. Focusing on the show’s depictions of the built environment of the city of Baltimore and the geographic dimensions of race and class, he analyzes how The Wire’s creator and showrunner, David Simon, uses the show to develop a social vision of its historical moment, as well as a device for critiquing many social “givens.” In The Wire’s gritty portrayals of drug dealers, cops, longshoremen, school officials and students, and members of the judicial system, Corkin maps a web of relationships and forces that define urban social life, and the lives of the urban underclass in particular, in the early twenty-first century. He makes a compelling case that, with its embedded history of race and race relations in the United States, The Wire is perhaps the most sustained and articulate exploration of urban life in contemporary popular culture.