Contains primary source material.

‘Well written and persuasive …objective and well-rounded….this scholarly rehabilitation should be the standard biography’ **** Andrew Roberts, Mail on Sunday ‘A true judgment of him must lie somewhere between hero and zero, and in this detailed biography Gary Sheffield shows himself well qualified to make it … a balanced portrait’ Sunday Times ‘Solid scholarship and admirable advocacy’ Sunday Telegraph Douglas Haig is the single most controversial general in British history. In 1918, after his armies had won the First World War, he was feted as a saviour. But within twenty years his reputation was in ruins, and it has never recovered. In this fascinating biography, Professor Gary Sheffield reassesses Haig’s reputation, assessing his critical role in preparing the army for war.

The landmark exposé of incompetent leadership on the Western Front - why the British troops were lions led by donkeys On 26 September 1915, twelve British battalions – a strength of almost 10,000 men – were ordered to attack German positions in France. In the three-and-a-half hours of the battle, they sustained 8,246 casualties. The Germans suffered no casualties at all. Why did the British Army fail so spectacularly? What can be said of the leadership of generals? And most importantly, could it have all been prevented? In The Donkeys, eminent military historian Alan Clark scrutinises the major battles of that fateful year and casts a steady and revealing light on those in High Command - French, Rawlinson, Watson and Haig among them - whose orders resulted in the virtual destruction of the old professional British Army. Clark paints a vivid and convincing picture of how brave soldiers, the lions, were essentially sent to their deaths by incompetent and indifferent officers – the donkeys. ‘An eloquent and painful book... Clark leaves the impression that vanity and stupidity were the main ingredients of the massacres of 1915. He writes searingly and unforgettably’ Evening Standard

There's a commonly held view that Douglas Haig was a bone-headed, callous butcher, who through his incompetence as commander of the British Army in WWI, killed a generation of young men on the Somme and at Passchendaele. On the other hand, there are those who view Haig as a man who successfully struggled with appalling difficulties to produce an army which took the lead in defeating Germany in 1918. Haig's diaries, hitherto only previously available in bowdlerised form, give the C-in-C's view of Asquith and his successor Lloyd George, of whom he was highly critical. The diaries show him intriguing with the King vs. Lloyd George. Additional are his day-by-day accounts of the key battles of the war, not least the Somme campaign of 1916.

Douglas Haig's popular image as an unimaginative butcher is unenviable and unmerited. In fact, he masterminded a British-led victory over a continental opponent on a scale that has never been matched before or since. Contrary to myth, Haig was not a cavalry-obsessed, blinkered conservative, as satirised in Oh! What a Lovely War and Blackadder Goes Forth. Fascinated by technology, he pressed for the use of tanks, enthusiastically embraced air power, and encouraged the use of new techniques involving artillery and machine-guns. Above all, he presided over a change in infantry tactics from almost total reliance on the rifle towards all-arms, multi-weapons techniques that formed the basis of British army tactics until the 1970s. Prior re-evaluations of Haig's achievements have largely been limited to monographs and specialist writings. Walter Reid has written the first biography of Haig that takes into account modern military scholarship, giving a more rounded picture of the private man than has previously been available. What emerges is a picture of a comprehensible human being, not necessarily particularly likeable, but honourably ambitious, able and intelligent, and the man more than any other responsible for delivering victory in 1918.

With so much at stake and so much already lost, why did World War I end with a whimper-an arrangement between two weary opponents to suspend hostilities? After more than four years of desperate fighting, with victories sometimes measured in feet and inches, why did the Allies reject the option of advancing into Germany in 1918 and taking Berlin? Most histories of the Great War focus on the avoidability of its beginning. This book brings a laser-like focus to its ominous end-the Allies' incomplete victory, and the tragic ramifications for world peace just two decades later. In the most comprehensive account to date of the conflict's endgame, David Stevenson approaches the events of 1918 from a truly international perspective, examining the positions and perspectives of combatants on both sides, as well as the impact of the Russian Revolution. Stevenson pays close attention to America's effort in its first twentieth-century war, including its naval and military contribution, army recruitment, industrial mobilization, and home-front politics. Alongside military and political developments, he adds new information about the crucial role of economics and logistics. The Allies' eventual success, Stevenson shows, was due to new organizational methods of managing men and materiel and to increased combat effectiveness resulting partly from technological innovation. These factors, combined with Germany's disastrous military offensive in spring 1918, ensured an Allied victory-but not a conclusive German defeat.

Published to coincide with the anniversary of the First World War, this edition, superbly illustrated with contemporary photographs and colour maps, gives readers an insight into all aspects of the First World War, from the trenches to the Eastern Front, as well as the Mediterranean conflict. Raging for over four years across the tortured landscapes of Europe, Africa and the Middle East, the First World War changed the face of warfare forever. Characterised by slow, costly advances and fierce attrition, the great battles of the Somme, Verdun and Ypres incurred human loss on a scale never previously imagined. This book, with a foreword by Professor Hew Strachan, covers the fighting on all fronts, from Flanders to Tannenberg and from Italy to Palestine. A series of moving extracts from personal letters, diaries and journals bring to life the experiences of soldiers and civilians caught up in the war.

During the First World War, the British army's most consistent German opponent was Crown Prince Rupprecht of Bavaria. Commanding more than a million men as a General, and then Field Marshal, in the Imperial German Army, he held off the attacks of the British Expeditionary Force under Sir John French and then Sir Douglas Haig for four long years. But Rupprecht was to lose not only the war, but his son and his throne. In Haig's Enemy, Jonathan Boff explores the tragic tale of Rupprecht's war--the story of a man caught under the wheels of modern industrial warfare. Providing a fresh viewpoint on the history of the Western Front, Boff draws on extensive research in the German archives to offer a history of the First World War from the other side of the barbed wire. He revises conventional explanations of why the Germans lost with an in-depth analysis of the nature of command, and of the institutional development of the British, French, and German armies as modern warfare was born. Using Rupprecht's own diaries and letters, many of them never before published, Haig's Enemy views the Great War through the eyes of one of Germany's leading generals, shedding new light on many of the controversies of the Western Front. The picture which emerges is far removed from the sterile stalemate of myth. Instead, Boff re-draws the Western Front as a highly dynamic battlespace, both physical and intellectual, where three armies struggled not only to out-fight, but also to out-think, their enemy. The consequences of falling behind in the race to adapt would be more terrible than ever imagined.

Peter Barton's landmark volume presents over 50 original panoramas of the battlegrounds of the Somme. They show what no other photographs can: the view from the trench parapet, and a great deal more. This revised edition also includes stunning new details of the use and misuse of an extraordinary network of 'Russian Saps' installed during the two months prior to battle. These tunnels beneath no man's land often brought the British - unseen - to within 10 metres of the German trenches, yet over-secrecy and poor communication led to most being left unexploited. In the sectors where they were employed, success was dramatic. Plus a host of previously unpublished personal testimony, and a fresh look at several unseen and forgotten aspects of the battle such as the Royal Engineers' Push Pipes, Bored Mines and huge Livens Flame Projectors. Here is the Somme as you have never seen it before. Praise for The Battlefields of the First World War: 'An extraordinary set of panoramic photographs that reveal the battlefields of the Western Front as never before.' The Times 'Astonishing ... made my heart sigh.' Independent 'Without doubt the best publication on the Great War in many years ... a superb piece of work.' Western Front Association

Ferdinand Foch ended the First World War as Marshal of France and supreme commander of the Allied armies on the Western Front. Foch in Command is a pioneering study of his contribution to the Allied victory. Elizabeth Greenhalgh uses contemporary notebooks, letters and documents from previously under-studied archives to chart how the artillery officer, who had never commanded troops in battle when the war began, learned to fight the enemy, to cope with difficult colleagues and allies, and to manoeuvre through the political minefield of civil-military relations. She offers valuable insights into neglected questions: the contribution of unified command to the Allied victory; the role of a commander's general staff; and the mechanisms of command at corps and army level. She demonstrates how an energetic Foch developed war-winning strategies for a modern industrial war and how political realities contributed to his losing the peace.