The first book of its kind, Doubly Erased is a comprehensive study of the rich tradition of LGBTQ themes and characters in Appalachian novels, memoirs, poetry, drama, and film. Appalachia has long been seen as homogenous and tradition-bound. Allison E. Carey helps to remedy this misunderstanding, arguing that it has led to LGBTQ Appalachian authors being doubly erased—routinely overlooked both within United States literature because they are Appalachian and within the Appalachian literary tradition because they are queer. In exploring motifs of visibility, silence, storytelling, home, food, and more, Carey brings the full significance and range of LGBTQ Appalachian literature into relief. Dorothy Allison's Bastard Out of Carolina and Alison Bechdel's Fun Home are considered alongside works by Maggie Anderson, doris davenport, Jeff Mann, Lisa Alther, Julia Watts, Fenton Johnson, and Silas House, as well as filmmaker Beth Stephens. While primarily focused on 1976 to 2020, Doubly Erased also looks back to the region's literary "elders," thoughtfully mapping the place of sexuality in the lives and works of George Scarbrough, Byron Herbert Reece, and James Still.

They thought they had escaped. They were wrong. After fleeing the Branch with Sam, Cas, and Nick, Anna is learning how to survive in hiding, following Sam's rules: Don't draw attention to yourself. Always carry a weapon. Know your surroundings. Watch your back. When memories from Anna's old life begin to resurface--and a figure from her childhood reappears--Anna's loyalties are tested. Is it a Branch set-up, or could it be the reunion Anna has hoped for? Ultimately, the answers hinge on one question: What was the real reason her memories were erased in the first place? Jennifer Rush delivers a thrilling sequel to Altered in a novel packed with mysteries, lies, and surprises that are sure to keep readers guessing until the last page is turned.

"Sometimes I think everyone would be better off if I'd never existed in the first place."Nothing's going right for Maxwell Beckett. He's being blamed for his best friend's bloody nose -- it was an accident! -- his parents can't stop shouting at each other, and he just broke his neighbor's bright pink flamingo lawn ornament. So when Maxwell turns off the power in his school during a giant fundraiser, it's the last straw. He's sure that now the whole town hates him.Maxwell is sick and tired of getting things wrong. He wishes he had never been born. And then... his wish comes true.He's been erased.Though Maxwell can walk through the world, nobody recognizes him. Even his own parents don't know him! Every impact he's ever had on his town is gone. But the world might not actually be a better place without Maxwell in it. Can he find a way back in, or is it too late?With echoes of It's a Wonderful Life, this is a humorous and poignant book about the positive impact each of us has on our community and on the people who love us.

Based on five years of investigative reporting and research into forensic psychology and criminology, Erased presents an original profile of a widespread and previously unrecognized type of murder: not a “hot-blooded,” spur-of-the-moment crime of passion, as domestic homicide is commonly viewed, but a cold-blooded, carefully planned and methodically executed form of “erasure.” These crimes are often committed by men with no criminal record or history of violence whatsoever, men leading functional and often successful lives until the moment they kill the women, and sometimes children, they claimed to love. A surprising number go on to kill a second or even third wife or girlfriend, often in exactly the same way. In more than fifty chilling case studies, Marilee Strong examines the strange and complex psychology that drives these killers—from the murder a century ago that inspired the novel An American Tragedy to Scott Peterson, Mark Hacking, Jeffrey MacDonald, Ira Einhorn, Charles Stuart, Robert Durst, Michael White, Barton Corbin, and many others. Erased also looks at how these men manipulate the legal system and exploit loopholes in missing persons procedures and death investigation, exposing how easy it can be to get away with murder.

She was a modern-day Shirley Temple, but at the age of nine Drew Barrymore was drinking alcohol. At ten she took up marijuana, and by twelve she began snorting cocaine. Here is her gripping, heart-wrenching story--a story of a childhood gone awry and a young woman battling to restore order to her chaotic life.

"I come from Des Moines. Somebody had to." And, as soon as Bill Bryson was old enough, he left. Des Moines couldn't hold him, but it did lure him back. After ten years in England he returned to the land of his youth, and drove almost 14,000 miles in search of a mythical small town called Amalgam, the kind of smiling village where the movies from his youth were set. Instead he drove through a series of horrific burgs, which he renamed Smellville, Fartville, Coleslaw, Coma, and Doldrum. At best his search led him to Anywhere, USA, a lookalike strip of gas stations, motels and hamburger outlets populated by obese and slow-witted hicks with a partiality for synthetic fibres. He discovered a continent that was doubly lost: lost to itself because he found it blighted by greed, pollution, mobile homes and television; lost to him because he had become a foreigner in his own country.

The New York Times bestselling memoir about identity, love and understanding. Now a major motion picture starring Nicole Kidman, Russell Crowe, and Lucas Hedges, directed by Joel Edgerton. "Every sentence of the story will stir your soul" (O Magazine). The son of a Baptist pastor and deeply embedded in church life in small town Arkansas, as a young man Garrard Conley was terrified and conflicted about his sexuality. When Garrard was a nineteen-year-old college student, he was outed to his parents, and was forced to make a life-changing decision: either agree to attend a church-supported conversion therapy program that promised to “cure” him of homosexuality; or risk losing family, friends, and the God he had prayed to every day of his life. Through an institutionalized Twelve-Step Program heavy on Bible study, he was supposed to emerge heterosexual, ex-gay, cleansed of impure urges and stronger in his faith in God for his brush with sin. Instead, even when faced with a harrowing and brutal journey, Garrard found the strength and understanding to break out in search of his true self and forgiveness. By confronting his buried past and the burden of a life lived in shadow, Garrard traces the complex relationships among family, faith, and community. At times heart-breaking, at times triumphant, this memoir is a testament to love that survives despite all odds.

A political activist is mysteriously murdered, and a major publisher faces ruin as a powerful, yet unknown force threatens his industry. A TV preacher discovers a movement inside his own religion to remove God, and a high school teacher is told he can no longer teach facts in his classroom. By night, a graffiti artist splashes paint on the sides of government buildings and people feel a shiver of trepidation, wondering what his cryptic messages mean. Five heroes wonder why these seemingly separate occurrences are happening, and whether they might be connected. Is it the failed policies of a popular, yet weak president causing them, or might there be a sinister force hiding in the darkness controlling it all? Can the events be stopped before it brings down the nation? A mysterious document rumored to be hidden in the dark corners of the Internet might have the clues, but will they be able to find it in time? ERASE is a thrill ride of twists and turns as each clue is discovered through a maze of murder, mayhem and intrigue, and villains and heroes push against each other as they race to a surprising finish.

The clitoris was absent in anatomy books, in paintings and sculptures, absent in spirit and even body; it has long been the organ of erased pleasure. We assume that this oversight has been repaired in our times: today, the clitoris is not forgotten but honoured. Conferences, books, manifestos, works of art are all devoted to it. The autonomy of clitoral jouissance is recognized. The boundaries of feminism have also moved: queer, intersex and trans approaches claim that the clitoris is perhaps no longer the exclusive preserve of the woman. And yet, there remains a wounded space. Because genital mutilation is still common practice. Because millions of women are still denied pleasure. The clitoris continues to mark the enigmatic space of the feminine. Constrained by the extreme difficulty and the extreme urgency of returning to this scorched earth, it is time to give voice to an organ of pleasure which has still not become an organ of thought.