Double Heart, Marcel Schwob's first collection of short stories, here presented in English for the first time, in an expert translation by Brian Stableford, was originally published in 1891, all of the stories in it having previously appeared in the daily newspaper L'Écho de Paris while the author was part of a "stable" of writers attached to the newspaper, commissioned to supply stories at weekly or fortnightly intervals. Considered superficially, the project of writing a short story once a fortnight, or even once a week, does not seem particularly daunting, but the reality was that few were able to keep up such a pace while maintaining diversity and originality. During the years when he was penning the stories assembled in Coeur double, Schwob was, however, one of those aristocrats, and the collection is remarkably heterogeneous, both thematically and in terms of its narrative strategies, perhaps more so than any other issued in the nineteenth century, and its variety offers an interesting example of disciplined randomness: not only a relentless quest for difference but a relentless quest for different kinds of difference. Marcel Schwob was a genius, albeit one only appreciated by a limited cognoscenti, and the present book, with its idiosyncratic brand of black comedy, and its mastery of abbreviation and understatement, is a long overdue addition to the work of this wonderful author available in English.

Your life is worth saving through God’s grace.

Collection of articles related to the history of Nolan County, Texas, and the surrounding area. Topics include Double Heart Ranch & Rodeo, Sheriff J. C. Montgomery, Santa Fe Roundhouse, Courthouses of Nolan County, Story of C-47 Crash, History of Mobil Service Stations, Indians of Nolan County, History of Sweetwater Police, Story of Early Jail Escape in Sweetwater, and others.

The volume is a commentary on 1 Enoch chapters 91-108 that begins with the Ethiopic text tradition but also takes the Greek and Aramaic (Dead Sea Scrolls) evidence into account. This section of 1 Enoch, which contains material from at least five different documents composed some time during the 2nd century BCE, provides a window into the early stages of the reception of the earliest Enoch tradition, as it was being negotiated in relation to elitist religious opponents, on the one hand, and in relation to other Jewish traditions that were flourishing at the time. The commentary, at the beginning of which there is an extensive introduction, is structured in the following way: there is a translation for each unit of text (including the Greek and Aramaic where it exists, with the Greek and Ethiopic translations presented synoptically), followed by detailed textual notes that justify the translation and provide information on a full range of variations among the manuscripts. This, in turn, is followed by a General Comment on the unit of text; after this there are detailed notes on each subdivision of the text which attempt to situate the content within the stream of biblical interpretation and developing Jewish traditions of the Second Temple period. The five documents in 1 Enoch 91-108 are dealt with in the following order: (1) Apocalypse of Weeks (93:1-10; 91:11-17); (2) Admonition (91:1-10, 18-19); (3) Epistle of Enoch (92:1-5; 93:11-105:2; (4) Birth of Noah (106-107); and (5) the Eschatological Appendix (108).

Poems about being a survivor and the choices we make to protect ourselves, our homes, and our hearts. Who wouldn't want a metaphorical stunt double to take the perilous fall that comes with the pain of loss or profound disappointment? The poems in When the Heart Needs a Stunt Double by Diane DeCillis consider resourceful ways in which we become our own stunt double and explore through a poet's eyes the anatomy of the mind, body, and soul. Although many of these poems investigate loss and heartbreak, this book is not about being a victim. It's about how we not only survive our most challenging moments but how we thrive in spite of them. These are poems about all of the ways our hearts both help us and betray us during major life events: dealing with divorce, the death of a loved one, separation from those closest to you, or with the agonizing experience of memory loss. The speaker appreciatively observes "how hard the muscle has worked / lifting and lowering the weight of love and sorrow." DeCillis writes that loss can feel like your heart is limping "like a wounded animal / before you sink into the shelter of your own shadow." But with every loss in these poems comes rebirth—a beautiful, sensory-rich wildflower garden of new breaths and experiences. The character of the heart is depicted as a piece of human anatomy at the same time it's portrayed as its own world; an entire planet. DeCillis personifies the mitral, aortic, and pulmonary valves, describing our bodies as blooming with vegetation, a recursive image of living things thriving inside living things. When the Heart Needs a Stunt Double takes us on a journey of what it means to be fully human. It touches upon the gifts we find in humor, nature, art, food, and how we celebrate the beauty of our scars. These are love poems: to others, to the self, to the body. DeCillis makes it clear that wounds need attention and care, but that loss always strengthens us. This collection will be admired by poetry lovers of all kinds, and those who enjoy modern and corporeal love poems.

The Watchman’s Manual is a CLARION CALL designed to teach, provoke, and guide Watchmen into strategic, skillful, engagement with purpose. The Lord has called you for such a time as this. You are on active duty. Man Your Post my fellow Watchman.