Susan Ford, daughter of Former President Gerald R. Ford, brings her White House insider perspective to this sparkling debut novel, the first in a series of First Daughter mysteries. In Double Exposure, Ford introduces photographer Eve Cooper, daughter of the newly elected President, as she is swept into killer politics in Washington, DC... Double Exposure Eve and her family have barely settled into their new surroundings after the Inauguration when chaos and scandal erupt. White House photographer Michael Cauffman is taking Eve's picture in the Rose Garden when they stumble upon a corpse in the snow. It's one of the White House ushers and in his pocket is a torn photograph of an unclad and unidentified couple in the Lincoln bedroom-clearly involved in very unofficial activities. The story (complete with photos) is on the front page of The Washington Post, and the press is in a feeding frenzy. With the help of Michael, Eve sets out to clear her father, the President, by discovering exactly who took those pictures, and when, and why. As Eve closes in on the truth, she opens a vast Pandora's box of new troubles, both public and private. As the body count rises, Eve must race against the clock to find a killer who will stop at nothing to compromise the President... "Has charm...sure to attract [an] audience." -Publishers Weekly "Ford's debut offers some pleasant glimpses behind the scenes at the White House." -Kirkus Reviews

Over the past decade, historians and sociologists have increasingly used visual materials, in particular photographs, in their work. This volume brings together historians, sociologists, anthropologists, and media and visual scholars to articulate how photography, as a practice and as a visual medium, can provide insights into national memory, collective identities, and the historical imagination. This collection allows the reader to trace parallel conceptual developments occurring in the sociology and anthropology of memory and in the history and theory of photography, and to illustrate the unique "angles of vision" these disciplines offer. Photographic images commonly accompany historical accounts, from documentaries to family scrapbooks, and since the early days of commercial photography, pictures have been viewed as tools to capture memories. Later critical writing has challenged this equation by inverting it: photos, along with other archival practices, were often viewed as falling short of their supposed function as vessels of memory and at times even denounced as devices that distorted memories. How does photography participate in the formation and maintenance of collective identities and shared memory discourses, from the family to the nation? Furthermore, how can we begin to conceptualize photography’s effects on the historical imagination of individuals and groups? Double Exposure endeavors to answer these questions by calling attention to the variety of contexts in which images circulate and to the narratives from which they spring and which they, in turn, shape. This is the latest volume in Transaction’s Memory and Narrative series.

Fifteen-year-old Alyx Atlas was raised as a boy, yet she knows something others don’t. She’s a girl. And after her dad dies, it becomes painfully obvious that she must prove it now—to herself and to the world. Born with ambiguous genitalia, Alyx has always felt a little different. But it’s after she sustains a terrible beating behind a 7-Eleven that she and her mother pack up their belongings and move from California to Milwaukee, Wisconsin, to start a new life—and Alyx begins over again, this time as a girl. Alyx quickly makes new friends, earns a spot on the girls’ varsity basketball team, and for the first time in her life feels like she fits in. That is, until her prowess on the court proves too much for the jealous, hotheaded Pepper Pitmani, who sets out to uncover Alyx’s secret. A dangerous game of Truth or Dare exposes Alyx’s difference and will disqualify her entire basketball team from competing in the state championships unless Alyx can prove, once and for all, that she is a girl. But will Alyx find the courage to stand up for the truth of her personhood, or will she do what she’s always done—run away? Whatever she decides, she knows there’s much more at stake than a championship win. A stunning debut young adult novel from Bridget Birdsall, Double Exposure brings to light complex gender issues, teenage insecurities, and overcoming all obstacles. Sky Pony Press, with our Good Books, Racehorse and Arcade imprints, is proud to publish a broad range of books for young readers—picture books for small children, chapter books, books for middle grade readers, and novels for young adults. Our list includes bestsellers for children who love to play Minecraft; stories told with LEGO bricks; books that teach lessons about tolerance, patience, and the environment, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

This book explores the connections between two of the most transformative processes of the twenty-first century, namely climate change and globalization. In this book, Leichenko and O'Brien present a conceptual framework for analyzing the interactions between these two processes, and illustrate, through case studies, how these interactions create situations of "double exposure." Drawing upon prominent recent and current climate-related events -- Hurricane Katrina in New Orleans, recurring droughts in India, and the melting of Arctic sea ice -- the case studies each demonstrate a different pathway of interaction between globalization and global environmental change. Through exploration of these pathways of double exposure, the book also shows how broader human security concerns including growing inequalities, growing vulnerabilities, and unsustainable rates of development are integrally connected to both processes of global change. The double exposure framework not only sheds light on the challenges raised by these two global processes, but also reveals possibilities for using the interactions to generate positive opportunities for action.

From the creators of Smallville and Into the Badlands comes an action-packed "triple feature" debut thriller about a war veteran and CIA officer in the 1960s swept up into a cat and mouse game with enormous, world-altering consequences where Hitler may still be alive (Brad Meltzer, #1 New York Times bestselling author of The Escape Artist and The First Conspiracy). David Toland, a decorated Korean War veteran, has done all he can to leave a life of combat behind. Now Director of Preservation for the Library of Congress's National Film Archive, Toland has made it his mission to preserve what he loves most: the Golden Age of American cinema, moving pictures full of romance, adventure and American Dream. That is, until CIA Agent Lana Welles drops in unannounced with a film canister, smuggled over the Berlin Wall at great cost, that may prove WWII never really ended -- it just went underground. David reluctantly agrees to serve his country one last time and help recover the film for Lana and the CIA. But it seems not everyone is as eager as they are to dig up the past. David and Lana's discovery awakens shadowy forces who will do anything to keep their findings a secret. In search of the truth, David and Lana find themselves intertwined in a global conspiracy.

A feminist literary theorist, specialist in Rembrandt, and a scholar with a knack for reading Old Testament stories, Mieke Bal weaves a tapestry of signs and meanings that enrich our senses. Her subject is the act of showing, the gesture of exposing to view. In a museum, for example, the object is on display, made visually available. "That's how it is," the display proclaims. But who says so? Bal's subjects are displays from the American Museum of Natural History, paintings by such figures as Courbet, Caravaggio, Artemisia Gentileschi, and Rembrandt, as well as works by twentieth-century artists, and such literary texts as Shakespeare's Rape of Lucrece.

A rare and intimate look at Minnesota's African American community in postwar America through the lens of a pioneering black photographer.

"Teaches you how to shoot compelling images that need multiple exposures ... covers double exposures, high dynamic range (HDR) images, panoramas, time-lapse images, focus stacking, and image stacking"--Cover.

Following his dads death, Remington James returns to the small North Florida town where he grew up to assume his fathers lifetaking care of his dying mother and running the local gun and pawn shop.One fateful fall evening, as the sun sinks and the darkness expands, Remington ventures deep into the river swamp to try out some new equipment and check his camera traps. Encountering the kind of wildlife that made him want to be a photographer in the first place, Remington gets some of the best shots of his life, but hes about to happen upon the most dangerous animal of alla feral, patient, sociopath who wants Remington dead.