Musaicum Books presents to you this carefully created collection of Fyodor Dostoyevsky's memoirs, letters and autobiographical works. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Fyodor Dostoyevsky (1821-1881) was a Russian novelist, short story writer, essayist, journalist and philosopher. His literary works explore human psychology in the troubled political, social, and spiritual atmosphere of 19th-century Russia. Many of his works contain a strong emphasis on Christianity, and its message of absolute love, forgiveness and charity, explored within the realm of the individual, confronted with all of life's hardships and beauty. His major works include Crime and Punishment (1866), The Idiot (1869), Demons (1872) and The Brothers Karamazov (1880). Many literary critics rate him as one of the greatest and most prominent psychologists in world literature. His novella Notes from Underground is considered to be one of the first works of existentialist literature. Table of Contents: BIOGRAPHY: Fyodor Dostoyevsky, A Study by Aimée Dostoyevsky LETTERS AND MEMOIRS: Letters of Fyodor Michailovitch Dostoyevsky to His Family and Friends Pages from the Journal of an Author, Fyodor Dostoevsky AUTOBIOGRAPHICAL NOVELS: The House of the Dead The Gambler

This carefully crafted ebook: "Fyodor Dostoyevsky: Memoirs, Letters and Autobiographical Novels" is formatted for your eReader with a functional and detailed table of contents. Fyodor Dostoyevsky (1821–1881) was a Russian novelist, short story writer, essayist, journalist and philosopher. His literary works explore human psychology in the troubled political, social, and spiritual atmosphere of 19th-century Russia. Many of his works contain a strong emphasis on Christianity, and its message of absolute love, forgiveness and charity, explored within the realm of the individual, confronted with all of life's hardships and beauty. His major works include Crime and Punishment (1866), The Idiot (1869), Demons (1872) and The Brothers Karamazov (1880). Many literary critics rate him as one of the greatest and most prominent psychologists in world literature. His novella Notes from Underground is considered to be one of the first works of existentialist literature. Table of Contents: BIOGRAPHY: Fyodor Dostoyevsky, A Study by Aimée Dostoyevsky LETTERS AND MEMOIRS: Letters of Fyodor Michailovitch Dostoyevsky to His Family and Friends Pages from the Journal of an Author, Fyodor Dostoevsky AUTOBIOGRAPHICAL NOVELS: The House of the Dead The Gambler

This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Fyodor Dostoyevsky (1821–1881) was a Russian novelist, short story writer, essayist, journalist and philosopher. His literary works explore human psychology in the troubled political, social, and spiritual atmosphere of 19th-century Russia. Many of his works contain a strong emphasis on Christianity, and its message of absolute love, forgiveness and charity, explored within the realm of the individual, confronted with all of life's hardships and beauty. His major works include Crime and Punishment (1866), The Idiot (1869), Demons (1872) and The Brothers Karamazov (1880). Many literary critics rate him as one of the greatest and most prominent psychologists in world literature. His novella Notes from Underground is considered to be one of the first works of existentialist literature. Table of Contents: BIOGRAPHY: Fyodor Dostoyevsky, A Study by Aimée Dostoyevsky; LETTERS AND MEMOIRS: Letters of Fyodor Michailovitch Dostoyevsky to His Family and Friends, Pages from the Journal of an Author, Fyodor Dostoevsky; AUTOBIOGRAPHICAL NOVELS: The House of the Dead, The Gambler

Fyodor Dostoyevsky's 'Memoirs, Letters and Autobiographical Works' offers a fascinating glimpse into the personal life and psyche of the renowned Russian author. Through a collection of his own writings, readers are able to delve into the inner thoughts and experiences that influenced Dostoyevsky's literary works. The book showcases his introspective and introspective style, providing valuable insights into his struggles, beliefs, and creative process. Dostoyevsky's raw and honest portrayal of his own life adds a layer of depth to his already complex and impactful storytelling. This compilation serves as a window into the mind of one of the most influential authors in Russian literature. With its mix of personal anecdotes, reflections, and musings, 'Memoirs, Letters and Autobiographical Works' sheds light on the man behind the timeless literary masterpieces. Readers interested in exploring the intersection of personal experiences and literary creation will find this book to be a valuable and enriching read.

'A daring and mesmerizing twist on the art of biography' – Douglas Smith, author of Rasputin: The Biography 'Anyone who loves [Dostoevsky's] novels will be fascinated by this book' – Sue Prideaux, author of I Am Dynamite! A Life of Friedrich Nietzsche Dostoevsky's life was marked by brilliance and brutality. Sentenced to death as a young revolutionary, he survived mock execution and Siberian exile to live through a time of seismic change in Russia, eventually being accepted into the Tsar's inner circle. He had three great love affairs, each overshadowed by debilitating epilepsy and addiction to gambling. Somehow, amidst all this, he found time to write short stories, journalism and novels such as Crime and Punishment, The Idiot and The Brothers Karamazov, works now recognised as among the finest ever written. In Dostoevsky in Love Alex Christofi weaves carefully chosen excerpts of the author's work with the historical context to form an illuminating and often surprising whole. The result is a novelistic life that immerses the reader in a grand vista of Dostoevsky's world: from the Siberian prison camp to the gambling halls of Europe; from the dank prison cells of the Tsar's fortress to the refined salons of St Petersburg. Along the way, Christofi relates the stories of the three women whose lives were so deeply intertwined with Dostoevsky's: the consumptive widow Maria; the impetuous Polina who had visions of assassinating the Tsar; and the faithful stenographer Anna, who did so much to secure his literary legacy. Reading between the lines of his fiction, Christofi reconstructs the memoir Dostoevsky might have written had life – and literary stardom – not intervened. He gives us a new portrait of the artist as never before seen: a shy but devoted lover, an empathetic friend of the people, a loyal brother and friend, and a writer able to penetrate to the very depths of the human soul.

This is a new release of the original 1923 edition.

Flannery O'Connor and Fyodor Dostoevsky shared a deep faith in Christ, which compelled them to tell stories that force readers to choose between eternal life and demonic possession. Their either-or extremism has not become more popular in the last fifty to a hundred years since these stories were first published, but it has become more relevant to a twenty-firstt-century culture in which the lukewarm middle ground seems the most comfortable place to dwell. Giving the Devil His Due walks through all of O'Connor's stories and looks closely at Dostoevsky's magnum opus The Brothers Karamazov to show that when the devil rules, all hell breaks loose. Instead of this kingdom of violence, O'Connor and Dostoevsky propose a kingdom of love, one that is only possible when the Lord again is king.

An NYRB Classics Original Winner of the 2014 PEN Translation Prize Winner of the 2014 Read Russia Prize The stakes are wildly high in Sigizmund Krzhizhanovsky’s fantastic and blackly comic philosophical fables, which abound in nested narratives and wild paradoxes. This new collection of eleven mind-bending and spellbinding tales includes some of Krzhizhanovsky’s most dazzling conceits: a provincial journalist who moves to Moscow finds his existence consumed by the autobiography of his room’s previous occupant; the fingers of a celebrated pianist’s right hand run away to spend a night alone on the city streets; a man’s lifelong quest to bite his own elbow inspires both a hugely popular circus act and a new refutation of Kant. Ordinary reality cracks open before our eyes in the pages of Autobiography of a Corpse, and the extraordinary spills out.