The Danish architect Dorte Mandrup is one of the most aesthetic originals as well as one of the most socially committed of her generation. Down to the very smallest detail, her houses communicate both with those for whom they are built as well as with the public space around them. Dorte Mandrup never builds without taking a stand. Nor is she ever dull. Her special relationship to reality is apparent in everything from the boldest play with rooms and forms to the delicate restoration of a Danish classic such as Arne Jacobsens Munkegård School.

Warum erhalten Architektinnen nicht die Anerkennung, die ihr Werk verdient? Women in Architecture ist ein Manifest für die großartigen Leistungen von Frauen in der Architektur. 36 international tätige Architektinnen kommen mit einem eigenen Projekt zu Wort. Dieses vielfältige Panorama wird ergänzt von Essays zu Pionierinnen in der Architektur und Analysen, die der strukturellen Diskriminierung von Architektinnen auf den Grund gehen. Mit Mona Bayr, Odile Decq, Elke Delugan-Meissl, Julie Eizenberg, Manuelle Gautrand, Annette Gigon, Silvia Gmür, Cristina Guedes, Melkan Gürsel, Itsuko Hasegawa, Anna Heringer, Fabienne Hoelzel, Helle Juul, Karla Kowalski, Anupama Kundoo, Anne Lacaton, Regine Leibinger, Lu Wenyu, Dorte Mandrup, Rozana Montiel, Kathrin Moore, Farshid Moussavi, Carme Pinós, Nili Portugali, Paula Santos, Kazuyo Sejima, Annabelle Selldorf, Pavitra Sriprakash, Siv Helene Stangeland, Brigitte Sunder-Plassmann, Lene Tranberg, Billie Tsien, Elisa Valero, Natalie de Vries, Andrea Wandel und Helena Weber.

This book reveals Copenhagen's quality of life using the example of built spaces. It leads its readers on a tour of exploration, visiting exciting architecture projects and surprising districts between Orestadt and Nordhavn. A total of over 25 exceptional buildings, urban squares and public spaces created in the past 10 years are presented. Documented with brilliant photos, general plans and texts, these projects paint an image of a brave generation of architects and planners who are not afraid to employ novel solutions. On display are daring typologies such as Amager Bakke, a ski slope on a waste incineration plant by BIG, spectacular iconic buildings, including the Royal Danish Aquarium by 3XN or popular public spaces for the urban community.

Want to keep up with emerging design thinking and issues worldwide? Design Studio is a new thematic series that distils the most topical work and ideas from schools and practices globally. The first volume launches with a statement: Everything Needs to Change. Exploring architecture and the climate emergency, editors Sofie Pelsmakers (author of Environmental Design Sourcebook) and Nick Newman (climate activist and Director at Studio Bark), are channelling the message of Greta Thunberg to inspire, enthuse and inform the next generation of architects. Featuring articles, building profiles and case studies from a range of leading voices, it explores solutions to climatic, environmental and social challenges. It urges readers to radically rethink what it means to be an architect in an era of climate crisis, and what the role of the architect is or can be. Discover how using local materials, working with nature, radical design processes, transformative learning and activism can help us find hope in the burning world. Together, we can force change for a more sustainable and equitable tomorrow. This first volume is produced in four unique fluorescent colours – green, red, yellow and purple – to be your own poster for change.

This book provides a detailed exploration of the relationships between individual architects, educators, artists and designers that laid the foundation and shaped the approach to designing new school buildings in post-war Britain. It explores the life and work of Mary Medd (née Crowley) (1907-2005) who was alongside her husband and professional partner, David Medd, one of the most important modernist architects of the 20th century. Mary Medd devoted the major part of her career to the design of school buildings and was pioneering in this respect, drawing much inspiration from Scandinavian architecture, arts and design. More than a biography, the book draws attention to the significance of relationships and networks of friendships built up over these years among individuals with a common view of the child in educational settings.

This book by artist, diver, and editor-in-chief of an underwater magazine Jürgen Claus is a milestone among the books dedicated to the planet sea. It is a knowledge-rich overview, created from facts and experiences, of three main themes that have never been described in context. Marine architectures from both the Pacific and Atlantic regions have now moved from vision to reality. Whether it is a sail-shaped architecture in Nouméa or a whale-shaped one in the Arctic region. Special attention is paid by Prof. Claus to post-disaster architecture. The book will encourage young readers to design metabolic buildings themselves. That the seascape has also become a fluid studio for visual artists may come as a surprise. The works of art, some of which the author has experienced first-hand, have intertwined with an ecological, sustainable way of working. And this is also true to a special degree for the sound artists. They realize their sonic worlds with recordings from the sounding world underwater, a concert hall of hitherto unknown dimensions. The author’s experience as a professor of media art with students flows into the description of multimedia or media-related ocean installations. Here the book becomes a stimulus for realizing one’s own experiences.

The pandemic imposed a major shift on how we live and work. National lockdowns eradicated the lines between home, office and school, making conversations around live/work spaces more urgent than ever before. Instead of driving people apart, social distancing, remote working and the reliance on digital communication have led to a huge demand for physical togetherness. How can we design a future that enables greater collaboration, connectivity and social interaction? The trend for shared living spaces is showing no signs of slowing down; collaborative spaces have been hailed as the solution to the 21st century’s culture of overwork, a broken housing market and chronic loneliness, particularly among the elderly. When implemented carefully, considering different degrees and models of sharing, they tackle the question of independence (and its complex relationship with solidarity) and the longevity and power of intergenerational living. A practical and inspirational design guide, this book draws on Naomi Cleaver’s own experience as a designer alongside the work of other experts including Rockwell Group, Dorte Mandrup Arkitekter, Squire and Partners and DH Liberty. Featuring detailed and highly illustrated case studies across co-living and co-working typologies, it takes in new builds and conversions of various sizes that have been implemented internationally. It concludes with a best practice toolkit that provides valuable advice and lessons for designers working at any scale. Case studies include: Humanitas Deventer, The Netherlands K9 Coliving, Sweden Mokrin House, Serbia NeueHouse Hollywood, Los Angeles Outpost Ubud Penestanan, Bali The Project at Hoxton, London. Foreword by Professor Sadie Morgan OBE, Director of dRMM and Chair of the Quality of Life Foundation.

Although the disciplines of architecture and structural engineering have both experienced their own historical development, their interaction has resulted in many fascinating and delightful structures. To take this interaction to a higher level, there is a need to stimulate the inventive and creative design of architectural structures and to persuade architects and structural engineers to further collaborate in this process, exploiting together new concepts, applications and challenges. This set of book of abstracts and full paper searchable CD-ROM presents selected papers presented at the 3rd International Conference on Structures and Architecture Conference (ICSA2016), organized by the School of Architecture of the University of Minho, Guimarães, Portugal (July 2016), to promote the synergy in the collaboration between the disciplines of architecture and structural engineering. The set addresses all major aspects of structures and architecture, including building envelopes, comprehension of complex forms, computer and experimental methods, concrete and masonry structures, educating architects and structural engineers, emerging technologies, glass structures, innovative architectural and structural design, lightweight and membrane structures, special structures, steel and composite structures, the borderline between architecture and structural engineering, the history of the relationship between architects and structural engineers, the tectonics of architectural solutions, the use of new materials, timber structures and more. The contributions on creative and scientific aspects of the conception and construction of structures, on advanced technologies and on complex architectural and structural applications represent a fine blend of scientific, technical and practical novelties in both fields. This set is intended for both researchers and practitioners, including architects, structural and construction engineers, builders and building consultants, constructors, material suppliers and product manufacturers, and other experts and professionals involved in the design and realization of architectural, structural and infrastructural projects.

Fabricate 2020 is the fourth title in the FABRICATE series on the theme of digital fabrication and published in conjunction with a triennial conference (London, April 2020). The book features cutting-edge built projects and work-in-progress from both academia and practice. It brings together pioneers in design and making from across the fields of architecture, construction, engineering, manufacturing, materials technology and computation. Fabricate 2020 includes 32 illustrated articles punctuated by four conversations between world-leading experts from design to engineering, discussing themes such as drawing-to-production, behavioural composites, robotic assembly, and digital craft.

This housing construction design manual documents and analyzes some 130 international residential structures from the last fifty years. From the standardized floor plans of the 1960s to the more individual concepts of the 1980s and the changed requirements and housing types of recent years, example structures by famous and lesser known architects from throughout the world showcase the tremendous variety of possible designs. The categorization of projects from a town planning perspective is supplemented by the detailed typological description of the relevant housing types. Every project is presented with its typical floor plans to a scale of 1:200; sections, site plans, and photographs illuminate each building’s structure and situation. In addition to incorporating some forty new projects, this new edition now contains figure-ground diagrams that highlight the most salient features of the floor plans, making them even easier to compare.