Seventy-seven letters from an upper-class English woman to her paramour offer a window in to a courtship that, the editor argues, are marked by the intelligence of the writer and her insistence of being treated as an intellectual equal. Explanatory notes and an introduction discussing the importance of the letters for understanding gender politics in 17th century England accompany the letters. Appendices present letters from after the marriage, genealogies, and other contextual information. Annotation copyrighted by Book News, Inc., Portland, OR.

When Sir William Temple (1628–99) and Dorothy Osborne (1627–95) began their passionate love affair, civil war was raging in Britain, and their families—parliamentarians and royalists, respectively—did everything to keep them apart. Yet the couple went on to enjoy a marriage and a sophisticated partnership unique in its times. Surviving the political chaos of the era, the Black Plague, the Great Fire of London, and the deaths of all their nine children, William and Dorothy made a life together for more than forty years. Drawing upon extensive research and the Temples’ own extraordinary writings—including Dorothy’s dazzling letters, hailed by Virginia Woolf as one of the glories of English literature—Jane Dunn gives us an utterly captivating dual biography, the first to examine Dorothy’s life as an intellectual equal to her diplomat husband. While she has been known to posterity as the very symbol of upper-class seventeenth-century domestic English life, Dunn makes clear that Dorothy was a woman of great complexity, of passion and brilliance, noteworthy far beyond her role as a wife and mother. The remarkable story of William and Dorothy’s life together—illuminated here by the author’s insight and her vivid sense of place and time—offers a rare glimpse into the heart and spirit of one of the most turbulent and intriguing eras in British history.

Explores Virginia Woolf's affinity with the early modern period and her sense of being reborn as writer and reader through the creation of an alternative tradition of reading and writing whose roots go back to the Elizabethans and beyond. The author, a Fellow in English at Girton College, Cambridge, critiques Woolf's ideas through a discussion of particular writers--Montaigne, Donne, Pepys and Bunyan, Dorothy Osborne and Madame de Sevigne. She considers the forms traditionally associated with women, such as the essay, the personal letter and diary, in the context of printing, the body, and the relationship between amateurs and professionals. Annotation copyrighted by Book News, Inc., Portland, OR

Virginia Woolf's playful exploration of a satirical »Oxbridge« became one of the world's most groundbreaking writings on women, writing, fiction, and gender. A Room of One's Own [1929] can be read as one or as six different essays, narrated from an intimate first-person perspective. Actual history blends with narrative and memoir. But perhaps most revolutionary was its address: the book is written by a woman for women. Male readers are compelled to read through women's eyes in a total inversion of the traditional male gaze. VIRGINIA WOOLF [1882–1941] was an English author. With novels like Jacob’s Room [1922], Mrs Dalloway [1925], To the Lighthouse [1927], and Orlando [1928], she became a leading figure of modernism and is considered one of the most important English-language authors of the 20th century. As a thinker, with essays like A Room of One’s Own [1929], Woolf has influenced the women’s movement in many countries.