What is s**t, and why is everyone eating it? Cliff doesn’t like it, but Casey can’t get enough. Sure, Cliff doesn’t like a lot of stuff, but that doesn’t mean he’s wrong to be suspicious this time around. Meanwhile, we find out where Lotion the cat got off to, and how his journey has changed him. Life on the streets has made him an entirely different animal.

The spirit of Grant Morrison's groundbreaking DOOM PATROL is captured in this debut series starring the cult-favorite misfits as a part of Gerard Way's new Young Animal imprint. Flex Mentallo, Robotman, Rebis, Crazy Jane, and more are back to twist minds and take control. This new take on a classic embraces and reimagines the Morrison run's signature surrealism and irreverence. Incorporating bold, experimental art and a brash tone to match a new generation of readers, Gerard Way's DOOM PATROL establishes radical new beginnings, breaks new ground, and honors the warped team dynamic of the world's strangest heroes. This abstract and unexpected ensemble series nods at the Doom Patrol's roots by continuing to break the barriers of the traditional superhero genre. Collects issues #1-6. DOOM PATROL is the flagship title of Young Animal--a four-book grassroots mature reader imprint, creatively spearheaded by Gerard Way, bridging the gap between the DCU and Vertigo, and focusing on the juxtaposition between visual and thematic storytelling.

How have you been, Niles Caulder? The Chief is back, and heÕs ready to reshape the new Doom Patrol to be just like the old Doom PatrolÑa prospect not everyone is happy with. But the teamÕs former leader hasnÕt grown less manipulative in his old age, so nobody make any rash decisions. Pretty sure heÕs up to something. Michael Allred (iZOMBIE, Silver Surfer) joins the team for this special issue.

The groundbreaking series from Grant Morrison that led American comics in a wholly unexpected direction. Originally conceived in the 1960s by the visionary team of writer Arnold Drake and artist Bruno Premiani, the Doom Patrol was reborn a generation later through Grant Morrison’s singular imagination. Though they are super-powered beings, and though their foes are bent on world domination, convention ends there. Shunned as freaks and outcasts, and tempered by loss and insanity, this band of misfits faces threats so mystifying in nature and so corrupted in motive that reality itself threatens to fall apart around them-but it’s still all in a day’s work for the Doom Patrol. Written by Grant Morrison and featuring art by Richard Case, John Nyberg, Doug Braithwaite, Scott Hanna and Carlos Garzón, DOOM PATROL BOOK ONE collects issues #19-34 and includes introductions by Morrison and editor Tom Peyer.

Max Landis, acclaimed screenwriter of the hit film CHRONICLE, presents seven stories from the life of the man who will be the Man of Steel, seven pivotal moments that turned a sometimes good, sometimes angry, sometimes funny, always human, all-American alien into the world’s first superhero. THIS IS NOT A SUPERMAN COMIC. This is the story of Clark Kent, a Kansas farm boy who happens to be from another planet. It’s the story of a scared young kid with impossible powers, of a teenage delinquent with a lot to learn, of a reporter with a nose for the truth who’s keeping the biggest secret the world has ever known. This is not the Superman you know. Not yet. Illustrated by some of the greatest artists in comics today-including Jock (BATMAN: THE BLACK MIRROR), Francis Manapul (DETECTIVE COMICS), Jae Lee (BATMAN/SUPERMAN), Joëlle Jones (LADY KILLER), Nick Dragotta (EAST OF WEST) and more with covers by Ryan Sook (ACTION COMICS)-SUPERMAN: AMERICAN ALIEN tells the very human story of the Last Son of Krypton.

The new Doom Patrol puts itself back together after nearly being destroyed, and things start to get a lot weirder for everybody. The Chief leads Robotman, the recently formed Rebis and new member Crazy Jane against the Scissormen, part of a dangerous philosophical location that has escaped into our world and is threatening to engulf reality itself. Collecting Grant Morrison's definitive run, which launched his career as one of the comic industry's most innovative and creative writers! Collects Doom Patrol #19-63 and Doom Force Special #1.

Kansas City may never be the same, as Shrapnel tangles with the entire Doom Patrol team!

Casey Brinke has stepped through to the other side-but where exactly is that? Given all the bizarre, unexplainable things that have come into her life over the last couple of days-robot men and talking ambulances and a guy who literally thrives on negative energy-surely this new and surprising world she has uncovered canÕt be any weirder. Right?

What happened to Larry Trainor? The hero known as Negative Man is still out there, but heÕs not exactly the same guy he was back when Doom Patrol was still together. Like a Russian doll, there is man inside the man, and who knows how many other men inside of them, with the guy on top possessing a mind for mischief that incites violence. Meanwhile, Casey has started rebuilding Robotman, even though she still doesnÕt know exactly how Cliff Steele ended up crossing her path in the first place.

Superhero comics reckon with issues of corporeal control. And while they commonly deal in characters of exceptional or superhuman ability, they have also shown an increasing attention and sensitivity to diverse forms of disability, both physical and cognitive. The essays in this collection reveal how the superhero genre, in fusing fantasy with realism, provides a visual forum for engaging with issues of disability and intersectional identity (race, ethnicity, class, gender, and sexuality) and helps to imagine different ways of being in the world. Working from the premise that the theoretical mode of the uncanny, with its interest in what is simultaneously known and unknown, ordinary and extraordinary, opens new ways to think about categories and markers of identity, Uncanny Bodies explores how continuums of ability in superhero comics can reflect, resist, or reevaluate broader cultural conceptions about disability. The chapters focus on lesser-known characters—such as Echo, Omega the Unknown, and the Silver Scorpion—as well as the famous Barbara Gordon and the protagonist of the acclaimed series Hawkeye, whose superheroic uncanniness provides a counterpoint to constructs of normalcy. Several essays explore how superhero comics can provide a vocabulary and discourse for conceptualizing disability more broadly. Thoughtful and challenging, this eye-opening examination of superhero comics breaks new ground in disability studies and scholarship in popular culture. In addition to the editors, the contributors are Sarah Bowden, Charlie Christie, Sarah Gibbons, Andrew Godfrey-Meers, Marit Hanson, Charles Hatfield, Naja Later, Lauren O’Connor, Daniel J. O'Rourke, Daniel Pinti, Lauranne Poharec, and Deleasa Randall-Griffiths.