For every author whose manuscript gets published, there are tens of thousands who are rejected. At literary agencies and publishing houses, screeners go through piles of submissions, searching for original voices, attention-grabbing characters, and writing styles that rise above the rest. The piles are large; time is short. The writer who has labored a year or more on a story may have only a page, a paragraph, or a sentence read before the screener moves on to the next submission. It is this heartbreaking reality that the author (who is also an editor and writing teacher) addresses in this helpful book. Pitched midway between the writing advice books that concentrate on format and grammar and those that outline the large-bone mystery basics such as plot, character, dialogue, and creating suspense, Don't Murder Your Mystery identifies twenty-four aspects of the mystery novel, some dealing with the nitty-gritty of submissions but most discussing topics to help inexperienced writers improve the quality of their written work. Roerden's pitch is to help new writers identify and correct pedestrian mistakes and avoid amateurish writing, so they won't be quickly dismissed by screeners. What she has created is an essential handbook for writers longing to improve their knowledge of craft and technique.

"Viktor Shklovsky's 1925 book Theory of Prose might have become the most important work of literary criticism in the twentieth century had not two obstacles barred its way: the crackdown by the Soviet dictatorship on Shklovsky and other Russian Formalists in the 1930s, and the unavailability of an English translation. Now translated in its entirety for the first time, Theory of Prose not only anticipates structuralism and post-structuralism, but poses questions about the nature of fiction that are as provocative today as they were in the 1920s. Arguing that writers structure their material according to artistic principles rather than from attempts to imitate "reality," Shklovsky uses Cervantes, Tolstoi, Sterne, Dickens, Bely, and Rozanov to give us a new way of thinking about fiction and, in his most impassioned moments, about the world. Benjamin Sher's lucid translation will allow Shklovsky's Theory of Prose to fulfill its destiny as a major theoretical work of the twentieth century." from back cover.

THE FIRST IN A NEW BOOK THEMED COZY MYSTERY SERIES You won't be able to stop turning the pages of this small town mystery, which is: Perfect for fans of Ellery Adams and Lorna Barrett A riveting bookclub cozy mystery Full of quirky, Southern charm Not every murder is by the book... As Sugar Springs gears up for its all-class high school reunion, Mississippi bookstore owner Arlo Stanley prepares to launch her largest event: a book-signing with the town's legendary alum and bestselling author, Wally Harrison. That's when Wally is discovered dead outside of Arlo's front door and her best friend is questioned for the crime. When the elderly ladies of Arlo's Friday Night Book Club start to investigate, Arlo has no choice but to follow behind to keep them out of trouble. Yet with Wally's reputation, the suspect list only grows longer—his betrayed wife, his disgruntled assistant, even the local man who holds a grudge from a long-ago accident. Between running interference with the book club and otherwise keeping it all together, Arlo anxiously works to get Chloe out of jail. And amidst it all, her one-time boyfriend-turned-private-eye returns to town, just another distraction while she digs to uncover the truth around Wally's death and just what Sugar Springs secret could have led to his murder. If you love women's murder club books, Amy Lillard's cozy mysteries are just for you!

One morning legendary wit Dorothy Parker discovers someone under Manhattan's famed Algonquin Round Table. A little early for a passed out drunk, isn't it? But he's not dead drunk, just dead. When a charming writer from Mississippi named Billy Faulkner becomes a suspect in the murder, Dorothy decides to dabble in a little detective work, enlisting her literary cohorts. It's up to the Algonquins to outwit the true culprit-preferably before cocktail hour-and before the clever killer turns the tables on them.

"A Lake Winnipesaukee fishing excursion turns deadly - then Angie discovers becoming a murder suspect is only the beginning of her troubles." --From publisher's description.

A young woman has a new position - but will she listen to the voice warning her not to cross the threshold of that sinister house... Classic crime from one of the greats of the Detection Club Nora Deane, a young nurse, has been instructed to report to 12 Askew Avenue, Charlbury, to look after a new patient. As she steps from the station into an impenetrable blanket of fog, she is glad to accept the escort of a mysterious young man to the address. Once alone in the darkness, she presses the bell and waits. She shivers. She wants to be inside, out of the dangers of the dark. Yet some inner voice persistently warns her not to cross the threshold of that sinister house . . .

Nail-biting suspense, spectacular thrills, plus an entire evening of unbridled laughter are all combined in Mr. Parish's new one-set comedy triumph. When domineering Juliet Brighton suddenly decides to have their town house done over and informs her meek, mild-mannered husband, Boniface, they will open their summer home to escape the mess made by the workmen, Boniface rebels, but, as usual, he has to give in to Juliet. The latter sends their charming young daughter, Wendy, on ahead to open up the house. But when Mr. and Mrs. Brighton get off the train in the country Wendy is not there to meet them. They go on to their summer home and wait for Wendy. When she does arrive she is brought in by a stranger--Verne Early. He claims he found her in front of a house up the road and that she was unconscious. When Wendy comes to she is very evasive about what happened. The Brightons settle down in their country place and that is when baffling and mysterious things begin to happen. Loud, mocking luughter is heard coming from upstairs when there isn't supposed to be anybody up there. A woman's body is discovered sitting in a high-backed chair in the living room. She has been murdered! Suddenly the lights go out and when they flash on again the dead woman's body has disappeared! Is Verne Early the head of a band of crooks? Why did Wendy Brighton draw a large sum of money from the bank without telling her parents? Who kidnapped Boniface and will he ever be seen alive again? All these questions make for a high-powered evening of spine-tingling thrills! Hundreds of laughs!

The streets of Stoneham, New Hampsire are lined with bookstores...and paved with murder. When she moved to Stoneham, city slicker Tricia Miles met nothing but friendly faces. And when she opened her mystery bookstore, she met friendly competition. But when she finds Doris Gleason dead in her own cookbook store, killed by a carving knife, the atmosphere seems more cutthroat than cordial. Someone wanted to get their hands on the rare cookbook that Doris had recently purchased-and the locals think that someone is Tricia. To clear her name, Tricia will have to take a page out of one of her own mysteries-and hunt down someone who isn't killing by the book.

How do you catch a killer in a small town where seemingly everyone has a motive to kill or to protect the killer(s)? . . . As a youngster, Demetrius Clarke spent joyous summers in the small, quiet village of Tolland, Connecticut. Now a somewhat disillusioned Los Angeles mystery writer, Clarke returns to Tolland to evaluate his life and his future. His arrival in the place he loves and cherishes coincides with the discovery that the community’s most reviled resident, Ike Karas—a brash, arrogant, wealthy New Yorker whose values are entirely at odds with those of the village—has been murdered. Tolland’s only law enforcement officer, Billy Williamson, is a rookie Connecticut State Trooper. Bright, eager, and admittedly inexperienced, Williamson is determined to solve the crime even as he is intimidated by the gravity of the assignment. When the small town’s grapevine alerts Williamson to the presence of a writer who specializes in mysteries, the young officer implores Clarke to assist him. Reluctantly, Clarke agrees, and the two men embark on an investigation in the face of a significant challenge: most of the village’s residents are content to be rid of the victim and more than a few believe that Karas got exactly what he deserved. Will they catch the killer(s) and return Tolland to bliss? Read and find out. “A murder in a perfect Connecticut small town. An upright citizenry that doesn’t seem to care. The appearance of a stranger. These are the seeds of David Hamlin’s most captivating mystery novel yet. Cozy up and let it work its way into you. Have a muffin." —Pulitzer Prize and Emmy winner Ron Powers, author of Flags of Our Fathers, Mark Twain, and Nobody Cares About Crazy People “In his splendidly-written mystery, David Hamlin not only kills off ‘the village SOB’ but casts half the village’s residents under suspicion.” —Jack Shakely, award-winning author of The Confederate War Bonnet