Doña Flor is a giant woman who lives in a puebla with lots of families. She loves her neighbors–she lets the children use her flowers for trumpets, and the families use her leftover tortillas for rafts. So when a huge puma is terrifying the village, of course Flor is the one to investigate. Featuring Spanish words and phrases throughout, as well as a glossary, Pat Mora’s story, along with Raúl Colón’s glorious artwork, makes this a treat for any reader, tall or small. Award-winning author Pat Mora’s previous book with Raúl Colón, Tomás and the Library Lady, received the Tomás Rivera Mexican American Children’s Book Award, an IRA Teacher’s Choice Award, a Skipping Stones Award, and was also named a Texas Bluebonnet Award Master List title and an Americas Award for Children’s and Young Adult Literature commended title. She lives in Santa Fe, New Mexico.

Dona Flor's husband may have been a gambler and womanizer, but when he dies all she remembers is his lovemaking. A new marriage does not bring the erotic love she longs for. So when her first husband appears naked at the foot of her bed, eager to reclaim his conjugal rights, it is hard to resist.

Banished for promiscuity, Tieta returns to the seaside village of Agreste after twenty-six years. Thinking she is now a rich, respectable widow, her mercenary family welcomes her with open arms. But Tieta is forced to reveal her true identity in order to save the town's beautiful beaches from ugly development. For the only way she can stop the factory is to call upon her close connections in Sao Paulo's highest political and financial circles--as only the Madam of the city's ritziest bordello can.

Grandma Lupita tells her granddaughter Rose and Rose's friend, Terry, the story about Our Lady of Guadalupe and the miracle that occurred near Mexico City in 1531. Includes facts about the event and its influence.

It surprises no one that the charming but wayward Vadinho dos Guimaraes–a gambler notorious for never winning—dies during Carnival. His long suffering widow Dona Flor devotes herself to her cooking school and her friends, who urge her to remarry. She is soon drawn to a kind pharmacist who is everything Vadinho was not, and is altogether happy to marry him. But after her wedding she finds herself dreaming about her first husband’s amorous attentions; and one evening Vadinho himself appears by her bed, as lusty as ever, to claim his marital rights.

This important collection showcases the most sensitive short fiction on the subject of the girl child by some of India's finest writers. The stories cut across social, economic and regional divides to reveal what life is like for a girl growing up in India. And they raise a crucial question: will our society ever rise above its innate hypocrisies and change the way it regards its women? To read these stories is to feel pain, bewilderment, outrage, compassion and a sudden surge of hope at finding love and tenderness where one least expects it.

In Domestic Economies, Susanna Rosenbaum examines how two groups of women—Mexican and Central American domestic workers and the predominantly white, middle-class women who employ them—seek to achieve the "American Dream." By juxtaposing their understandings and experiences, she illustrates how immigrant and native-born women strive to reach that ideal, how each group is indispensable to the other's quest, and what a vital role reproductive labor plays in this pursuit. Through in-depth ethnographic research with these women at work, at home, and in the urban spaces of Los Angeles, Rosenbaum positions domestic service as an intimate relationship that reveals two versions of female personhood. Throughout, Rosenbaum underscores the extent to which the ideology of the American Dream is racialized and gendered, exposing how the struggle for personal worth and social recognition is shaped at the intersection of motherhood and paid employment.

Analyzing the thematic and formal characteristics of six contemporary Brazilian novels, this study explores the use of myth and its ideological implications. The writers examined are Maria Alice Barroso, Clarice Lispector, Jorge Amado, Carlos Heitor Cony, Adonias Filho, and Autran Dourado.