That the writings of John Milton continue to provoke study and analysis centuries after his lifetime speaks no doubt to his literary greatness but also to the many ways in which his art both engaged and transcended the political and theological tensions of his age. In Dominion Undeserved, Eric B. Song offers a brilliant reading of Milton's major writings, finding in them a fundamental impasse that explains their creative power. According to Song, a divided view of creation governs Milton's related systems of cosmology, theology, art, and history. For Milton, any coherent entity-a nation, a poem, or even the new world-must be carved out of and guarded against an original unruliness. Despite being sanctioned by God, however, this agonistic mode of creation proves ineffective because it continues to manifest internal rifts that it can never fully overcome. This dilemma is especially pronounced in Milton's later writings, including Paradise Lost, where all forms of creativity must strive against the fact that chaos precedes order and that disruptive forces will continue to reemerge, seemingly without end. Song explores the many ways in which Milton transforms an intractable problem into the grounds for incisive commentary and politically charged artistry. This argument brings into focus topics ranging from Milton's recurring allusions to the Eastern Tartars, the way Milton engages with country house poetry and colonialist discourses in Paradise Lost, and the lasting relevance of Anglo-Irish affairs for his late writings. Song concludes with a new reading of Paradise Regained and Samson Agonistes in which he shows how Milton's integration of conflicting elements forms the heart of his literary archive and confers urgency upon his message even as it reaches its future readers.

In England, the late seventeenth century was a period of major crises in science, politics, and economics. Confronted by a public that seemed to be sunk in barbarism and violence, English writers including John Milton, John Dryden, and Aphra Behn imagined serious literature as an instrument for change. In Lines of Equity, Elliott Visconsi reveals how these writers fictionalized the original utterance of laws, the foundation of states, and the many vivid contemporary transitions from archaic savagery to civil modernity. In doing so, they considered the nature of government, the extent of the rule of law, and the duties of sovereign and subject. They asked their audience to think like kings and judges: through the literary education of the individual conscience, the barbarous tendencies of the English people might be effectively banished. Visconsi calls this fictionalizing program "imaginative originalism," and demonstrates the often unintended consequences of this literary enterprise. By inviting the English people to practice equity as a habit of thought, a work such as Milton's Paradise Lost helped bring into being a mode of individual conduct—the rights-bearing deliberative subject—at the heart of political liberalism. Visconsi offers an original view of this transitional moment that will appeal to anyone interested in the cultural history of law and citizenship, the idea of legal origins in the early modern period, and the literary history of later Stuart England.

A must-read for Christians struggling with the present political conversation Citizen helps Christians find our place in the politics of the world. In these pages, Bishop Andy Doyle offers a Christian virtue ethic grounded in fresh anthropology. He offers a vision of the individual Christian within the reign of God and the life of the broader community. He adds to the conversation in both church and culture by offering a renewed theological underpinning to the complex nature of Christianity in a post-modern world. How did we get here? Is this the way it has to be? Are there implications for conversations about politics within the church? Doyle contends that our current debates are not about one partisan narrative winning, but communities of diversity being unified by a relationship with God's grand narrative. Crafting a deep theological conversation with a unified approach to the Old and New Testament, Citizen asks, what does it truly mean to live in community?

Contemporary African-American Fiction, Volume 1 is a collection of scholarly essays and recent reviews of the best of contemporary African-American literary fiction, including the following titles: A Mercy by Toni Morrison The Underground Railroad by Colson Whitehead The Mothers by Brit Bennett Homegoing by Yaa Gyasi Sing, Unburied, Sing by Jesmyn Ward.

This collection of selected writings represents the best of recent critical work on Milton. The essays cover all stages of his career, from the early poems through to the later poems of the Restoration period, especially Paradise Lost. Professor Patterson includes British and American critics such as Michael Wilding, Victoria Kahn, James Grantham Turner and Mary Ann Radzinowicz and guides the reader through the varied ways Milton's achievement has been explored and debated by modern criticism.

Historians and literary critics offer a comprehensive thematic assessment of Milton's political and literary career.