This book is a gentle introduction to dominance-based query processing techniques and their applications. The book aims to present fundamental as well as some advanced issues in the area in a precise, but easy-to-follow, manner. Dominance is an intuitive concept that can be used in many different ways in diverse application domains. The concept of dominance is based on the values of the attributes of each object. An object dominates another object if is better than . This goodness criterion may differ from one user to another. However, all decisions boil down to the minimization or maximization of attribute values. In this book, we will explore algorithms and applications related to dominance-based query processing. The concept of dominance has a long history in finance and multi-criteria optimization. However, the introduction of the concept to the database community in 2001 inspired many researchers to contribute to the area. Therefore, many algorithmic techniques have been proposed for the efficient processing of dominance-based queries, such as skyline queries, -dominant queries, and top- dominating queries, just to name a few.

Director and producer Tim Burton impresses audiences with stunning visuals, sinister fantasy worlds, and characters whose personalities are strange and yet familiar. Drawing inspiration from sources as varied as Lewis Carroll, Salvador Dalí, Washington Irving, and Dr. Seuss, Burton's creations frequently elicit both alarm and wonder. Whether crafting an offbeat animated feature, a box-office hit, a collection of short fiction, or an art exhibition, Burton pushes the envelope, and he has emerged as a powerful force in contemporary popular culture. In The Philosophy of Tim Burton, a distinguished group of scholars examines the philosophical underpinnings and significance of the director's oeuvre, investigating films such as Batman (1989), Edward Scissorhands (1990), The Nightmare before Christmas (1993), Sleepy Hollow (1999), Big Fish (2003), Sweeney Todd (2007), Alice in Wonderland (2010), and Dark Shadows (2012). The essays in this volume explore Burton's distinctive style, often disturbing content, and popular appeal through three thematic lenses: identity, views on authority, and aesthetic vision. Covering topics ranging from Burton's fascination with Victorian ideals, to his celebration of childhood, to his personal expression of the fantastic, the contributors highlight the filmmaker's peculiar narrative style and his use of unreal settings to prompt heightened awareness of the world we inhabit. The Philosophy of Tim Burton offers a penetrating and provocative look at one of Hollywood's most influential auteurs.

This collection of essays reflects the proceedings of a 1991 conference on "The United States Air Force: Aerospace Challenges and Missions in the 1990s," sponsored by the USAF and Tufts University. The 20 contributors comment on the pivotal role of airpower in the war with Iraq and address issues and choices facing the USAF, such as the factors that are reshaping strategies and missions, the future role and structure of airpower as an element of US power projection, and the aerospace industry's views on what the Air Force of the future will set as its acquisition priorities and strategies. The authors agree that aerospace forces will be an essential and formidable tool in US security policies into the next century. The contributors include academics, high-level military leaders, government officials, journalists, and top executives from aerospace and defense contractors.

Airpower is not widely understood. Even though it has come to play an increasingly important role in both peace and war, the basic concepts that define and govern airpower remain obscure to many people, even to professional military officers. This fact is largely due to fundamental differences of opinion as to whether or not the aircraft has altered the strategies of war or merely its tactics. If the former, then one can see airpower as a revolutionary leap along the continuum of war; but if the latter, then airpower is simply another weapon that joins the arsenal along with the rifle, machine gun, tank, submarine, and radio. This book implicitly assumes that airpower has brought about a revolution in war. It has altered virtually all aspects of war: how it is fought, by whom, against whom, and with what weapons. Flowing from those factors have been changes in training, organization, administration, command and control, and doctrine. War has been fundamentally transformed by the advent of the airplane.

Did the impact of air power in the Gulf War mark a revolution in warfare? Is air power impotent in politically fractured scenarios such as Bosnia? Does air power need to break free from habits and concepts induced by 40 years of superpower confrontation? How does air power impinge upon new security structures in Europe and the Middle East? Can air power any longer have the same meaning in Washington, Moscow, Stockholm or Copenhagen? How can air power contribute, and with what implications, to international peacekeeping and peace enforcing? How can the complexities of air power be contained within arms control and confidence-building regimes? What support can air power offer to international diplomacy?

One of the first analyses of the pure art of planning the aerial dimensions of war. Explores the complicated connection between air superiority and victory in war. Focuses on the use of air forces at the operational level in a theater of war. Presents fascinating historical examples, stressing that the mastery of operational-level strategy can be the key to winning future wars. 20 photos. Bibliography.