Domenico Corris Treatises On Singing
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Author |
: Domenico Corri |
Publisher |
: Taylor & Francis |
Total Pages |
: 416 |
Release |
: 1995-03 |
ISBN-10 |
: 0815308450 |
ISBN-13 |
: 9780815308454 |
Rating |
: 4/5 (50 Downloads) |
Synopsis The Musical Sources for Domenico Corri's by : Domenico Corri
First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
Author |
: Domenico Corri |
Publisher |
: Taylor & Francis |
Total Pages |
: 428 |
Release |
: 1993 |
ISBN-10 |
: 0815306792 |
ISBN-13 |
: 9780815306795 |
Rating |
: 4/5 (92 Downloads) |
Synopsis Domenico Corri's Treatises on Singing: Domenico Corri's A select collection of the most admired songs, duetts, &c., volumes 1-3 by : Domenico Corri
First Published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.
Author |
: |
Publisher |
: |
Total Pages |
: |
Release |
: |
ISBN-10 |
: OCLC:643420203 |
ISBN-13 |
: |
Rating |
: 4/5 (03 Downloads) |
Synopsis Domenico Corri's treatises on singing by :
Author |
: Domenico 1746-1825 Corri |
Publisher |
: Legare Street Press |
Total Pages |
: 98 |
Release |
: 2021-09-09 |
ISBN-10 |
: 1013530551 |
ISBN-13 |
: 9781013530555 |
Rating |
: 4/5 (51 Downloads) |
Synopsis The Singers Preceptor, Or Corri's Treatise on Vocal Music. This Treatise is Expressly Calculated to Teach the Art of Singing and Consists of Establishing Proper Rules .. by : Domenico 1746-1825 Corri
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author |
: Domenico Corri |
Publisher |
: |
Total Pages |
: |
Release |
: 1810 |
ISBN-10 |
: OCLC:1181445547 |
ISBN-13 |
: |
Rating |
: 4/5 (47 Downloads) |
Synopsis The Singer's Preceptor, Or Corri's Treatise on Vocal Music... Expressly Calculated to Teach the Art of Singing... by : Domenico Corri
Author |
: Domenico Corri |
Publisher |
: |
Total Pages |
: 212 |
Release |
: 1810 |
ISBN-10 |
: UOM:39015009702054 |
ISBN-13 |
: |
Rating |
: 4/5 (54 Downloads) |
Synopsis The singers preceptor; or Corri's treatise on vocal music by : Domenico Corri
Author |
: Domenico Corri |
Publisher |
: |
Total Pages |
: |
Release |
: 1810 |
ISBN-10 |
: OCLC:55582613 |
ISBN-13 |
: |
Rating |
: 4/5 (13 Downloads) |
Synopsis The Singer's Preceptor, Or Corri's Treatise on Vocal Music ... Expressly Calculated to Teach the Art of Singing ... [With] Memoirs of the Author's Professional Life by : Domenico Corri
Author |
: Luigi Parisotti |
Publisher |
: |
Total Pages |
: 192 |
Release |
: 1911 |
ISBN-10 |
: UCI:31970004383425 |
ISBN-13 |
: |
Rating |
: 4/5 (25 Downloads) |
Synopsis A Treatise on Speaking and Singing According to the Principles of the Old Italian School by : Luigi Parisotti
Author |
: Giacomo Gotifredo Ferrari |
Publisher |
: |
Total Pages |
: 34 |
Release |
: 1818 |
ISBN-10 |
: BL:A0024918893 |
ISBN-13 |
: |
Rating |
: 4/5 (93 Downloads) |
Synopsis A concise treatise on Italian singing. [The English version by William Shield.] by : Giacomo Gotifredo Ferrari
Author |
: Gianmario Borio |
Publisher |
: Routledge |
Total Pages |
: 389 |
Release |
: 2017-12-14 |
ISBN-10 |
: 9781315406367 |
ISBN-13 |
: 1315406365 |
Rating |
: 4/5 (67 Downloads) |
Synopsis Musical Improvisation and Open Forms in the Age of Beethoven by : Gianmario Borio
Improvisation was a crucial aspect of musical life in Europe from the late eighteenth century through to the middle of the nineteenth, representing a central moment in both public occasions and the private lives of many artists. Composers dedicated themselves to this practice at length while formulating the musical ideas later found at the core of their published works; improvisation was thus closely linked to composition itself. The full extent of this relation can be inferred from both private documents and reviews of concerts featuring improvisations, while these texts also inform us that composers quite often performed in public as both improvisers and interpreters of pieces written by themselves or others. Improvisations presented in concert were distinguished by a remarkable degree of structural organisation and complexity, demonstrating performers’ consolidated abilities in composition as well as their familiarity with the rules for improvising outlined by theoreticians.