The identification of God with beauty is one of the most aesthetically rich notions within Christian thought. To avoid a theological account of beauty becoming a mere projection of our wildest desires, it must be reined in by dogmatics. This book employs the thought of Robert W Jenson to construct a dogmatic aesthetics.

Katya Mandoki advances in this book the thesis that it is not only possible but crucial to open up the field of aesthetics (traditionally confined to the study of art and beauty) toward the richness and complexity of everyday life. She argues that in every process of communication, whether face to face or through the media, fashion, and political propaganda, there is always an excess beyond the informative and functional value of a message. This excess is the aesthetic. Following Huizinga's view of play as an ingredient of any social environment, Mandoki explores how various cultural practices are in fact forms of playing since, for the author, aesthetics and play are Siamese twins. One of the unique contributions of this book is the elaboration and application of a semiotic model for the simultaneous analysis of social interactions in the four registers, namely visual, auditory, verbal and body language, to detect the aesthetic strategies deployed in specific situations. She argues that since the presentation of the self is targeted towards participants' sensibilities, aesthetics plays a key role in these modes of exchange. Consequently, the author updates important debates in this field to clear the way for a socio-aesthetic inquiry through contexts such as the family, school, medical, artistic or religious traditions from which social identities emerge.

Situating Duchamp firmly within the literature & philosophy of his time, Herbert Molderings recaptures the spirit of a frequently misread artist & his aesthetic of chance.

The Freedom of God wrangles with the unfolding legacy of Christian theologian Robert Jenson and presents the first in-depth study of his teaching on the Holy Spirit. It is a specialist monograph that will entice those with interest in academic theology, systematics, and twentieth- and twenty-first-century Christian thought, especially the post-Barthian historicist electionism and the post-Rahnerian immanent and economic trinitarian project conversations. Devoted readers of the works of Robert Jenson, scholars of pneumatology, third-article theology, or pentecostal/renewal movements, practitioners of liberation theology, and supporters of ecumenical theology will all be particularly gripped by the analysis developed in this work. As a text, the Freedom of God could find a home in graduate seminars, seminary classrooms, and in classes for advanced undergraduates for those studying Jenson as a way into systematic theology and contemporary Christian thought or in any thematic/doctrinal courses on the Holy Spirit or the Trinity.

This volume introduces the problem of dogmatism broadly, explores the nature and nuances of dogmatic thinking from various disciplinary perspectives, and applies the gleaned insights to what is known about creativity and the education of creative young minds.

A journal of philosophy covering epistemology, metaphysics, philosophy of language, philosophy of logic, and philosophy of mind.

Can Christian theology overcome its long-standing supersessionism without diluting its Trinitarian faith? Can Christian faith remain genuinely Christian when it fails to recognize the covenantal significance of the Jews? In his later career, leading Trinitarian theologian Robert Jenson's theology moves in a post-supersessionistic direction. That said, the conceptual nexus between his Trinitarian theology and his post-supersessionism is not always patent on the surface of his texts. In this book, Lee traces the post-supersessionistic development of Jenson's Trinitarian theology and uncovers the reasons why Jenson's Trinitarian theology sets out to embrace the existence of the Jews. This book seeks to show that Jenson's revisionary--historicized, "carnalized," hermeneutical, and eschatological--Trinitarian ontology allows for genuine confession of the eternal triune God as the God of Israel, and that it thereby lays a firm basis for a properly Christian post-supersessionism.

The main themes and aims of this book are understanding aesthetics, contemporary art and the end of the avant-garde not from the traditional viewpoint of the metaphysics of the beautiful and the sublime but rather thru close connection to the techno-genesis of virtual worlds. This book tackles problems in contemporary art theory such as the body in space and time of digital technologies, along with other issues in visual studies and image science. Further intentions exhibit the fundamental reasons for the disappearance of the picture in the era of virtual reality starting from the notion of contemporary art as realized iconoclasm; art has no world for its "image". The author argues that the iconoclasm of contemporary art has severe consequences. This text appeals to philosophers of art and those interested in contemporary art theory.

Christianity has repeatedly valued the "Word" over and above the non-verbal arts. Art has been seen through the interpretative lens of theology, rather than being valued for what it can bring to the discipline. 'Explorations in Art, Theology and Imagination' argues that art is crucially important to theology. The book explores the interconnecting themes of embodiment and incarnation, faith and imagination, and the similarities and differences between art and theology. Arguing for a critique that begins with art and moves to theology, 'Explorations in Art, Theology and Imagination' offers a radical re-evaluation of the role of art in Christian discourse.