A little boy is upset by the loss of his favorite stuffed dog.

A seasonal sequel to one of our most beloved children's books, voted the public's favourite Kate Greenaway medal-winner "Shirley Hughes is a national treasure" Philip Pullman Over 40 years after Dogger was published, comes this magical follow-up: Dogger's Christmas. It's that special time of year: Christmas. The time of carol-singing, tree-decorating, and of course lots of presents. But in the excitement of new toys, will Dave forget about his old friend, Dogger? The very special story of one boy and his beloved toy - who always manages to be found... Praise for Dogger: "This is Hughes' most heartwarming picture book . . . Hughes has a kindly, inexhaustible eye - she misses nothing" Observer

An old dog has to welcome a new puppy to the household, in this chapter book by #1 New York Times bestselling author Katherine Applegate. Doggo is used to things being a certain way in his family. He likes routine. Cat says he’s become boring. That is, until Pupper shows up! Pupper is playful and messy, and turns the house upside down. Soon, the humans realize that Pupper needs some training, and off he goes to puppy school. When Pupper comes back, he’s well-behaved. He’s not playful. He’s not messy. But Doggo soon realizes that Pupper also isn’t happy. So Doggo steps in to help, and rediscovers what it means to have fun. Doggo and Pupper launches a delightful new series by beloved author Katherine Applegate, featuring illustrations by Charlie Alder.

Grumpy Frog is not grumpy. He loves green, and he loves to hop, and he loves winning. But what happens when Grumpy Frog doesn't win, or encounters - horror of horrors - a Pink Rabbit? Join Grumpy Frog as he learns about compromise and tolerance, friendship and the power of saying sorry. A hilarious book with a twist in the tail about getting - and getting rid of - the grumps from New York Times best-selling author, Ed Vere.

The definitive study of one of the pivotal naval battles of the Great War. On January 24, 1915, a German naval force commanded by Admiral Franz von Hipper conducted a raid on British fishing fleets in the area of the Dogger Banks. The force was engaged by a British force, which had been alerted by a decoded radio intercept. The ensuing battle would prove to be the largest and longest surface engagement until the Battle of Jutland the following summer. While the Germans lost an armored cruiser with heavy loss of life and Hipper’s flagship was almost sunk, confusion in executing orders allowed the Germans to escape. The British considered the battle a victory; but the Germans had learned important lessons and they would be better prepared for the next encounter with the British fleet at Jutand. Tobias Philbin’s Battle of Dogger Bank provides a keen analytical description of the battle and its place in the naval history of World War I. “Tobias Philbin has written a very entertaining and informative book on the Battle of Dogger Bank. It will be enjoyed by a wide audience including naval historians, strategists, and those interested in how broader long-term decision-making determines the manner in which battles are fought, won and lost.” —The International Journal of Maritime History “The author’s research in British and German archives and knowledge of secondary sources produces a significant work on the war at sea.” —Stand-To “An interesting and stimulating book that is a useful contribution to the history of the First World War in the North Sea.” —The Mariner’s Mirror

A history of the early 1900s southern-born, white filmmaker and the silent films he created for black audiences. In the early 1900s, so-called race filmmakers set out to produce black-oriented pictures to counteract the racist caricatures that had dominated cinema from its inception. Richard E. Norman, a southern-born white filmmaker, was one such pioneer. From humble beginnings as a roving “home talent” filmmaker, recreating photoplays that starred local citizens, Norman would go on to produce high-quality feature-length race pictures. Together with his better-known contemporaries Oscar Micheaux and Noble and George Johnson, Richard E. Norman helped to define early race filmmaking. Making use of unique archival resources, including Norman’s personal and professional correspondence, detailed distribution records, and newly discovered original shooting scripts, this book offers a vibrant portrait of race in early cinema. “Grounded in impressive archival research, Barbara Lupack’s book offers a long overdue history of Richard E. Norman and the filmmaking company he established early in the twentieth century. Lupack’s ability to describe Norman’s films—and the work that went into their production—reanimates them for readers and stresses their role in shaping early African American cinematic representation.” —Paula Massood, author of Making a Promised Land: Harlem in 20th-Century Photography and Film “Thoroughly researched and crisply written . . . The first book-length work on Norman, Lupack’s monograph clearly delineates the Norman Company’s importance . . . [Richard E. Norman and Race Filmmaking’s] most profound contribution lies, perhaps, in how it illuminates the fraught economics of race filmmaking.” —Journal of American History “Lupack’s book provides a wealth of archival information about this vibrant moment in film history . . . [This] is a solid contribution to regional film studies and race film business practice, and will appeal to scholars, students, and film-buffs alike.” —Black Camera

"The world's greatest adolescent British chemist/busybody/sleuth" (The Seattle Times), Flavia de Luce, returns in a twisty new mystery novel from award-winning and New York Times bestselling author Alan Bradley. In the wake of an unthinkable family tragedy, twelve-year-old Flavia de Luce is struggling to fill her empty days. For a needed escape, Dogger, the loyal family servant, suggests a boating trip for Flavia and her two older sisters. As their punt drifts past the church where a notorious vicar had recently dispatched three of his female parishioners by spiking their communion wine with cyanide, Flavia, an expert chemist with a passion for poisons, is ecstatic. Suddenly something grazes against her fingers as she dangles them in the water. She clamps down on the object, imagining herself as Ernest Hemingway battling a marlin, and pulls up what she expects will be a giant fish. But in Flavia's grip is something far better: a human head, attached to a human body. If anything could take Flavia's mind off sorrow, it is solving a murder—although one that may lead the young sleuth to an early grave.

NEW YORK TIMES BESTSELLER • A finger in a wedding cake is only the beginning in this deliciously shocking mystery featuring Flavia de Luce, “the world’s greatest adolescent British chemist/busybody/sleuth” (The Seattle Times). Although it is autumn in the small English town of Bishop’s Lacey, the chapel is decked with exotic flowers. Yes, Flavia de Luce’s sister Ophelia is at last getting hitched, like a mule to a wagon. “A church is a wonderful place for a wedding,” muses Flavia, “surrounded as it is by the legions of the dead, whose listening bones bear silent witness to every promise made at the altar.” Flavia is not your normal twelve-year-old girl. An expert in the chemical nature of poisons, she has solved many mysteries, sharpening her considerable detection skills to the point where she had little choice but to turn professional. So Flavia and dependable Dogger, estate gardener and sounding board extraordinaire, set up shop at the once-grand mansion of Buckshaw, eager to serve—not so simple an endeavor with her odious little moon-faced cousin, Undine, constantly underfoot. But Flavia and Dogger persevere. Little does she know that their first case will be extremely close to home, beginning with an unwelcome discovery in Ophelia’s wedding cake: a human finger. Praise for The Golden Tresses of the Dead “Delightful . . . The mysteries in Mr. Bradley’s books are engaging, but the real lure is Ms. de Luce, the irreverent youngster.”—The Wall Street Journal “A ghoulish question is at the heart of Bradley’s excellent tenth Flavia de Luce novel. . . . Bradley, who has few peers at combining fair-play clueing with humor and has fun mocking genre conventions, shows no sign of running out of ideas.”—Publishers Weekly (starred review)