Dizzy is a Romanian street dog who was rescued and brought to the UK for a better life, a life which is very new and full of things she is initially very scared of. First she has to learn her name, and the routines, and then, bribed by sprats she begins to learn to trust and finally to play. It is a funny, sad and utterly bewildering tale of readjustment. She is supported, or not, by Candy the resident sable border collie who can be as confused and otherwise as she is; as one dog improves the other gets naughty, and vice versa. She has to come to terms with an apparently endless stream of friends and family who react to her in different ways, and cause her even more confusion. When Dizzy dies, her owner is inundated by sympathy letters which show what an impression she had made on the local community.

John Steinbeck wrote The Grapes of Wrath during an astonishing burst of activity between June and October of 1938. Throughout the time he was creating his greatest work, Steinbeck faithfully kept a journal revealing his arduous journey toward its completion. The journal, like the novel it chronicles, tells a tale of dramatic proportions—of dogged determination and inspiration, yet also of paranoia, self-doubt, and obstacles. It records in intimate detail the conception and genesis of The Grapes of Wrath and its huge though controversial success. It is a unique and penetrating portrait of an emblematic American writer creating an essential American masterpiece.

Before Jackie Robinson integrated major league baseball in 1947, black and white ballplayers had been playing against one another for decades—even, on rare occasions, playing with each other. Interracial contests took place during the off-season, when major leaguers and Negro Leaguers alike fattened their wallets by playing exhibitions in cities and towns across America. These barnstorming tours reached new heights, however, when Satchel Paige and other African- American stars took on white teams headlined by the irrepressible Dizzy Dean. Lippy and funny, a born showman, the native Arkansan saw no reason why he shouldn’t pitch against Negro Leaguers. Paige, who feared no one and chased a buck harder than any player alive, instantly recognized the box-office appeal of competing against Dizzy Dean’s "All-Stars." Paige and Dean both featured soaring leg kicks and loved to mimic each other’s style to amuse fans. Skin color aside, the dirt-poor Southern pitchers had much in common. Historian Timothy M. Gay has unearthed long-forgotten exhibitions where Paige and Dean dueled, and he tells the story of their pioneering escapades in this engaging book. Long before they ever heard of Robinson or Larry Doby, baseball fans from Brooklyn to Enid, Oklahoma, watched black and white players battle on the same diamond. With such Hall of Fame teammates as Josh Gibson, Turkey Stearnes, Mule Suttles, Oscar Charleston, Cool Papa Bell, and Bullet Joe Rogan, Paige often had the upper hand against Diz. After arm troubles sidelined Dean, a new pitching phenom, Bob Feller—Rapid Robert—assembled his own teams to face Paige and other blackballers. By the time Paige became Feller’s teammate on the Cleveland Indians in 1948, a rookie at age forty-two, Satch and Feller had barnstormed against each other for more than a decade. These often obscure contests helped hasten the end of Jim Crow baseball, paving the way for the game’s integration. Satchel Paige, Dizzy Dean, and Bob Feller never set out to make social history—but that’s precisely what happened. Tim Gay has brought this era to vivid and colorful life in a book that every baseball fan will embrace.

30th anniversary edition of an award-winning Aussie classic. The popular and award-winning stories FIVE TIMES DIZZY and DANCING IN THE ANZAC DELI are now combined in one book! Together they tell the tale of Mareka and the Wilson kids, who live in an ordinary inner-city neighbourhood but find themselves caught up in extraordinary adventures. What with the professor?s tricks, Yaya?s magic, the Haunted House and the mysterious Munga, it sometimes seems as if Smith Street is the most exciting place in Australia. Nadia Wheatley is one of Australia?s most acclaimed writers, particularly for her children?s and young adult fiction. FIVE TIMES DIZZY is the book that launched her extraordinary career.

"Historical documentation and perspectives on jazz music, the social and political music environment of the period of the 1960's in San Francisco told by local musicians with their stories and interviews"--Back cover.

The healthcare industry can be lucrative and dangerous. When a powerful and charismatic magnate employs unethical and harmful tactics to dominate the market, a young employee considers becoming a whistle blower to obtain justice. Opioids, murders, counterfeit drugs, assault, and kidnapping intimidate and threaten her resolve and her life. Will Detective Dahlia "Dizzy" Gillespie and her investigative team be able to thwart the Thief Executive Officer? Will a mysterious bodyguard protect the employee or will his interference merely increase the danger for her?

This book assembles lectures and essays on literature (William Wordsworth, Walter Benjamin, Chinese mountain poetry, Friedrich Nietzsche, the Tao Te Ching), art (Paleolithic cave art, Vincent Van Gogh, American landscape painting), and Japanese poetry forms (haiku, haibun, tanka) that were originally presented and published between 2000 and 2007. The essays identify strategies to counter the so-called postmodern condition. Matters of will, ethics, and consciousness are examined in comparative contexts with the aim of formulizing models of enlightened states of being and their aesthetic expressions. This study focuses on Wordsworth's rainbow epiphany; Walter Benjamin's «aura» and «monad»; Chinese mountain poetry's cosmic emptiness; Nietzsche's Hyperborean; Paleolithic cave art's transpersonal expression; Van Gogh's «dizzy heights» of natural beauty; American landscape painters' depiction of the sublime; haiku's absolute metaphor epiphany; and tanka's connection between natural beauty and erotic feeling. The collection is a re-examination of Ralph Waldo Emerson's «fundamental unity» between humanity and nature, as well as an examination of often-unmediated affective experience and its expression in this context through literature and art.

Dizzy preferred having her own space. That way she wasn't being told what she should do, which left her room for what she could do. Dizzy Woods loves to draw. But when her dreams take her into her pictures, her world is turned upside down, and inside out.

The Jazz Itineraries series, a new format based on Ken Vail's successful Jazz Diaries, charts the careers of famous jazz musicians, listing club and concert appearances with details of recording sessions and movie appearances. Copiously illustrated with contemporary photographs, newspaper extracts, record and performance reviews, ads and posters, the series provides fascinating insight into the lives of the greatest jazz musicians of our times. No.1 in the series, Dizzy Gillespie: The Bebop Years 1937?1952, chronicles Dizzy's life from his early struggles, through the birth of bebop, the demise of his first big band, up to his departure for France in 1952.

In the tradition of The Cookbook Collector comes a funny, romantic novel about a young woman finding her calling while saving a used bookstore. Maggie Duprv®s, recently "involuntarily separated from payroll" at a Silicon Valley startup, is whiling away her days in The Dragonfly's Used Books, a Mountain View institution, waiting for the Next Big Thing to come along. When the opportunity arises for her to network at a Bay Area book club, she jumps at the chance-even if it means having to read Lady Chatterley's Lover, a book she hasn't encountered since college, in an evening. But the edition she finds at the bookstore is no Penguin Classics Chatterley-it's an ancient hardcover with notes in the margins between two besotted lovers of long ago. What Maggie finds in her search for the lovers and their fate, and what she learns about herself in the process, will surprise and move readers. Witty and sharp-eyed in its treatment of tech world excesses, but with real warmth at its core, The Moment of Everything is a wonderful read.