~DIWAN~ Khwaja Shams-ud-din Mohammed Hafiz of ShirazRevised Translation & Introduction Paul SmithThis is a completely revised one volume edition of the only modern, poetic version of Hafiz's masterpiece of 791 ghazals, masnavis, ruba'is and other poems/songs. The spiritual and historical and human content is here in understandable, beautiful poetry: the correct rhyme-structure has been achieved, without intruding, in readable English. In the Introduction of 70 pages his wonderful life story is told in greater detail than anywhere else; his spirituality is explored, his influence on the life, poetry and art of the East and the West, the form and function of his poetry, and the use of his book as a worldly guide and spiritual oracle. His Diwan, like the I Ching, is one of the world's Great Oracles. Included are notes to most poems, glossary and selected bibliography and two indexes. First published in a limited two-volume limited edition in 1986 the book quickly went out of print. Large Format Edition 7" x 10" 653 pages.Goethe: "In his poetry Hafiz inscribed undeniable truth indelibly! He has no peer!"Gertrude Bell: "It is as if his mental Eye, endowed with wonderful acuteness of vision, had penetrated into those provinces of thought which we of a later age were destined to inhabit."Meher Baba: "There is no equal to Hafiz in poetry. He was a Perfect Master ... His Diwan is the best book in the world because it engenders feelings which ultimately lead to illumination."COMMENTS ON PAUL SMITH'S TRANSLATION OF HAFIZ'S 'DIVAN'."It is not a joke... the English version of ALL the ghazals of Hafiz is a great feat and of paramount importance. I am astonished.." Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran."Superb translations. 99% Hafiz 1% Paul Smith." Ali Akbar Shapurzman, translator of English to Persian and knower of Hafiz's Divan off by heart. "Smith has probably put together the greatest collection of literary facts and history concerning Hafiz." Daniel Ladinsky (Penguin Books author). Paul Smith is a poet, author and translator of many books of Sufi poets of Persian, Arabic, Urdu, Turkish and other languages including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Mu'in ud-din Chishti, Amir Khusrau, Nesimi, Kabir, Anvari, Ansari, Jami, Khayyam, Hallaj, Rudaki, Yunus Emre Ghalib, Iqbal, Makhfi, Lalla Ded, Abu Nuwas, Ibn al-Farid and many others, as well as his own poetry, fiction, plays, biographies, kids books, screenplays. www.newhumanitybooks.com

What is ‘creativity’? And what is ‘madness’? How far can we interpret an artist’s work through our knowledge of his or her mental state, and how far can we infer a mental state from a work of art? When does a work of art cease to be a personal statement by the artist and become a matter of public concern? The contributions to this book attempt to answer some of these questions. They come from a wide range of disciplines and experiences – a practising psychiatrist, a practising artist suffering from reactive depression, and critics working in literature, film, music and the visual arts. The essays include discussions of the ‘myth of creativity’, the music of Robert Schumann, the borders of sanity in the writing of Lawrence Durrell, the ‘insane truth’ of Virginia Woolf, the meeting of doctor and patient in the poetry of Anne Sexton, mood disorders in the fiction of David Foster Wallace, love and madness in the poetry of Hafiz of Shiraz, and the paintings of Adolf Wölfli. Central to this discussion of creativity, madness and civilisation is the difficulty of establishing an appropriate and effective vocabulary and mindset between critics and clinical psychiatrists, which would enable them to work together in understanding mental disturbance in creative artists.

Observations on the Mussulmauns of India is a book by Meer Hasan Ali, Mrs. It delves into the customs, habits and traditions of the Muslim residents of India.

Includes its Report, 1896-19 .

Islam in India: History, Politics and Society is based on the historical and contemporary relevance of the religion and its related culture(s) in India. Besides being a major religious doctrine, Islam has been the main political ideology for many dynasties in India such as Delhi Sultanate (1206-1451); the Illbaris Turks (also known as Mamluk 1206–90); Khiljis (1290–1320); Tughlaqs (1320–1414); Sayyids (1414–51), Afghans and the Mughal Empire. Islam played a pivotal role in shaping the polity and society during the period of each dynasty. This book argues that Islam in India ought to be seen not only as a political and religious ideology of the dynasties, but also as a significant force that shaped the cultural fabric of the country. Print edition not for sale in South Asia (India, Sri Lanka, Nepal, Bangladesh, Pakistan and Bhutan)

Better known by his nom de plume, Hafiz, Khwaja Shamsuddin Mohammad (1319-1389) is the most popular of the Persian poets; he acquired his surname from memorizing the Koran at an early age. A teacher of the Koran who associated with mystics, his lyrical poetry is acclaimed as the finest ever written in the Persian language.