Anger. Pain. Desolation.An orphan boy tries to forge his own destiny in order to seek the strength to avenge the deaths of his family, as he shatters the chains of servitude bond to him.On his eighth birthday, Calron awakened to the weakest known power in the world: the element of lightning. However, unlike the normal golden lightning of other cultivators, Calron's lightning was an azure-blue color.Hiding his powers from the world, Calron embarks on a journey in hopes of ascending to Godhood and takes his first step into a world of friendship, revenge, and bloodshed.

Step into a lost world from long ago... A world veiled in darkness after a cataclysmic collision that stilled the earth. Millennia have passed and only humankind has survived--through the divine gift of dreams. Exquisitely rich and magical, this new Rider-Waite-Smith-based tarot deck by digital artist Ciro Marchetti takes you into the heart of fantasy. You can use this legacy from ages past to discover what you need for your own life as it guides you toward hope, wisdom, and inspiration. The companion guidebook, Gateway to the Divine Tarot, presents the author's interpretation of each card's significance, along with additional perspectives from experts in the tarot community, including Ruth Ann and Wald Amberstone, James Ricklef, and Leisa ReFalo. Includes a 78-card deck and a 312-page book. Legacy of the Divine Tarot for iPhone Legacy of the Divine Tarot for iPad Larger signed prints of the individual cards and themed montages from the Legacy of the Divine deck are available from the artists web site. www.ciromarchetti.com Get the entire interactive experience: Watch the trailers below and visit the companion site at www.legacyofthedivinetarot.com. The Tower Card: http: //www.youtube.com/watch?v=QSBAe2u87Xc Empress Card: http: //www.youtube.com/watch?v=MoSTPd--Nik Wands IV: http: //www.youtube.com/watch?v=FX-cFCxPu2U Swords III: http: //www.youtube.com/watch?v=jok8LWU968o Swords IV: http: //www.youtube.com/watch?v=SgCBIljCbOk

As two of the children of Nico and Kit Sullivan, along with Mark and Casey English's, make up the new members of the A.N.G.E.L.s, their job is to gather their remaining teammates. In the process of acquiring the two members listed in the United States, they run across a situation that isn't on their agenda.

As femme fatale, cabaret siren, and icon of Camp, the Christopher Isherwood character Sally Bowles has become this century's darling of "divine decadence"--a measure of how much we are attracted by the fiction of the "shocking" British/American vamp in Weimar Berlin. Originally a character in a short story by Isherwood, published in 1939, "Sally" has appeared over the years in John Van Druten's stage play I Am a Camera, Henry Cornelius's film of the same name, and Joe Masteroff's stage musical and Bob Fosse's Academy Award-winning musical film, both entitled Cabaret. Linda Mizejewski shows how each successive repetition of the tale of the showgirl and the male writer/scholar has linked the young man's fascination with Sally more closely to the fascination of fascism. In every version, political difference is read as sexual difference, fascism is disavowed as secretly female or homosexual, and the hero eventually renounces both Sally and the corruption of the coming regime. Mizejewski argues, however, that the historical and political aspects of this story are too specific--and too frightening--to explain in purely psychoanalytic terms. Instead, Divine Decadence examines how each text engages particular cultural issues and anxieties of its era, from postwar "Momism" to the Vietnam War. Sally Bowles as the symbol of "wild Weimar" or Nazi eroticism represents "history" from within the grid of many other controversial discourses, including changing theories of fascism, the story of Camp, vicissitudes of male homosexual representations and discourses, and the relationships of these issues to images of female sexuality. To Mizejewski, the Sally Bowles adaptations end up duplicating the fascist politics they strain to condemn, reproducing the homophobia, misogyny, fascination for spectacle, and emphasis of sexual difference that characterized German fascism. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

USA Today Bestseller Learn how to work your way through life’s unexpected challenges with grace and find a deeper faith while on your journey. In this biblical and conversational book by Dr. Tony Evans and his four adult children—Chrystal Evans Hurst, Priscilla Shirer, Anthony Evans, and Jonathan Evans—you will hear five insightful perspectives on what it means to hold on to faith when life breaks your heart. We have all been through difficult seasons and times in life when it seems like the hits keep coming and you can barely catch your breath. The Evans family knows what this is like, as they’ve experienced the deep grief of losing eight loved ones in less than two years’ time, including the devastating passing of Lois Evans, the matriarch of the family. In Divine Disruption, Dr. Tony Evans and his children pull back the curtain on their faith-shaking experiences, in order to provide biblical wisdom and practical encouragement for how to deal with the hard, unexpected things we all inevitably face. You’ll walk away with insights on: Why bad things happen despite a good and powerful God Persevering in difficult times and experiencing God’s peace What causes distress in your life—and how to move past it How to keep your faith from being damaged during tough times Join the Evans Family in this unique Kingdom Legacy partnership as they candidly share honest questions they’ve asked, raw emotions they’ve felt, and solutions they’ve learned. Your life may have been interrupted, but you can use that to grow closer to God—and find peace.

Children from the Sullivan and English families form the new A.N.G.E.L.s Unit. After finding two American members, they run across a situation that isn't on their agenda. They also find some unique help along the way, and learn valuable lessons that will change how they function from that point forward.

Dante Alighieri’s long poem The Divine Comedy has been one of the foundational texts of European literature for over 700 years. Yet many mysteries still remain about the symbolism of this richly layered literary work, which has been interpreted in many different ways over the centuries. The Unexpected Dante brings together five leading scholars who offer fresh perspectives on the meanings and reception of The Divine Comedy. Some investigate Dante’s intentions by exploring the poem’s esoteric allusions to topics ranging from musical instruments to Roman law. Others examine the poem’s long afterlife and reception in the United States, with chapters showcasing new discoveries about Nicolaus de Laurentii’s 1481 edition of Commedia and the creative contemporary adaptations that have relocated Dante’s visions of heaven and hell to urban American settings. This study also includes a guide that showcases selected treasures from the extensive Dante collections at the Library of Congress, illustrating the depth and variety of The Divine Comedy’s global influence. The Unexpected Dante is thus a boon to both Dante scholars and aficionados of this literary masterpiece. Published by Bucknell University Press in association with the Library of Congress. Distributed worldwide by Rutgers University Press.

"The main thesis posits that the operational existence of Black-on-Black violence in the U.S. is psychologically and economically mandated by a white-dominated status quo. The criminalization of the Black American male is a psycho-politically engineered process designed to maintain the dependency and relative powerlessness of the African -American and Pan-African communities. It moves far beyond blaming the offending party toward an exposure of the psycho-social and intra-psychical dynamics of black-on-black criminality. Wilson contends that though this violence is orchestrated by white America's need to maintain its oppressive domination of black America, its ending is the primary responsibility of blacks here and abroad"--