An Ethic of Innocence examines representations of women in American and British fin-de-siècle and modern literature who seem "not to know" things. These naïve fools, Pollyannaish dupes, obedient traditionalists, or regressive anti-feminists have been dismissed by critics as conservative, backward, and out of sync with, even threatening to, modern feminist goals. Grounded in the late nineteenth century's changing political and generic representations of women, this book provides a novel interpretative framework for reconsidering the epistemic claims of these women. Kristen L. Renzi analyzes characters from works by Henry James, Frank Norris, Ann Petry, Rebecca West, Edith Wharton, Virginia Woolf, and others, to argue that these feminine figures who choose not to know actually represent and model crucial pragmatic strategies by which modern and contemporary subjects navigate, survive, and even oppose gender oppression.

How has domestic life been reorganised to accommodate the new U.S. imperial ambitions? What are the consequences of empire for the people living here "at home"? This new collection of essays answers these questions by exploring the cultural, political, and economic shifts that are now under way in the United States. Encouraging a radical rethinking of what the country is today, this book highlights the connection of U.S. imperial strategies to the production of insecurity, uncertainty, and deepening inequality at home. Rethinking America also explores the instabilities and contradictions of the new imperialism from the unique vantage point of the newly emerging U.S. "homeland." Comprised of work from leading figures in the field of U.S. ethnography, this book is essential reading for anyone interested in understanding the changes taking place in the United States in the early years of the twenty-first century.

Jean Genet (1910–1986) resonates, perhaps more than any other canonical queer figure from the pre-Stonewall past, with contemporary queer sensibilities attuned to a defiant non-normativity. Not only sexually queer, Genet was also a criminal and a social pariah, a bitter opponent of the police state, and an ally of revolutionary anticolonial movements. In Disturbing Attachments, Kadji Amin challenges the idealization of Genet as a paradigmatic figure within queer studies to illuminate the methodological dilemmas at the heart of queer theory. Pederasty, which was central to Genet's sexuality and to his passionate cross-racial and transnational political activism late in life, is among a series of problematic and outmoded queer attachments that Amin uses to deidealize and historicize queer theory. He brings the genealogy of Genet's imaginaries of attachment to bear on pressing issues within contemporary queer politics and scholarship, including prison abolition, homonationalism, and pinkwashing. Disturbing Attachments productively and provocatively unsettles queer studies by excavating the history of its affective tendencies to reveal and ultimately expand the contexts that inform the use and connotations of the term queer.

One of the world's leading social critics and educational theorists, Henry A. Giroux has contributed significantly to critical pedagogy, cultural studies, youth studies, social theory, and cultural politics. This new book offers a carefully selected cross-section of Giroux's many scholarly and popular writings, which bridge the theoretical and practical, integrate multiple academic disciplines, and fuse scholarly rigor with social relevance. The essays underscore the continuities and transformations in Giroux's thought, just as they offer invaluable approaches to understanding a range of social problems. Giroux's work suggests that a more humane and democratic world is possible and provides critical tools that can assist concerned citizens in bringing it into being.

Ten years ago, amateur photographer and school bus driver Cynthia Stewart dropped off eleven rolls of film at a drugstore near her home in Ohio. The rolls contained photographs of her eight-year-old daughter Nora, including two of the child in the shower - photos that would cause the county prosecutor to arrest Cynthia, take her away in handcuffs, threaten to remove her daughter from her home, and charge her with crimes that carried the possibility of sixteen years in prison. The disturbing case would ultimately attract national attention - including stories in USA Today and on NPR - and supporters including the famed photographer Sally Mann, Katha Pollitt, and the ACLU. Framing Innocence brilliantly probes the many questions raised; when does a photograph of a naked child ''cross the line'' from innocent snapshot to child porn? What makes a photograph dangerous - the situation in which it is shot or the uses to which it might be put? When does the parent, and when does the state, know best? Written by poet Lynn Powell, a neighbor of Cynthia Stewart's, this riveting and beautifully told story plumbs the perfect storm of events and people that threatened an ordinary family in a small American town. Framing Innocence features a determined prosecutor; a fundamentalist Christian anti-porn crusader who is appointed as Cynthia's daughter's guardian; the local attorneys for whom the case would become a crucible; and the many neighbors - friends and strangers, Republican and Democrat - who come together to fight for sanity and for justice for Cynthia and her family.

This book traces the history of what it terms the “lie of innocence” as represented in literary texts from the late 18th century to contemporary times. The writers selected here – William Blake, Herman Melville, William Faulkner, Graham Greene, and Cormac McCarthy – write at various points in which the western world was undergoing a process of secularization. This work commences with a study of the bible demonstrating the extent to which “innocence” is realized there as a lie. It identifies in the bible how “innocence” is used for political, social and ethical expediency, and suggests that the explications of each reference can be demonstrated to testify to an absence of innocence, to indeed the lie of its supposed meaning. In analyzing the selected texts, emphasis is given to the continuation of biblical relevance even when the described world of social behavior works outside religious and biblical notions of good and evil. Instead, this book embraces an interconnection between Nietzsche’s “innocence of becoming” and the biblical tree of life that had been rejected in western mythology. It is, this work argues, the choice to sanctify the biblical tree of knowledge that presumed to know what was good and what was evil that brought about the lie of innocence. The book focuses on the relationship between fathers and sons, arguing that it is the orphan son, cut away from paternal ties, who embodies the possibility for the world to embrace an “innocence of becoming”. It further shows, with some optimism, that in a post-apocalyptical world, as envisaged by McCarthy, the son can be freed to choose the tree of life over the tree of knowledge.

A fierce national outcry for righteously waging war has long dominated American culture. From at least the wildly popular Spanish-American War and the US military invasion of the Philippines that infuriated Mark Twain, right up to the current Global War on Terrorism, this is a deadly, dark current coursing throughout American history. Meanwhile, dissenting analyses of the “patriotic gore” have until recently been paid scant attention in the popular media. Delving into this history, this probing collection of essays explores ways in which “the compulsive redeployment of innocence” in the launching, cheering, and retelling of America’s wars “endlessly defers a national reckoning,” as the editors astutely state in their introduction. The works in this collection reflect an effort to add more voices where they are desperately needed.

A deeply reported, gripping narrative of injustice, exoneration, and the lifelong impact of incarceration, Beyond Innocence is the poignant saga of one remarkable life that sheds vitally important light on the failures of the American justice system at every level In June 1985, a young Black man in Winston-Salem, N.C. named Darryl Hunt was falsely convicted and sentenced to life in prison for the rape and murder of a white copyeditor at the local paper. Many in the community believed him innocent and crusaded for his release even as subsequent trials and appeals reinforced his sentence. Finally, in 2003, the tireless efforts of his attorney combined with an award-winning series of articles by Phoebe Zerwick in the Winston-Salem Journal led to the DNA evidence that exonerated Hunt. Three years later, the acclaimed documentary, The Trials of Darryl Hunt, made him known across the country and brought his story to audiences around the world. But Hunt’s story was far from over. As Zerwick poignantly reveals, it is singularly significant in the annals of the miscarriage of justice and for the legacy Hunt ultimately bequeathed. Part true crime drama, part chronicle of a life cut short by systemic racism, Beyond Innocence powerfully illuminates the sustained catastrophe faced by an innocent person in prison and the civil death nearly everyone who has been incarcerated experiences attempting to restart their lives. Freed after nineteen years behind bars, Darryl Hunt became a national advocate for social justice, and his case inspired lasting reforms, among them a law that allows those on death row to appeal their sentence with evidence of racial bias. He was a beacon of hope for so many—until he could no longer bear the burden of what he had endured and took his own life. Fluidly crafted by a master journalist, Beyond Innocence makes an urgent moral call for an American reckoning with the legacies of racism in the criminal justice system and the human toll of the carceral state.

Jennyer, she could not give herself up as easily as Adam to sleep. She listen to her breath and in the lunar twilight she watched her profile. When he slept, he was losing that aggressive mask that had replaced his loving smile from the first years, and she was finding the man she had loved. Then in the silence of the night, she always found him as handsome and seductive. She swallowed her years and slid as close to the edge of the bed as possible plunging her face into the pillow to feel less lonely. Enter the world of Jennyfer, a free woman: The flight of a woman.