A widowed duchess and aspiring artist becomes embroiled in international intrigue after the man she thinks is her latest nude model turns out to be a spy for Queen Victoria. Original.

He's looking for a duchess. She's looking for...well, anyone but him. Georgie Cleveland is well aware that true love exists. She may have even found it in the handsome young gentleman she's set her sights on. Unfortunately, her rival has the same designs on society's most sought-after poet. Now Georgie is forced to go to extremes to catch his eye. She could make him jealous, for example, by feigning interest in her sister's brother-in-law, the Duke of Roxborough. It is all for show, of course. Roxborough is far too dull for her tastes. So boring, so stodgy...yet, such a surprisingly passionate kisser. With Roxborough's new title comes more pressure than ever to marry. His mother has prospective wives lined up for him, all perfectly fitted for the role. Why then does he find himself saddled with the wide-eyed Georgie at every turn? He has no use for someone so frivolous, not with the responsibilities he has on his plate. He should help her find a husband to rid himself of her distractions, but that's easier said than done when it quickly becomes clear that her taste in husbands is abysmal. To make matters worse, she seems to have the oddest effect on him. The more she tells him how safe and predictable he is, the more he's tempted to kiss her senseless.

In this, the second volume of Goethe: The Poet and the Age, Nicholas Boyle covers the most eventful and crowded years of Goethe's life: the period of the French Revolution, which turned his life upside down, and of the German philosophical revolution which ushered in the periods of Idealismand Romanticism. It was also a period dominated by two intense personal relationships: with Schiller, Weimar's other great poet, philosopher, and dramatist, and with Christiana Vulpius, the mother of his son. Goethe was a poet of supreme intelligence and sensitivity living through political andintellectual changes which have shaped the modern world. The transition into modernity is the theme of this volume: Goethe's harrowing experiences of the Revolutionary wars; the explosion of new ideas in philosophy and literature which he absorbed and adapted and which for ten years made Jena theintellectual capital of Europe; the political upheaval initiated by Napoleon which destroyed the Holy Roman Empire in which Goethe had grown up, and with it the cultural role he had envisaged for Jena and Weimar. Boyle vividly narrates both the large-scale events and the personal dramas of thisexciting time, to give lucid accounts of important thinkers whom English readers have hitherto found inaccessible, and to analyse in new ways Goethe's works of the period, notably Wilhelm Meister, The Natural Daughter, and Faust.

An impoverished viscount hoping to excavate a lost Roman treasure at his family estate enlists the help of an innocent miss he believes to be a French courtesan in exchange for lessons of love. Original.

More widely studied and more frequently performed than ever before, John Webster's The Duchess of Malfi is here presented in an accessible and thoroughly up-to-date edition. Based on the Revels Plays text, the notes have been augmented to cast further light both on Webster's amazing dialogue and on the stage action. An entirely new introduction sets the tragedy in the context of pre-Civil War England and gives a revealing view of its imagery and dramatic action. From its well-documented early performances to the two productions seen in the West End of London in the 1995-96 season, a stage history gives an account of the play in performance. Students, actors, directors and theatre-goers will all find here a reappraisal of Webster's artistry in the greatest age of English theatre, which highlights why it has lived on stage with renewed force in the last decades of the twentieth century.

Fallon DeVries has a sister who lives only in his mind. Paying the price of magic gone wrong, Aurienne is trapped watching a world she cannot touch, only able to communicate with her brother while he sleeps. And it's slowly killing him. Fallon and Auri's best chance of untangling their lives is to win the help of a mage of unparalleled ability. But how can they ask for help when the warped spell prevents him from speaking? Besides, Rennyn Claire - once the most powerful mage in the world - is a shadow of her former self: ill, injured and unlikely to recover unless she can hunt down the monster who once tried to make her his slave. But that Wicked Uncle is nowhere to be found, and other dangers, once slumbering dormant, are stirring...

Lord and Lady Chatham were blessed with five sons and only one daughter. But when it comes to Caroline, one is more than enough . . . Caroline is about to embark on her third Season and her parents fear she’ll be permanently on the shelf if she fails to make a match this time. Unfortunately for them, that is precisely what Caroline wants! Curious and adventuresome, Caroline longs for a life of travel, excitement, and perhaps even a touch of danger . . . If only she can remain unmarried until she turns twenty-one, Caroline will inherit her grandmother’s bequest and gain her freedom. It’s not a staggering amount, but it’s enough to fund her dreams without a husband’s permission. She has her future all planned out—until Lawrence Sinclair appears on the scene . . . Intense, intriguing, and handsome, the man reminds Caroline of a caged lion. In fact, the more she knows of him, the more questions she has. And when she learns how dangerous he really is, he may just become her new fascination—the one she can’t resist . . . “Mia Marlowe is the mistress of saucy historical romances.” —Books Monthly “Mia Marlow is a rising star!” —New York Times Bestseller Connie Mason “Mia Marlowe proves she has the ‘touch’ for strong heroines, wickedly sexy heroes!” —Jennifer Ashley, USA Today bestselling author of Lady Isabella’s Scandalous Marriage “Her three-dimensional characters truly steal reader's hearts and keep the pages flying.” —Kathe Robin